舒曼音乐与浪漫主义的融合

德国音乐家罗伯特·舒曼（1810--1856）全身心地践履与诠释音乐浪漫主义,集作曲家与艺术评论家于一身,横跨音乐与文学两大领域。舒曼对音乐浪漫主义的践履,历经了探寻音乐艺术的坎坷,费尽了追求爱情婚姻的周折,充满了践行音乐创作的传奇;舒曼的音乐浪漫主义风格,展现了真挚性,秉持着内向性,体现出融合性;舒曼音乐与浪漫主义的融合则凸显创新精神,并交织二重属性,注重节奏变花。     

浅谈闽南语歌曲的保护传承策略

闽南语歌曲本质上属于中国民歌、民间音乐,属于大众化流行歌曲的音乐范畴。它是闽南地区和台湾及东南亚的一种地域文化,如何保护传承这一重要的地域文化,是目前我们面临的一个十分紧迫的课题。文章在对闽南语歌曲的生存现状调查的基础上,提出通过地方高校音乐课堂教学与民间传承相结合的方式,使这一宝贵的地域文化得到更好的传承和保护,显示出更强的生命力。     

＂Turkish Five＂：Their Contributions to Contemporary Piano Music and Piano Education in Turkey

First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period （after 1923）, ＂Turkish Five＂ emerged. ＂Turkish Five＂ consisted of professional composers who were educated in Europe and learned western musical forms. These musicians, according to their birth years, are Cemal Resit Rey （1904-1985）, Hasan Ferit Alnar （1906-1978）, Ulvi Cemal Erkin （1906-1972）, Ahmet Adnan Saygun （1907-1991） and Necil Kazan Akses （1908-1999）. ＂Turkish Five＂ achieved important accomplishments and did significant contributions to Turkish contemporary music in 30-40 years with their efforts. While doing this, they used over 500-year old musical legacy of the West. At the beginning, these musicians used Turkish folk tunes and their rhythmic and modal system, however, later, they began to use ＂impressionism＂, ＂neo-classicism＂ and finally ＂atonalism＂ in their music. In the current study, the contributions of ＂Turkish Five＂ to contemporary Turkish piano music and their approaches to piano education were examined via literature review. After an extensive research with the literature on the topic, the researcher has interviewed with six piano teachers from different music institutions in Turkey （including two schools of time arts, two conservatories and two music teacher training schools）. During these interviews, the contributions of the ＂Turkish Five＂ were examined based on ＂relativity＂ and ＂local to global＂ principles in education, and the researcher has searched for the ways to use more of their music in piano education through the interviews. Therefore, the main purpose of the study was to discover ways to implement more of the music by ＂Turkish Five＂ in piano education in Turkey and to ffmd solutions fo     

对提高艺术类专业统考评委素质的思考

目前艺术类专业统考就评委这个环节而言,存在着考前辅导学生现象普遍存在、遴选方法过于保守、个别评委法制意识淡薄、评判＂离群值＂偏高等问题。提高担任艺术类专业统考评委的个人素质,是解决上述问题的关键。为此必须改进评委遴选制度,确保评委的专业素养;完善评委培训机制,提高评委的评价能力;加强评委道德素质教育,增进评委廉洁自律意识;建立民意反馈机制,提升评委队伍的＂公信度＂。     

音乐的非倾向性功能与儿童音乐教育

音乐具有非倾向性、审美性和倾向性三个层次的功能,其中非倾向性功能具有基础性地位,是后两种功能实现的基础.音乐能以情绪的方式满足人类精神生活的天然需要,儿童对音乐有着天然的亲近,并能对音乐这种意会性语言产生跨越时代与种族的心灵共鸣.儿童音乐教育应端正目的,放弃功利化的追求,遵循潜移默化的原则,秉承"顺应儿童天性、让儿童适才适性成长"的理念,以游戏精神为引导,在真正激发儿童艺术天性的基础上,以浸润和熏陶为基本手段,促进儿童音乐学习的热情与兴趣.     

生态论教育思想视域下的当代中国艺术歌曲的价值

生态论教育思想是全球性生态危机背景下诞生的一种新的教育理念,生态论思想与现代教育实践的融合对于当代音乐教育工作有着重要的指导意义。当代中国艺术歌曲中有大量饱含生态论价值的优秀作品,这些作品必将是以生态论教育思想为指向的当代音乐教育所亟需的艺术资源,具有较高的生态教育价值。     

基于信息可视化的教学资源检索与导航模型构建与验证

文章分析了信息可视化技术在教学资源检索与导航系统中应用的可行性和表示机制,提出了一种教学资源可视化检索与导航模型,并通过开源软件设计了实验系统加以验证,为学科导航系统的研究和建设提供了一个新的思路。     

网络学习资源建设中课程知识本体自动提取研究

本体在建设具有语义信息的网络学习资源中具有重要基础作用。文章首先介绍了课程知识本体的结构,随后提出了教材中自动提取课程知识本体的方法,并以"离散数学"教材为例,在GATE中实现了课程知识本体自动提取。     

本体在档案领域中的构建分析

结合档案管理工作的实际情况,重点对档案领域本体的构建进行了研究,目的在于提高档案检索的查全率和查准率,同时给出了具体的构建过程。     

肖邦《降E大调夜曲》的作品设计

夜曲是肖邦（Fryderyk Franciszek Chopin,1810-1849）创作中最富于浪漫主义气质的体裁。文章选例肖邦的《降E大调夜曲》,从夜曲的体裁和作品本体两方面对这首广为流传的夜曲在作品的设计上进行了简要的分析,以期揭示出肖邦夜曲创作的艺术特点。