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71.
Hilmar Farid 《Inter-Asia Cultural Studies》2016,17(1):12-18
By explaining the different trajectories that the “Bandung spirit” has taken since its inception in the mid-1950s, including various popular organizations that have not only been influenced by the Bandung conference but have taken the original ideas and actions into more progressive directions, it is argued in this article that the inclusion of the popular element is not only important to understand the history of the “Bandung spirit” but is also a necessary part of our thinking about the future of Bandung as a political project. 相似文献
72.
近来,在训练和反省阶段过程中,调查了50名学生,发现他们获得了新的肌肉运动的技能(如自由投篮)和反省的信心。结果表明在参与者的训练中,自我调节阶段存在着绝对的线性趋势,以及他们的自由投射表演和投篮适应有明显提高。 相似文献
73.
本文通过文献资料法、问卷调查法、对比法和逻辑推理法,对武汉市社区居民参加武术健身的动机进行了调查与分析。结果表明:强身健体是绝大多数武术健身者的首要动机。不同年龄段和不同性别的居民的首要动机并没有太大差异,都把强身健体、克服疾病和调节精神三项作为自己参加武术健身的主要动机。 相似文献
74.
Aïmen Khacharem 《Journal of sports sciences》2017,35(12):1204-1210
Comprehension of a narrated diagram entail complex cognitive processing as learner is challenged to extract the orally evoked information. The present experiment examined the effects of 2 different forms of attention guidance – bottom-up and top-down – on comprehension performance, cognitive load investment, and motivation to learn, using a 2 × 2 mixed design with factors “Expertise” (Expert vs. Novice) and “Condition” (no-signal, circle, segment). The results revealed an expertise reversal effect indicating that the incorporation of visual signals in diagram is effective for novice learners but partially reverses and becomes ineffective for more experienced learners (even though they invested less mental effort and reported higher level of motivation in the segmented condition). The findings suggested that the effectiveness of instructional guidance depends heavily on levels of prior knowledge. 相似文献
75.
Ken Yoshida 《Inter-Asia Cultural Studies》2013,14(1):36-54
This article provides an insight into the theorization of sōgō geijutsu or the work of total art during the postwar decades in Japan, primarily through the language of Hanada Kiyoteru, a notable communist critic during the 1950s, as a way to present a discursive precursor to what would be explored as intermedia in the 1960s. It is an attempt to trace the debates that were seen in journal Sōgō Bunka, which was established immediately after the war, and how the question of collectivity and collective production of art was discussed among the contributing critics, artists, and intellectuals. Totality as some may know already, is a problematic term that comes close to the wartime notion of ‘totality’, as it was employed for Japanese government's ideological deployment for its war efforts. Although the term has accrued a sinister ring, the critics mentioned in the article, especially Hanada, were determined to reclaim the term as a way of devising a postwar aesthetic-political platform. One important component of sōgō geijutsu was popular art and its relationship to the masses, as it was designed to relocate avant-garde art practices to the juncture of popular space and political praxis, while critiquing the modernist avant-garde art associated with high art. In addition to providing a fuller historiography of intermedia (or transmedia) in Japan, interrogating sōgō geijutsu also serves to shed some light on the complex and multivalent discourse of locating a ‘people’ and their communicative action. Through this history, the term totality gains a greater texture, no longer dismissible as a mere vestige of fascism in the minds of the Japanese artists and critics. 相似文献
76.
Phil Withington 《Cultural and Social History》2013,10(3):331-335
ABSTRACTThis article considers the ties between soldiers and civilian life in First World War Britain. Previous assumptions about soldierly alienation and disillusionment from civilian society have been questioned in recent years. This article adds to this discussion by examining the part played by National War Aims Committee propaganda in fostering links between soldiers and the home front. Representation of civilian activities, community, rurality and domesticity offered reassurance that Britain remained largely the same as soldiers remembered. The involvement of soldiers as propagandists also shows that attitudes cannot be deduced solely from the perspective of literary depictions of alienation. 相似文献
77.
Daniel Johnson 《Cultural and Social History》2013,10(3):343-364
AbstractOver the summer and autumn of 1739 Philadelphia’s two newspapers published competing versions of a hearing in the Pennsylvania assembly that was described as the ‘Affair of the Tanners’. What began as a minor property dispute in the colonial assembly became, with the aid of the local press, a citywide paper war for the support of the urban populace. This article argues the affair provides unique evidence for competing conceptions of the common good in the eighteenth-century colonial city, and was an expression of conflict with deep roots in Philadelphia’s history. The affair also shows how the medium of print could reflect both transatlantic cultural processes as well as distinctly local grievances, as a group of prosperous city artisans and their opponents utilized the city’s newspapers to articulate competing commonwealth ideologies. 相似文献
78.
Roger Fagge 《Cultural and Social History》2013,10(5):745-762
ABSTRACTThis paper explores Eric Hobsbawm’s interest in Jazz, and argues that he helped popularise the music, gave it intellectual credibility and that his jazz writings are still relevant for jazz scholars and cultural historians. Jazz also influenced his view of history. Drawing on his recently catalogued private papers, it suggests Hobsbawm consistently argued for the historical significance of jazz, was flexible in the use of genre and subgenre and was aware of the role of the music business, and the way critics and writers helped shape the music’s meanings. The paper also argues that Hobsbawm wrote partly as fan, and that his penetrating analysis of jazz sometimes led him to undervalue other popular music forms. 相似文献
79.
Jonathan Wild 《Cultural and Social History》2013,10(1):73-94
ABSTRACTThis article traces the profound social repercussions that resulted from the mass enlistment of British office workers into the armed forces during the First World War. Drawing heavily upon fictionalized autobiographies of the period, my study examines the various stages of the clerk's experience of the conflict and argues that the confidence gained during warfare by surviving office workers fundamentally shaped a more democratic postwar society. This change is evidenced, I argue, in the profile of the fictional clerk that emerges in British literature after 1918. 相似文献
80.
《Cultural and Social History》2013,10(4):495-509
ABSTRACTThough left for dead in scholarly accounts, the inter-war music hall recovered from competition from the new entertainment forms of the 1920s to enjoy a greatly revived popularity in the 1930s. A comparative analysis of the repertoire and performance of two major stars of the 1930s, one American, one British, reconstructs the contemporary popular aesthetic of pleasure and sexuality. It assesses the impact of American styles, and the prominent position of the halls in a quickening debate over the people's pleasures and their place in national identity, at a time of international crisis and shifting social mores. 相似文献