劳伦斯小说中色彩词汇的使用及其叙事策略

色彩词汇几乎惯见于劳伦斯的所有作品,然而相关论述却只是只言片语。以雅克布森关于语言隐喻和转喻的理论为切入点进行分析,可以看出劳伦斯小说中色彩词汇的使用包含着深刻的隐喻意义,体现了劳伦斯精心布置的叙事策略。这不仅是劳伦斯小说本身的文体需要,而且还有助于加深读者对其隐喻意义的感悟,并对全面把握小说有着至关重要的作用。     

《皮格马利翁》与电影《窈窕淑女》之比较

《皮格马利翁》(1914)是英国戏剧家萧伯纳(1856-1961)的作品,而根据这一戏剧改编的电影《窈窕淑女》(1964)也受到了广泛好评。对这两部作品的比较可以彰显两部作品的不同点及各自的优点和不足。叙事技巧、情景刻画和人物塑造是两个文本中最具代表性的三个方面。其中,叙事技巧包括叙事结构、叙事时空和音乐效果三部分;情景刻画选择了几个有代表性的场景：赛马场、花园舞会和结尾;人物塑造主要分析了伊莉莎、伊莉莎的父亲以及克拉拉的母亲。通过比较,一方面使读者加深对原著的理解,另一方面让观众重温这部经典电影作品,提高对电影的鉴赏能力。     

The Ethical Voice of a Slave

Slavery is probably the gloomiest page in human history,full of the nonhuman actions of white slaveholders and the misery of African Americans.After escaping from slavery successfully,Frederick Douglass present the inhumanity of such a world in"Narrative of the Life of Frederick Douglass."The work is generally held as one of the most famous narratives of former slaves during the same period.Basing on a close discussion of the work,this paper would try to figure out what strategies Douglass has used to build the authenticity of his narration.     

An Analysis of The Bonesetter’s Daughter from the Perspective of Feminist Narratology

Amy Tan(1952-)is a female Chinese-American writer.As a famous figure equal to Maxine Hong Kingston,Toni Morrison etc.,Amy has become"another pioneer"among the minority American writers.The Bonesetter’s Daughter is another masterpiece after The Joy Luck Club,The Kitchen God’s Wife and The Hundred Secret Senses,which is published in 2001.The novel is about the life between the second-generation immigrant Ruth and her first-generation immigrant mother Luling.The stories in the novel are all narrated by female narrators.Through her novels,Amy Tan overthrows the traditional Chinese female images,shows rebel and fight of the female Chinese-Americans who are under the margin of a society dominated by patriarchy and full of racial discrimination and construct her own fictional authority.     

薇拉·凯瑟短篇小说的叙事技巧与主题呈现

该文试图分析薇拉·凯瑟的短篇小说采用叙事视角、对比、隐喻及互文等叙事技巧在表现小说主题上所起的作用。     

目的论视角下的影视剧字幕翻译研究

目的论把翻译行为视为一种有目的的跨文化交际活动,在翻译过程中要遵循目的准则、忠实和连贯准则。影视剧字幕翻译的交际功能决定了译者不仅要考虑两种语言的差异,更要考虑到目的语观众期待、文化背景等,以目的论的三大准则为指导,灵活地采用合适的翻译策略和方法。     

被掩盖的真相——《珀涅罗珀记》中的叙事声音叹息

玛格丽特·阿特伍德的小说《珀涅罗珀记》戏仿《奥德赛》,用多元化的叙事声音重述了史诗中的故事。女性叙事主体的出现颠覆了传统的男性叙事和男性权威,表明了作者的女性主义观点。此外,个人型声音、男性声音和集体型声音等多元化的不同的叙事声音相互碰撞,在叙事的过程中分别建构起了自己的权威,逐渐揭开被官方叙事掩盖的故事真相,表明了权威的不可靠性和真相的不确定性。     

《白鹿原》与新民主主义革命

陈忠实的《白鹿原》以家族叙事为主线展示了中华民族从清末到新中国建立50多年的历史画卷,通过白鹿两家儿女们的革命斗争经历和普通农民对革命态度的转变,清晰而深刻地展现出新民主主义革命的伟大历程。文本超越了革命历史叙事的党派史观和阶级史观,从民族文化史观出发,考察和反思了新民主主义革命,开创了＂历史·家族＂的叙事模式。     

李渔白话短篇小说的叙事语言

分析了李渔白话短篇小说叙事语言方面的特点,从概述语言和场景语言两方面阐释了李渔白话短篇小说叙事语言的艺术个性及其艺术品格。认为其白话短篇小说概述语言：议论中见个性,叙述中见诙谐;场景语言：涉笔成趣,机趣横生。     

“I Managed It Pretty Good”: Birth Narratives of Adolescent Mothers

The aim of this study was to understand adolescent mothers’ childbirth experiences. Semistructured interviews were conducted with participants recruited from a community-based program for adolescent mothers. Fourteen mothers described their birth experiences. Using a narrative analytic approach, responses were reconstructed into birth stories. Stories, condensed into poetic form, were compared and contrasted. Four unique categories emerged: connected births, surreal births, disconnected births, and disempowered births. Categories differed by agency, support, and emotional tone. Positive support was found in stories that portrayed high agency and positive affect, whereas problematic support was apparent in stories that conveyed passivity, frustration, and disappointment. This study has implications for tailoring childbirth education for adolescent mothers and can inform health-care professionals working with this population.