情景规划在新兴技术动态评估中的应用/FONT

针对现有新兴技术评估方法的不足,分析了将情景规划应用于新兴技术动态评估的思路与方法;在此基础上,开发了一个新兴技术动态评估的过程模型,并以微硬盘技术为例,说明了该模型的特点与应用过程。     

英特网信息资源支持下的英语报刊阅读课教学设计:实践与探讨

为了适应21世纪社会的发展以及21世纪社会对人才的综合能力素质要求,对英语专业二年级学生的英语报刊阅读课重新进行设计.在课程目标中明确提出了两个建构及其内容,以及英特网信息资源支持下的教、学双主的教学模式;并对新的设计进行了阐述,对实践的效果和问题进行了探讨.     

老铁山—长兴岛VLCC外海航路安全水深的确定

为确保长兴岛北港区30万吨级油船泊位正常营运,科学合理地规划老铁山水道至长兴岛北港区的外海航路,对国内外关于航道水深的标准、规范和影响船舶富余水深的要素进行对比分析.基于MATLAB 8.0平台,利用芳村公式、Eryuzlu（1994）修正公式和Norbin公式计算船舶在开敞水域航行时的下沉量、富余水深和安全水深,并画出满载VLCC在开敞水域航行时的下沉量、富余水深、安全水深在不同航速情况下随水深与吃水比值变化的曲线.根据《海港总体设计规范》、芳村公式、Eryuzlu(1994)修正公式和Norbin公式,计算出在开敞水域航行的满载VLCC在不同航速下所需的下沉量和外海航路安全水深.运用该方法提出老铁山水道至长兴岛北港区外海航路的安全水深建议值.该方法可为渤海湾其他有VLCC码头的外海航路设计提供一定的参考.     

资源环境与城乡规划管理专业实践教学探讨

针对资源环境与城乡规划管理专业的特点,探讨实践教学改革的必要性,并提出了实践教学改革的初步设想。     

The temporal pocket: 1990s Beijing artist colonies

In recent years, a small but growing body of scholarship has emerged on the category of the Chinese art district, particularly its institutionalisation amidst twenty-first century creative industries polices. Such research presents important stories of Chinese artists’ negotiations with urban and political authority, thus nuancing paradigms for the comprehension of political work within contemporary China. This current article contributes to this growing research area by considering the spatial conditions for these socio-spatial categories’ emergence, namely, the urban structures in which they first took shape in 1990s Beijing. First occupying traditional villages (cunzi) and later ex-socialist work units (danwei), these arts colonies appropriated existing communal architecture, and turned their designs and physical buildings to their own communal ends. Importantly, these sites were made available by the dramatic reconstruction of the city, and in this sense these occupations were limited to the temporal realm. To describe the nature of occupations, and their eventual impact upon the shape of the city, this paper proposes the category of “the temporal pocket”: a cellular and temporary inhabitance, defined by the shared investments of its participants, and one that is both discrete (in the sense of its spaces) and discreet (in the sense that this can be understood as a non-oppositional politics). The article is informed by spatial and cultural theory, literature on Chinese urban planning and art history, as well as primary documents (such as documentaries, art works and archival material) and interviews conducted by the researcher in Beijing.     

‘Subtopias of Good Intentions’

ABSTRACT

This article investigates the cultural and political meanings of everyday landscapes in postwar Britain. Public discussions of these landscapes have moved beyond relatively narrow questions about the aesthetics or design of public space to consider broader issues of land use, national identity, historical tradition and the management of social change. They have fed into anxieties about postwar reconstruction and the spread of ‘subtopia’, national decline, and more recent concerns about conservation and heritage. The article argues that the recurrent fear that Britain is being colonized by standardized subtopian clutter has tended to ignore more subtle historical shifts, produced by changing relationships between government and commerce, public and private space, urban centre and suburban periphery.     

Mapping cultural assets and evaluating significance: theory,methodology and practice

Over the last decade in the UK, there has been a notable shift in the popularity and use of cultural mapping as a methodology for policy making at a regional and local level. This follows increased demand for an informed framework for planning arts and cultural facilities from local and regional government and from within the cultural sector (Evans, 2008: p. 65). The article begins with an exploration of cultural mapping within cultural policy, which explores the context for the growth in this area of activity, and why this kind of activity appeals to policy makers and organisations. It then goes on to examine four cultural mapping exercises which have been undertaken in recent years in the UK. These studies have been chosen because although they all focus the mapping of cultural assets within a specific geographic area, they differ to one degree or another in purpose, context, definition, geographic scale and methodology. They illustrate the narrow range of approaches deployed in the cultural mapping field in the UK, and as such provide a useful means of critically reviewing their limits as well as highlighting the issues and challenges faced by cultural cartography in practice. The article concludes by considering the type of mapping research that is “allowed” within the discursive confines of consultancy based cultural policy research.     

爱尔兰圣三一学院战略规划对我国高校教育的启示

为了更好的发展并加强其在世界名校中的竞争能力,圣三一学院近年来对学术研究、教育发展、对社会的贡献、人力资源、基础设施、管理等方面进行了规划和部署。从科研和教学的角度,对圣三一学院的发展思路及经验进行解析,为我国高校特别是研究型大学的教育改革与规划提供比较和借鉴。     

文化研究视域中的教学设计研究

文化研究整合了后现代主义、女性主义、后殖民主义等不同的“声音”。从文化研究视域审视教学设计,其重要目的在于跨越批判到行动。本文在追踪国外相关研究的基础上,从概念内涵和对教学设计的实践意义两大方面,对教学设计中的文化研究进行了概要分析,并以女性主义、审美经验论为例展开了相关阐释与论述。     

统筹--老名词新观念

论文通过对我们党在不同时期的统筹问题的分析研究，既指出了过去对统筹问题上存在的认识上的片面性和实践中的误区，又阐明了我们党在新的历史时期对统筹问题的新的理论和认识上的发展。从而对统筹问题有了更深层次的理解和认识，有利于帮助人们加深对我们党新提出的“五个统筹”理论认识，增强人们在实践中贯彻执行“五个统筹”发展观的自觉性。