后殖民语境下《耻》中主人公卢里的浪漫主义情怀探析

《耻》描述了一个52岁的南非白人教授卢里因与一个女学生的艳遇而被逐出了学术界。小说中,卢里的浪漫主义情怀始终贯穿全文。本文将从卢里的浪漫主义情结作为突破口以揭示后殖民文化语境下白人在南非这样的第三世界的生存现状及处境。     

From ‘no’ to ‘yes’: postcolonial perspectives on resistance to neoliberal higher education

Various scholars have suggested ways to resist neoliberal conditions in higher education (HE). In analysing current neoliberal policies and practices in HE, I suggest that postcolonial theories of resistance can enhance our ability as faculty and administrators to understand and ‘resist’ these policies and practices. In this article, I review four modes of postcolonial resistance as described by David Jeffress (2008), mobilizing a critique of resistance as writing and cultural practice and challenging the reactionary nature of subversion and opposition. I argue that we need to place emphasis on transformational resistance, or the creation of new ways of being, knowing and doing in HE in order to transform the academy.     

Desiring development? Psychoanalytic contributions to antidevelopmental psychology

This paper explores how psychoanalytic ideas might support a project of critiquing the developmental paradigm as it influences, and links, models of economic and individual development on which educational policy and practice rely. After outlining the conceptual domain and questions at issue, the paper rereads some key claims about Enlightenment and its relationship with representations of immaturity as inviting scope for reinterpreting contemporary intensifications of developmentalism. This provides some further rationale and focus for the turn to psychoanalysis as a critical conceptual and methodological resource (although with some key qualifications). Ideas drawn from feminist and postcolonial engagements with psychoanalysis are used to inform discussion of two indicative texts about childhood, drawing on contemporary Lacanian interpretations that are applied to address the problematic of childhood, before finishing with some speculations on alternative modes of engagement with Enlightenment and developmental approaches.     

文化自觉:当代中国教育应有之义——西方文化帝国主义理论述评及其启示

作为后殖民时代的体面辩护士，文化帝国主义虚虚实实，难以为人把握。在描绘其众生相，分析其为后殖民时代辩护的理由、目的、方式的基础上，就如何养成民族文化安全和自主意识提出些许尚未成熟的看法。     

改写的转喻--评《后殖民语境下的翻译:爱尔兰早期文学英译》

《后殖民语境中的翻译:爱尔兰早期文学英译》以爱尔兰史诗库丘林英译为个案,从政治背景、意识形态、诗学传统、语言运动等层面,全方位地揭示了后殖民语境中翻译的改写及其转喻性,研究视野开阔,材料丰富,加深了我们对翻译行为的理解,为类似文本的翻译研究提供了一个重要的参照。     

Subaltern voices and postcolonial schizophrenia: The political tensions of M.I.A.’s Kala

ABSTRACT

Banned from the U.S. during the “war on terror,” the British/Sri Lankan hip-hop artist M.I.A. responded by recording her 2007 album Kala in multiple locations throughout the global South, collating indigenous musical styles and unorthodox recording techniques. Via a critical/cultural analysis, this paper explores M.I.A.’s work on Kala as subaltern resistance mobilized by “differential movement,” particularly in its mode of production, which operated outside of, and in opposition to, institutional mechanisms designed to expunge or neutralize politically subversive art and artists. Yet M.I.A.’s musical sampling also surfaces conflicts between creative freedom and cultural appropriation, emblematizing “postcolonialist/postmodern schizophrenia” (Vályi, 2011. Remixing cultures: Bartók and Kodály in the age of indigenous cultural rights. In K. McLeod & R. Kuenzli (Eds.), Cutting across media: Appropriation art, interventionist collage, and copyright law (pp. 219–236). Durham, NC: Duke University Press.).     

Senegalese Art in U.S. Schools: Transporting Contemporary African Diaspora with Decolonized Perspectives

Abstract

This article investigates the ways in which global art making and cultural practices have been conveyed in U.S. schools and considers questions about how art education can engage in decolonization. This special issue's theme of Diversity, Globalization, and Education is approached through the window of visual art by examining the work of three contemporary Senegalese artists and one U.S. artist in the sociopolitical contexts of history and current events, and asserting ways in which curriculum in U.S. schools may be considered with a decolonizing lens by integrating the artists’ perspectives.     

后殖民翻译理论在国内的误读与误用

后殖民主义翻译研究是从后殖民主义的视角审视不同殖民时期的翻译实践。我国学者在采用后殖民视角来分析翻译中各种问题时,取得了很大的成绩,但也不乏对该理论的误读和误用。通过发现并找出国内学者利用后殖民翻译理论进行翻译研究过程中所产生的某些错误,希望对翻译的更好发展起到一定的指导和帮助作用。