The Double Public Good: A Conceptual Framework for ``Shared Experience' Values Associated with Heritage Conservation

This paper introduces the double public good model as a representation of the simultaneous externalities that complicate decision making in the cultural heritage sphere. Social welfare is modeled as depending on both public and private benefits of households' production of individual heritage experience, which in turn depends on the stock of historic assets (a public good) and access effort (a private good). The public benefit of private experience arises from ``shared experience' that fosters cultural identity and social understandings. The model generates marginal efficiency conditions for the amount of physical preservation, amount of access, and intensity of access. The model highlights the need for dual-level policy making in order to avoid unbalanced heritage preservation efforts that have been of some concern in the literature.     

从美学的角度归结中国歌唱的历史时期及特征

从美学角度出发,引证古籍著述中关于歌唱的记载,从原始歌唱、美感歌唱、艺术歌唱、声乐艺术4个时期对我国歌唱的历史及美学特征进行归纳总结,从而为我国歌唱艺术的多维度探索进行了大胆尝试.     

文化巨变时代的新式民俗志——《中国民俗文化志》总序

《中国民俗文化志》(县、区卷)的指导思想是注重具体理解民俗与地方生活的关系,以体现文化巨变时代的文化自觉意识。当代地方民俗志需要以三点重要认识为前提:一、中国民俗的地方性是民族性与地域性交叉的表现;二、民俗志应该着力记述连续性的民俗传承,也要关注深层的民俗传承;三、结合对地方传统生活方式的把握,将比较容易描述地方民俗的特色,呈现民俗文化内在的逻辑关系,反映地方社会与文化的历史特征。民俗文化的地方传承也就是在历史上被一再建构的地方性象征体系,其中若干重要文化事象具有标志性意义。因此“标志性文化统领式民俗志”成为本志书统一采取的书写模式。     

以歌唱刘志丹为代表的陕北革命民歌的价值与意义研究

以歌唱英雄刘志丹为代表的陕北革命民歌因其鲜明的红色革命思想,为陕北民歌的发展注入新生的力量,在近现代音乐史上具有重要的历史价值。20世纪三四十年代大批艺术家对陕北革命民歌采集、利用,创作出很多被世人传诵的经典音乐作品,推动了我国民族音乐的发展,为世界民族音乐的多元化和我国新音乐发展做出重大贡献。     

山西高原是人类文明的一个宏伟景点

中国传统文化是世界文明史上与西方文化相并立的一座高原。黄河贯流古代中国,秦岭将古代中国分为南北,山西高原将古代中国分为东西。独特的地理位置与历史的现实发展相结合,造就了山西文化小高原,使山西文化高原具有阳刚、桥梁和独立几个特点,在中华民族形成和发展的历史上发挥了极为重要的作用,正所谓＂中国五千年文化看山西＂。从现代旅游的角度而言,山西文化高原本身就是一个人类文明的高合成性景点,山西高原曾经演绎过的历史文化、军事文化、政治文化、心灵文化等厚重、博大、细腻、壮观,充满了神奇的文化魅力,看历史中国必看山西。     

Structural Analysis for Replicating Japanese Cultural Property Braids

ABSTRACT

Historic Japanese textiles from over 1000 years ago generally show marked deterioration and only very rare examples show their original forms and much information about textile reproduction has been lost. The replication of textile braids lacks systematic methodology and is still being practiced by only few individual braiding experts. The recreation of original braids as close as possible to original braids is a part of Japan’s intangible cultural heritage. The aim of this study is to clarify the decision-making procedure through which the braiding experts can decipher the original braiding structures. As a preliminary study of this project, interviews of a braid researcher and a replicating expert, Makiko Tada were performed regarding her working practices. It is important to clarify the braiding parameters for structural analysis such as the number of transits and the balance of ridges, and it became clear that the orientation of multiple colored threads plays an important role. The expert’s replicate works were also analyzed using a text-mining statistical technique to clarify the relationship of braiding parameters. The relationship between each braiding parameter and production method such as loop manipulation and Taka-dai became clear. As a result, the process of deciphering the original braid structure has been compiled in simplified workflows, which could contribute to the standardization and improvement in efficiency of replication of cultural property braids.     

历史街区的更新再利用

历史街区是城市景观的重要组成部分之一,是城市历史脉络的延续和发展的反映,是一种重要的文化资源。阐述和剖析了世界城市历史街区的基本概念、分类、保护与更新再利用的关系和相关的开发模式与原则。     

先秦散文人物意象析论

先秦历史散和诸子散安排人物意象各有特点，历史散重于抒写母亲意象、子孝母，母爱子；诸子散重于抒写父亲意象：子孝父，父爱子。母亲意象在传沿过程中发扬光大，而父亲意象发展则相对迟滞。     

居住性历史街区保护与更新的若干理论探讨

在对居住性历史街区概念界定的基础上,结合相关文献,探讨了街区保护的动态历史观,基于可持续发展和有机再生的理论基础,提出了整体保护和动态保护、小规模渐进式、社会生活结构延续性、公众参与的保护更新原则。     

解读司马相如列传重视一代“情圣”之异说

二千多年来一曲《凤求凰》、琴挑卓文君的浪漫爱情故事,世世代代一直被人们津津乐道、称赞不已,司马相如也因此被人们奉为“情圣”、“诗圣”。经过认真通读司马相如列传之后,作者认为“情圣”的美称的确值得商榷。