“死亡”主题下女性命运的探讨——沈从文《边城》与川端康成《古都》比较分析

沈从文的《边城》与川端康成的《古都》存在着极大的可比性。“死亡”是这两部作品分别表现出来的主题之一，同时，两位大家分别在作品中探讨了女性的命运问题。通过平行研究，分析作者是如何在“死亡”主题下传达其对女性命运的认识，从而深入理解两种不同的女性观。     

Justice as therapy: The victim rights clarification act

The Victim Rights Clarification Act of 1997 was passed on behalf of the victims and family members of the Oklahoma City bombing. This essay uses narrative analysis to examine the debate for the law, arguing that legislation enacted in response to tragedy contributes to harmful misperceptions about crime victims and alleviation of their suffering.     

中国电视纪录片的叙事转型

中国电视纪录片从诞生的1958年开始到2008年,走过了50年的历程。这50年,中国电视纪录片的叙事与中国社会文化语境的变化密切相关。50年历史的中国电视纪录片的叙事模式也发生了很大的变化:从事件实录到叙述,从意识形态化到人文化,从标准化到个性化。     

“纲、目、形”策展三部曲——以机器人专题展览为例

博物馆策展是在有限的空间形态中将展品按照一定的脉络展示,以视觉等方式进行信息传播、沟通与交流,需要跨部门、跨学科地整合与协作,是一种创造性的工作。策展水平的高低直接决定了展览品质的优劣。策展人依据博物馆主题立意,通过释展梳理展览的结构以及内容之间的逻辑关系,再由设计师以视觉呈现的方式进行陈列设计的表现,环环相扣,缺一不可。本文通过三个机器人专题展览诠释其策展的主题立意、叙事结构和陈列设计的相互关系,分析同一主题下的展览采用的不同阐述方式与设计形式,从而提出“纲、目、形”策展三部曲作为一种可探寻的思路与路径以供参考。     

MARKET AS NARRATIVE AND CHARACTER

In this essay, the author analyzes social science thinking about the capitalist market from instrumentalism to institutionalism and the recent turn toward more cultural economics, and propose to enlarge the latter opening via the 'strong program' in cultural sociology. Nineteenth century' big thinkers' conceptualized the market as if it were entirely deracinated, based on alienation and pure calculation. The profession of economics subtracted the social critique from this dismal understanding and converted the dismal science into mathematical predictions and production functions. The new economic sociology exposed the institutional framework of market decisions, emphasizing social networks and status competition. Cultural economic sociology has challenged institutionalism, showing how social meanings, not just institutional position, determines economic value. The next step is to demonstrate that the market itself depends on cultural meanings. The strength of a market depends upon narrative projections of future economic conditions. An optimistic scenario creates confidence and sparks investment. A pessimistic narrative creates fear and leads investors keep their money tight. Confidence in the future depends on constructions of 'character': will economic actors constrain themselves by acting in a sober and moral way or will they be hedonistic, indulging in short-term satisfaction? This cultural-sociological theory is illustrated with reference to Keynes' General Theory about the 1930s Great Depression and U.S. Federal Reserve chairman Ben Bernanke's policy vis-à-vis the current Great Recession.     

论演讲语篇的主位结构分析与研究

系统功能语言学的创始人韩礼德(HallidayM.A.K.)认为,建构系统功能语法的目的是为语篇分析提供一个理论框架。以韩礼德的系统功能语法理论为基础,从三大纯理功能之一语篇功能的主位出发,以马丁·路德·金(MartinLutherKing)的著名演说《我有一个梦》为例分析其主位结构,论证主述位分析及主位推进模式在演说中的作用,从而证明主位结构分析在语篇分析中的可操作性和实用性。     

News narratives as identity performance: A narrative analysis of Taiwanese and international news coverage of interracial intimacy

This study examines news coverage of an assault upon an interracial couple that happened in Taiwan in 2015. Using narrative analysis from a social identity perspective, the study notes that Taiwanese news media suppressed gender salience in their coverage of this incident to construct a favorable Taiwanese identity; nevertheless, this strategy was performed at the price of reducing the urgency to combat sexism at a societal level. International news media framed the same event as a case of both racism and sexism; however, racism was given different symbolic meanings by different media, with each international news press conceptualizing racism in a way that met its local audience’s identity needs. In addition, both Taiwanese and international news organizations employed several social identity strategies in their news coverage to negotiate desirable international relations. These findings reveal that news media function as agents of international communication in today’s age of globalization.     

文学叙事与历史叙事比较的理论基点

“学”与“历史”作为两种叙事形式,其联系与区别一直引起人学的争议。本试图梳理学术史上有关学叙事与历史叙事的不同表述,旨在确立二比较的理论基点。论首先分析了“历史”概念的二重性及“历史哲学”的演进过程,在此基础上借助于对西方思想史上不同流派尤其是新历史主义学观点的回顾,探讨历史与学在叙事趣味、虚构方式上的类同及叙事特征、言说内容上的差异。作指出,学叙事与历史叙事的重合与分野,应能为学研究提供新的更为开阔的方法论视界。     

论体育运动中的身体叙事

身体叙事是当代文化传播中的一股潮流,它根源于人类对身体认识上的革命.体育运动因其独特的叙事特征使其有别于其他视觉文化的身体叙事形式,虽然把身体推向叙事舞台的体育运动也存在被货币、意识形态等所操控的倾向,但是对于个体生命而言,期待身体重心、突出身体本位的意义更为重大,这将使体育运动的发展长盛不衰.     

竞技体育题材小说的叙事特点——以体育小说 《一块牛排》 为例

竞技体育题材小说通过体育叙事体现人存在的意义.美国作家杰克·伦敦描写职业拳击手命运的短篇小说<一块牛排>通过拳击比赛的叙事视觉,以第三人称叙事,从拳击台这一特殊叙事场景,刻画了一名老拳击手栩栩如生的形象,展现了竞技体育的竞争性、残酷性和观赏性,揭示了竞技体育新老交替不可抗拒的规律,体现了竞技体育小说的叙事特点,成功表达了人类追求梦想、不断进取的体育精神.