学者评价期刊与引文评价期刊异同之思考——以史学学术期刊评价为例

学者评价期刊与引文评价期刊,各有其优点和局限性,二者有不同和相同之处。将近期史学学者评价史学期刊的结果与CSSCI引文评价的结果对比,二者除具有一定的正相关性外,还具有不同的评价方法和结果,引文评价结果可供学者评价参考。     

高师院校图书馆文检课教材统一联合编写问题探讨

本文通过对当前文检课教材中存在问题的分析,认为高师院校联合编写文检课教材将有利于发挥图书馆文检课教师的整体优势,出版优秀而权威的与高师院校相适宜的文检课范本,从根本上改变目前文检课所处的困境,提高这门课的教学水平.     

图书馆开展历史文化特色讲座服务探讨——以扬州市图书馆为例

本文以扬州市图书馆为例,对历史文化名城图书馆,开展历史文化特色讲座的意义、内涵及运行机制进行了探讨。     

武术史中若干问题的探讨

在尊重史实和据典分析的基础上,产生了以下几点认识:(1)技击不能与现代搏斗运动混为一谈;(2)“武舞”孕育着武术套路的雏型;(3)“能击善舞”是中国武术的蔚然风气;(4)在西晋南北朝时,对武术体系的形成产生了3个深远影响;(5)与武术有关的典籍中,蕴含着丰富的哲学词汇和哲理。     

清代苏州万卷藏书家的抄书活动及其功绩

从清代苏州万卷藏书家形成的社会背景、历史源流着手，指出抄书仍是历代藏书家增加藏书的重要手段之一;针对精抄精校泽被后世和楼名典雅用纸讲究等方面，阐述清代苏州万卷藏书家抄书活动与一些典型特点及其不朽功绩，并著录其流传及现存状态、藏地。     

论中国图书馆学历史传统的传承

中国图书馆学有优良的学术传统和丰富的历史资源，它们是我们建设中国特色图书馆学的重要精神财富。文章分析了如何发掘和利用中国古代的图书馆学术资源，提出要弘扬中国图书馆学经世济民的价值取向、调查研究的方法取向、应用研究为主的研究取向和系统、整体的思维取向等优良学术传统。并在此基础上融合西方图书馆学的成果。使当代中国的图书馆学研究既符合世界潮流，又具有中国的“魂”和“体”。     

口述历史在地方文献工作中的意义及实践

文章首先简要介绍现代口述历史的含义及其发展历程，阐述了口述历史对于地方文献工作的意义，并结合自己的工作实践探索开展口述历史工作的方法和需要注意的问题。     

读馆藏《退想斋日记》

文章通过对《退想斋日记》内容的介绍,旨在指出其在研究山西政治、民俗和晋商方面的史料价值,进一步指出日记对近代社会史研究的重要价值。     

Museums at the crossroad: Contributing to dialogue, curiosity and wonder in natural history museums

The first natural history collections opened to the public were inspired by a sense of curiosity and wonder about the products of nature. They were ‘cabinets of curiosities’ that offered a first-hand interaction between owner and visitors. Nowadays, these two facets of the museum experience—dialogue and wonder—have been lost, in part, due to the information overload coming via the media and the impersonal nature of the museum visit. This paper offers some reflections on the evolution of the museum visit, suggests some ways to rediscover this ‘sense of wonder’ and provides ideas on how to promote two-way communication with museum visitors. Two examples of exhibitions are offered as illustrations of the points discussed.     

The terrible gift: Museums and the possibility of hope without consolation

Public history is turned toward the future no less than the past. Little discussion exists as to how practices of public history might foster new ways to live with the presence of history. Museum exhibitions are one site where such discussions may take place. Particularly generative in this regard are exhibitions that present artifacts and documentation that reference state-sponsored violence. One such exhibition in development is discussed. While this exhibition presents evidence of past events, it also assembles traces of the past and bequeaths them as a testament, “a terrible gift” that places difficult demands on those to whom it has been given. In discussing the practices of inheritance initiated by such a gift implications are drawn for how museums might initiate a reconsideration of the force of history in social life.