主体与历史--解读海登·怀特《作为文学虚构的历史本文》

在 2 0世纪西方文学理论与批评中 ,美国新历史主义批评家们将历史批评置于后现代氛围中进行了全新的阐释。海登·怀特在《作为文学虚构的历史本文》中辩证地论述了历史本文实为一种主体叙述 ,而且是一种在特定历史语境中的文学虚构 ,同时 ,主体叙述与历史本文、历史语境与文学虚构之间存在着“解释的循环     

不同世界的融合

《简·萨默斯的日记》中萨默斯和马奥迪这对人物关系体现了不同世界融合的一个普遍原理,有利于我们理解人类社会的各种关系,为创建未来和谐社会打下理论基础。     

Walking Propositions: Coming to Know A/r/tographically

This article explores walking as a form of inquiry within a study group at The University of British Columbia committed to a/r/tography. Three propositions are explored and as a result we think more deeply about being present, truly present, to that which we never anticipated. The first proposition, ‘Go for a walk outside, find an object and do something with it’, leads us to think more deeply about being present to possibility: kicking the rock. The second proposition, ‘Walk around your neighbourhood with another. When you find unfamiliar ground, pause, and ground yourself’, leads us to appreciating being present in‐between place and relationality. The third proposition, ‘Follow one another in a line without stopping or speaking’, invites us to explore being present to interiority. Walking in response to these propositions and coming to think deeply about the impact of being present to presence, became important to us as a community of a/r/tographers.     

现象学直观的教育价值及其评价——基于马克斯·舍勒的价值论、教育观的分析

马克斯·舍勒的现象学态度直观的价值理论、教育理论,不仅对哲学伦理学具有奠基作用,而且也为教育价值及其评价理论提供了现象学审视的全新视角.舍勒认为价值分为感官价值、生命价值、精神价值、神圣价值;相应地,作为存在范畴的教育的价值也可分为教育感官价值、教育活力价值、教育实用价值和教育神圣价值;教育评价不能仅仅停留在教育的生命价值这一较低的层级,因为人是生命和精神的同构的在者,因此,教育评价应基于人和教育本身,对教育进行生命和精神同构的价值判断.     

早期海德格尔现象学的思想路径

现象学方法对海德格尔原创性思想的生发起到了决定性的作用,对他而言,现象学首先而且主要是一种方法。海德格尔的现象学主要形成于其早期弗赖堡和马堡讲座以及《存在与时间》三个阶段,他依次提出了形式显示的现象学、事实生活的解释学现象学以及现象学的还原、解构和建构等重要思想,这对现象学运动和当代解释学的发展影响深远。     

叙事心理治疗的生存本体论含义

叙事治疗是一种关于在世生存的对话方式,它的独特性在于其意义象征活动的生存本体论即现象学-诠释学的立场.本文讨论了作为价值实践的叙事心理治疗的研究、应用以及未来发展的取向.     

Coteaching/Cogenerative Dialoguing: Learning Environments Research as Classroom Praxis

Critical educators have leveled a methodological critique against traditional forms of classroom research because they both objectify teachers and students and lead to results that do not enhance praxis. Over the past decade, we have developed coteaching as a context for learning to teach and supervising teaching, on the one hand and, on the other, as a method for doing research on and evaluating teaching. Coteaching involves an equitable inquiry into teaching and learning processes in which all members (or representatives thereof) of a classroom community participate – including students, teachers, student teachers, researchers, and supervisors. In this article, we articulate coteaching in terms of activity theory and the associated first-person methodology for doing research on learning environments that is relevant to praxis because it constitutes an integral part of praxis. A detailed case study exemplifies coteaching and the associated research on learning environments.     

教育现象学:理解与反思

教育现象学是立足于现象学精神的教育追问。通达现象学精神的教育现象学有理论教育现象学和实践教育现象学两种范式。理论教育现象学旨在教育现象学理论与知识的建构,它在汲取、吸纳现象学丰富资源的基础上,形成了超验现象学、存在现象学、解释现象学和伦理现象学四种取向。实践教育现象学则直面现实生活世界提出的问题,它并非现象学方法在教育研究中的简单运用,而是一个相对独立的研究范式,有其独特的认识论、方法论、意义来源、研究方法与程序。理论教育现象学与实践教育现象学共同构成了教育现象学的整体取向。     

The teacher as co-creator of drama: a phenomenological study of the experiences and reflections of Irish primary school teachers

Classroom drama in the Irish primary school context remains a relatively new endeavour and is largely under-researched. The knowledge base for all aspects of teacher education should be informed by rigorous reflection on teachers’ experiences in the classroom. This paper reports on a phenomenological study conducted with seven Irish primary school teachers which focused on their experiences of co-creating drama with their students. Co-creating drama is held in this work to be the coming together of teacher and students in a collective creative enterprise during the drama lesson. The term proposes a partnership whereby they operate as co-participants and co-artists in the drama experience. The ‘creating’ aspect of co-creating can be considered the artistic enterprise of making drama in a way that is new and unique to the group. In considering the teacher as a potential co-creator of drama, the paper probes the emergent and changing ontological attitudes of the participants throughout the process: the values, attitudes and perspectives that informed their teaching. The paper illuminates the phenomenon of teachers co-creating drama in all its complexity, and seeks to reflect on the meaning of this for the teachers.     

心理治疗的关系和进程——现象学—诠释学的理解

心理治疗是对主体经验的意义所进行的一种探索。治疗过程的本质是一个对话活动,它通过人与人的会话、通过互主体性的象征活动而发生。在这种关系中,一个治疗师不可能是解决他人困境的专家,他不提供外在的反馈以＂纠正＂当事人的问题。治疗师的任务是使当事人确立一个能够理解自身处境的位置。治疗就是一个让当事人的经验展现和流动的过程。治疗师和当事人的对话互动是自我治愈的一个有效途径。