打工诗歌中身份认同问题的现代性考察

当代打工诗歌是在我国现代性转型语境下产生的一种特殊产物,它与现代性有着莫大的关联.这种关联其中一个突出表现便是打工诗歌中所展现出来的关于身份认同问题的书写.以文化社会学的角度切入,剖析和探究打工诗歌文本中所反映出来的社会群体身份、文化情感身份和道德身份等三重身份层次的展开与演化,对反思当今转型期社会的文化现代性进程有着重要的参考价值与意义.     

坚忍 期盼 反抗——由中唐悯农诗歌看当时农民的心理状态

唐安史之乱前，文人写作的悯农诗歌尚属寥寥。安史之乱后的整个中唐时代，悯农诗数量突然大增，这些诗歌不仅仔细描摹了中唐农民生活的状态，而且对中唐农民的心理状态也作了清晰的刻画。基于对中唐悯农诗文本的分析，揭示出中唐农民从坚忍到期盼直至反抗的整个心理流程，以弥补正史之不足，并展现出中唐下层人民沉重的心灵世界。     

Teaching poetry: writing poetry — teaching as a writer

This paper considers the ways in which the authentic strategies and struggles of the creative writer in formulating a text, can be translated into classroom activity. It explores four activities which derived from my own practice as a writer, and demonstrates the process of adapting, trialling and evaluating them in a range of different classroom settings. The paper attempts to answer the questions: w ere these ‘real‐life’ processes successful as a basis for learning activities? How did the learners respond and what can we learn from heir responses? The paper concludes with the premise that being congruent with one's own ‘real‐life’ strategies can indeed lead to valid learning activities, and that these activities help us to deconstruct many of the myths about what it means to be creative.     

产品造型中的诗意化空间

本文对诗意的心理特征、诗意与产品语意学的关联性及其在产品造型中的应用进行了相应的探讨。     

2004儿童诗创作综述

2004年里执著于儿童诗创作的人并没有减少,儿童诗艺术的魅力依然吸引着不少人在意象的天空里飞翔.北京少儿社出版了金波、高洪波、樊发稼、王泉根、尹世霖、谭旭东、安武林等少儿文学专家指导编选《新童谣》（幼儿版、小学版）,《新童谣》,希望出版社出版了“希望少儿诗丛”,等等,这些都给儿童诗创作与发展注入了活力,但不论儿童诗创作处于何种境地,它注定是在路上的命运.     

诗歌鉴赏方法论

通过诗的感觉去把握诗的思维,从而进入诗歌文本。诗歌文本中以意象为基本单位构成诗的思维不同层次。对诗的思维不同层次的把握,使鉴赏者对诗歌文本有更进一步的理解、分析。但在诗歌鉴赏中还必须通过对诗歌的本体性特征“诗家语”的感悟去把握诗歌的独特性,在艺术再创造中充分发挥鉴赏者的想象和联想的作用,根据“知人论世”、“以意逆志”等原则去鉴赏诗歌和获得诗美享受。     

唐人的"后院"--从唐诗中的"药"看唐人生活与创作

“药”在唐诗中大量出现,与唐人生活和创作密切相关。对生命的极度关注,导致唐人发现了药的诸多现实功能;而对药的热衷,则使唐人与自然的关系在广度和深度上均超越前人。唐人把诗笔深入到从采药、洗药、炼药到卖药、服药、行药的各个细节,更将药园视作娱养情志的所在和优雅诗思的源泉,从而出入于理想和现实之间,自如地挥洒多彩的性格和情趣。于是,唐诗中涌现出大量与药相关的词汇、形象和主题,并由此影响到唐诗的风貌。可以说,药园与药既是唐人的生活后院,也是唐人的精神后院。     

Neo-Platonism in Ibn Khaldūn's Poetics

This article analyses the presence of Neo-Platonic ideas in the poetics of Ibn Khaldūn's (1332–1406). It particularly focuses on the sixth part of the Muqaddima, in which Ibn Khaldūn presents the Arab-Islamic system of knowledge. I argue that Ibn Khaldūn analyses poetry in terms of a peculiar kind of knowledge and that his views on poetry are largely dominated by a Neo-Platonic paradigm, deriving from Avicenna's Psychology and Sufism. I focus on four topics: the “weak” rational position of poetics among the sciences of logic; the rhetorical norm of mu?ābaqa (“conformity” between “words” and “ideas”, and between “speech” and the “requirement of the situation”), the musical norm of talā?um (appropriateness of note combinations) and the notion of poetical “models” (uslūb; pl. asālīb). My conclusion is that the Muqaddima provides the modern reader with a precious longue-durée overall view of pre-modern Arab-Islamic poetics.     

Longing for Granada in Medieval Arabic and Hebrew Poetry

While a great many studies have dealt with medieval poetry, they have failed to discuss the poetry of longing (?anīn) as a separate genre, independent of other genres, especially elegies (in particular poems that lament the fate of cities) and poems of salvation and lament. Nor has any study so far undertaken a comparison between works of this genre by Muslim and by Jewish poets.

In this article, we shall discuss the growth of the poetry of longing in Muslim Spain and provide a number of examples of verses composed by Muslim and Jewish poets who were born in the cities of Andalusia and shared a common fate: many of them were persecuted for a variety of reasons and forced into a life of wandering and exile, and suffered banishment, imprisonment and torture. The ways they expressed their longing for their native cities possessed similarities but also differences, depending on the way each such poet perceived the land of the west and the scenes of his native city. The differences were particularly marked with respect to the way Jewish poets viewed the cities in which they had been born.     

古典诗词中的数字及其英译

全文两部分:第一部分介绍了中国古典诗词中数字的使用与分类,分析了数字在诗词中的修辞功能,提出了欣赏数字艺术功能的主要方法;第二部分从诗词英译实例中归纳出数字英译的四种基本方法,并对不同译法进行了比较和评析.