华夏文明与河南古代文学

河南是中华民族的摇篮,是中华文明的发祥地。河南古代文学表现的基本精神,也构成了中国文学的基本精神,即：“大一统”思想指导下的爱国主义精神;建立在“民为邦本”基础上的同情人民疾苦的思想;以追求完美为前提的忧患意识。如果从整个中国文学发展的大背景下来观察河南文学,可以明显地看出,以赵宋王朝的建立为界,前后可分为两个大的历史阶段。在前一阶段中,河南文学的发展与全国文学的发展是同步前进的,其主要形式是诗、文,主要内容是抒情与明理。在后一阶段中,河南文学的发展与全国文学的发展是不同步的。在这个阶段中,全国文学的发展趋势是以小说、戏曲为代表的叙事文学逐渐占据主流位置,传统的诗、文降居次要地位。而河南文学的发展却表现出明显的滞后倾向,以至于逐渐走向衰落。     

核心素养在高职称量实训教学设计中的体现

在教学设计中,核心素养是三维课程目标的继承与发展,是教学适应社会发展的理论指导。社会生活对于学生的发展提出新的要求,这种要求在职业教育阶段更为突出。在食品、药品生产与经营相关专业的职业教育中,做出精准快速的称量操作,是学生应该掌握的基础技能和职业素质。这项实训课程应不断创新教学设计,体现核心素养。     

论文艺创作的空白美及其建构

本文运用艺术哲学和接受美学的方法，对文艺创作空白美产生的原因、空白美的表现形态以及空白美的建构进行了具体的考察和研究，并揭示了空白美在文学艺术发展进程中的独特作用和审美意义。     

人道主义的超越：马克思的人道主义思想研究

在建立历史唯物主义的过程中，马克思把自己历史观和世界观意义上的人道主义改造为伦理学和价值学意义上来看待，是西方思想中固有的传统并且是占据主导地位的。这种人道主义偏重于对历史的人性化理解和解释，而缺少对人本身价值要求的真正关注；把人道主义当作伦理和价值学方面的准则和要求来看待，并把其当作理解人道主义的出发点和全部内涵．则是马克思人道主义思想对西方历史观和世界观的人道主义的超越。     

弗莱整体性文化批评蠡测

弗莱处于诸多文化因素构成的文化"场"中,这促使他成为了文化批评家。弗莱批评理论与荣格理论、西方马克思主义、新历史主义、新批评、结构主义同中有异,有着独特的整体性文化批评倾向。弗莱批评理论兼具现代性与后现代性的双重性质。     

Human integration through Olympism education: a pragmatic engagement of youths in a war-torn society

This paper delineates the findings of a mixed methods study that investigated how Olympism education could strengthen competencies of human integration through delivery of physical, social, and critical literacy and conflict resolution literacy. The study introduced a curriculum model integrating Olympism values and conflict resolution strategies for the purpose of facilitating human integration. This integrated curriculum model was then tested among a group of young students who represent the two main ethnic groups Sinhalese and Tamils, in a war-torn society in Sri-Lanka. The intervention of this study provided pragmatic involvement for young students as the representatives of the next generation, in order to teach them the convergence and contradictions of perceptions of social reform ideals through sport. Results revealed that conflict resolution strategies combined with Olympism education integrated curriculum intervention significantly improved young students’ conflict resolution competencies, regardless of their gender or ethnicity. This study demonstrated significant gains in the ability of young students to learn about human integration through learning about Olympism within sport and physical education lessons, in regards to effective conflict resolution.     

Physical fitness normative values for 6–18-year-old Greek boys and girls,using the empirical distribution and the lambda,mu, and sigma statistical method

The aim of the this study was to establish age- and gender-specific physical fitness normative values and to compare percentiles and Z scores values in a large, nationwide sample of Greek children aged 6–18 years. From March 2014 to May 2014, a total of 424,328 boys and girls aged 6–18 years who attended school in Greece were enrolled. The studied sample was representative, in terms of age–sex distribution and geographical region. Physical fitness tests (i.e. 20?m shuttle run test (SRT), standing long jump, sit and reach, sit-ups, and 10?×?5?m SRT) were performed and used to calculate normative values, using the percentiles of the empirical distributions and the lambda, mu, and sigma statistical method. Normative values were presented as tabulated percentiles for five health-related fitness tests based on a large data set comprising 424,328 test performances. Boys typically scored higher than girls on cardiovascular endurance, muscular strength, muscular endurance, and speed/agility, but lower on flexibility (all p values <0.001). Older boys and girls had better performances than younger ones (p?相似文献   

接受美学与文学翻译中的读者关照

译读是学翻译过程中一个能动的主体，读对译语本的阅读和接受是一种创造性的审美行为。由于读的审美行为具有鲜明的时代特征，因此不同时期的主流翻译方法和翻译策略会有所不同。译对译读语言和化审美特征的关照以及对译读情感需求的关注是影响学翻译活动成功的要素之一。     

文质互变发展的顶峰与拐点——略论刘勰的文学发展观

在刘勰看来,以往文学发展的状态的变化,其实质都是因为文质互为量变而形成的递进和衰退。准确地说,他认为:在商周之前,是一个递进的过程,而从商周以后则是一段衰退的历史。那么,商周就成了实际意义上文质彬彬的顶峰。然而,文质无法达到绝对的平衡,商周的“丽而雅”已经开始显示出文进质退的趋势。所以,不可否认,商周实际上又成为文胜质的拐点。文学的发展,在商周之后,便逐步走上了“从质至讹,弥近弥澹”的道路。     

三论文艺美学的对象、范围和学科定位

艺美学不但是客观存在的，而且是学科发展的必然结果。艺美学不是传统的艺术哲学，也不是美学与艺学交叉产生的第三种学科，而是由哲学认识论、心理学、社会学、伦理学、生存实践等各种角度、多个层次、多种方法高度融合所规定的美学的中介学科和分支学科。艺美学具有独特的研究对象、内容和范围。同时它又是艺社会学、艺心理学的并列学科。