论明代后期通俗小说编辑出版的特点

明代后期通俗小说的编辑出版方面主要体现出以下特点：一、编辑出版小说选集，体现出精选性特点；二、一书再版异版纷呈，体现出版本多样性特点；三、编辑出版图省时赚钱，体现出同书多名的特点；四、编辑出版注重“名牌效应”，体现出伪托名牌的特点，从对以上特点的描述和说明中可以见出一些具有学，献学意义的一般规律或理论质素，基主要内容是：编辑出版上的精选性特点与小说的商品化有密切关系；通俗小说的编辑出版中体现着优胜劣汰的普遍性现象；通俗小说的编辑出版表现着浓厚的商业功利色彩。     

教育要面向全体——谈《如何做好班主任工作》

要做好班主任工作，就需要遵循儿童特点，塑造美好心灵；积极改进教学方法，努力提高教学质量；开展多种形式的文体活动，促进学生全面发展．     

人文精神:语文教学的着力点

中学语文教学中为体现“新课标”的要求．必须把人文精神作为重要的教学目标。为此，教师应实施民主方式，形成学生健全人格；创设教学情境，建构学生完善的心理；注重教学创新，促进学生多元化发展。     

浅谈民间剪纸艺术的形式特征

民间剪纸艺术是古代的传统艺术，它记录着历史的风采，具有自己独特的艺术特色和审美价值。其形式特点变化多样，表现手法由外在的造型超越自然的简化，抽象，再到符合现代艺术的尽兴挥洒，毫不做作。这些特点无不表明人类早期那纯真稚拙的天趣，以及沉于造化，物我一体的美好心灵。这种无遮无掩的真实本我，正好与现代绘画所追求的一种本源精神达到了一致。     

La Parte Chusca of a Pedagogical Here and Now: Oaxacan Teachers’ Heteroglossic Joking About State Repression and Educational Reform

Faced with repression and reform, humor has become tactical for public school teachers in Oaxaca, Mexico, engaged in a decades-old movement that after 2006 involved intensified street- and school-based pedagogies. This piece explores how humor adds to a political project via mocking names, images, and dictates of elite leaders to bring a here and now to what is taken as inaccessible in the teachers’ political lives. Humor forms part of an (e)sc(h)atology in which critical practices are part eschatological, a call for definite transformation, and part scatological, embodied vulgarity. La parte chusca (the funny part), its (e)sc(h)atological contribution, angles toward critical literacies in Oaxaca and beyond.     

摄影文学还是文学摄影

当前摄影文学讨论中所谓“摄影”、“文学”诸元素经“审美复合”已产生新质的观点值得商榷。因为摄影文学作品中“摄影”是目的 ,是主体 ,“文学”是工具 ,是附庸。它们根本未能化合 ,仍是两张皮。据此 ,“摄影文学”宜更名“文学摄影”。     

从《草叶集》看惠特曼的民主精神

惠特曼是美国最杰出的民主诗人。诗人通过他的代表作《草叶集》歌颂自由、平等、科学、国际主义等。这些主题是惠特曼民主精神的集中体现     

谈高职教师课堂教学的语言表达能力

在学生基础条件比较差、厌学情绪比较严重的情况下，提高教师表达能力是感染学生、吸引学生、引导学生的重要手段。听了教师情感、趣味、艺术三位一体的表达，学生就能产生学习的热情、积极性、主动性，教师就有了上好高职课程的基础，实现教育教学目标才能顺理成章。所以，教师的表达能力是上好课程，提高学生职业能力、岗位技能和职业素养的关键。     

研究性学习在高职美术教学中的实践

本文针对高职教育美术教学的现状,探讨了研究性学习在美术教学中的实施策略和操作方法,证明了研究性学习在美术教学中具有增强学生合作精神、促进学生自主性学习、培养学生创新精神和实践能力等实际功效。     

Influences on the struggle over content: considering two fine art studio practice curricula in developing/ed contexts

This paper considers the influences of curricula content on the nuances of teaching and learning practices, and the ways in such influences are complicated by the contexts within which they are situated. Generated data from within the particularity of two fine art schools, one operating from the developed world in the global ‘north’ and another the developing world in the ‘south’, considers how they have negotiated the contemporary push from the professional community of practice, led by ‘western’ artmaking, towards the discourse-interest of contextualism in fine art practice education, compared to the focus on skills and mastery of more out-dated formalism. Particular emphasis is placed on the significance of such influences and pressures on the structures and cultures of teaching and learning.