高校辅修专业教育的几点思考

为适应社会经济发展对人才知识结构和能力的多元化要求,我国高等院校逐步向灵活多样的现代教学运行机制过渡,起到主要作用的便是辅修与双学位制度的具体实施。阐述辅修/双学位教育的实施意义,详细分析了当前的实施辅修/双学位教育管理中出现的问题,并对如何完善和发展辅修教育提出了一些思考和建议。     

探索竞技体育后备人才培养与“体教结合”的发展思路

概括总结竞技体育后备人才培养与＂体教结合＂优势及其制约因素.提出＂体教结合＂的研究与发展动态和＂体教结合＂竞技体育后备人才培养的必由之路,以及对业余训练＂体教结合＂的思考,把＂体教结合＂作为体育后备人才培养的一种培养模式.     

发达国家本科应用型人才培养的“责任共担”状况探析

文章在介绍美国、英国、德国、日本等发达国家本科应用型人才培养典型模式的基础上,从＂责任共担＂视角分析了这些国家的政府、高校、企业和社会等主要利益相关者在人才培养过程中的责任分担情况和成功经验,为我国本科应用型人才的培养提供一些可以借鉴之处。     

兵团职教纺织专业人才培养模式内涵体系探索

本文从分析兵团纺织业发展现状和趋势入手,结合地方院校多年来纺织专业人才培养实践,阐述了＂双向交流、两证融通＂人才培养模式的内涵、特点以及构架体系,并对地方院校近几年的实践效果作了总结。     

＂Turkish Five＂：Their Contributions to Contemporary Piano Music and Piano Education in Turkey

First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period （after 1923）, ＂Turkish Five＂ emerged. ＂Turkish Five＂ consisted of professional composers who were educated in Europe and learned western musical forms. These musicians, according to their birth years, are Cemal Resit Rey （1904-1985）, Hasan Ferit Alnar （1906-1978）, Ulvi Cemal Erkin （1906-1972）, Ahmet Adnan Saygun （1907-1991） and Necil Kazan Akses （1908-1999）. ＂Turkish Five＂ achieved important accomplishments and did significant contributions to Turkish contemporary music in 30-40 years with their efforts. While doing this, they used over 500-year old musical legacy of the West. At the beginning, these musicians used Turkish folk tunes and their rhythmic and modal system, however, later, they began to use ＂impressionism＂, ＂neo-classicism＂ and finally ＂atonalism＂ in their music. In the current study, the contributions of ＂Turkish Five＂ to contemporary Turkish piano music and their approaches to piano education were examined via literature review. After an extensive research with the literature on the topic, the researcher has interviewed with six piano teachers from different music institutions in Turkey （including two schools of time arts, two conservatories and two music teacher training schools）. During these interviews, the contributions of the ＂Turkish Five＂ were examined based on ＂relativity＂ and ＂local to global＂ principles in education, and the researcher has searched for the ways to use more of their music in piano education through the interviews. Therefore, the main purpose of the study was to discover ways to implement more of the music by ＂Turkish Five＂ in piano education in Turkey and to ffmd solutions fo     

基于“三学期制”培养创新型人才的实践与思考

建设创新型国家的关键是培养高素质的创新型人才。现有的人才培养模式在课程设置、教学内容、教学方式、实践能力培养等方面存在较大的缺陷,不利于创新型人才的培养。＂三学期制＂通过构建灵活的人才培养模式,强调学生的主动性参与,改革授课内容,突出实践能力培养,是培养创新型人才的一种有效模式。     

复合·加强·优化——地方本科院校人才培养的有效途径探索

文章围绕地方本科院校的人才培养定位,提出实现应用型人才培养目标的三条措施：构建学生复合型知识结构;加强实验教学和社会实践以培养学生的实践应用能力;优化课程教学评价以考核学生综合素质。     

高职“现代纺织技术”特色专业建设的探索

高职＂现代纺织技术＂专业建设中存在诸多问题,高职院校应紧紧围绕社会需求办学,明确专业人才培养目标。以特色专业建设为契机,精心设计专业人才培养方案,以培养应用性人才为核心任务,加强校内外实训基地建设,建立健全教学管理制度和教学质量监控体系。     

对提升高校教师科学素质的思考

2020年建成创新型国家是我国本世纪的宏伟目标,要实现这个目标,需要大批素质高能力强的创新型人才．高校教师既是创新型国家建设的主力军,又是培养建设创新型国家高素质人才的教育者,因此提升高校教师科学素质是我国建设创新型国家的迫切需要．目前我国高校教师的科学素质现状难以胜任创新型国家建设主力军和创新型人才培养的双重任务,必须采取有效措施和途径,提升高校教师的科学素质,为创新型国家建设做贡献．     

肖邦《降E大调夜曲》的作品设计

夜曲是肖邦（Fryderyk Franciszek Chopin,1810-1849）创作中最富于浪漫主义气质的体裁。文章选例肖邦的《降E大调夜曲》,从夜曲的体裁和作品本体两方面对这首广为流传的夜曲在作品的设计上进行了简要的分析,以期揭示出肖邦夜曲创作的艺术特点。