后殖民女性主义视野下的《百感神秘》和《所罗门之歌》

华裔女性作家谭恩美和非裔女性作家托妮.莫里森是生存在美国白人主流文化里的边缘作家,她们的身份和她们的文学一样被烙上了＂他者＂的标签。从后殖民女性主义视角,特别是斯皮瓦克的＂属下＂理论,我们可以看到谭恩美作品《百感神秘》和托妮.莫里森作品《所罗门之歌》里女性人物的具有浓厚的属下气质。但是＂属下＂女性们用她们的方式在＂说话＂,同时她们的属下气质不会因为＂说话＂而得到消解。     

World War Z,The Zombie Apocalypse,and the Israeli state’s monstering of Palestinian “others”

ABSTRACT

The authors deploy a critical cultural critique that extends the work of monstrosity scholars and other researchers who are interested in the application of zombie apocalypse analyses to critiques of contemporary nationalistic and social controversies. World War Z sets in motion a series of cinematic dynamics that invite audiences to consider how Israeli securitization of Jerusalem might serve as the world's best hope for containing the zombie apocalypse. By decoding the “monstering” features World War Z, the authors note the heuristic value of understanding how the rhetoric of autoimmunity influences mediated perceptions of Israeli and Palestinian conflicts.     

Student teachers in the contact zone: developing critical intercultural ‘teacherhood’ in kindergarten teacher education

This paper reports on the results of a narrative-grounded investigation ofstudent teachers' intercultural experiences and learning during their teaching practice. Our interest is in the meaning of the intercultural contact zone and how education for diversities is conceptualised and reflected upon in Finnish teacher education. Critical event narratives were collected from 10 kindergarten student teachers' teaching practice portfolios where the focus was on observing and reflecting on diversities in education. Theoretically, the study relies on Pratt's theory of contact zone. The methods and conditions for supporting student teachers' understanding of diversities in teacher education are discussed.     

Spectral city: San Francisco as Pacific Rim city and counter‐cultural contado

Abstract

San Francisco, since its global takeoff in the Gold Rush Days and long‐standing trafficking in Bohemian, socialist, queer, and left‐leaning energies in and beyond the Beat era of the 1960s, has a complicated global/local history of trying to disentangle its city‐space and urban imaginary from the Greco‐Roman will‐to‐supremacy that would turn California into a frontier settlement of Asian/Pacific domination and US‐framed empire. Forces of social becoming like the Beats and post‐Beat hippies as well as more experimental authors like Jack Spicer, Maxine Hong Kingston, Frank Chin, and Bob Kaufman helped to forge a different literary‐social vision of San Francisco and the Pacific Rim city as a porous community of transnational innovation and outer‐national becoming. This paper will invoke some literary and film texts from Howl and Tripmaster Monkey to Vertigo to Margaret Cho stand‐up performances as well as some geopolitical studies, such as Gray Brechin’s Imperial San Francisco and City Light Press’s Reclaiming San Francisco to substantiate this double vision of San Francisco as global/local US site of (a) imperial ratification and (b) counter‐orientalist deformation.     

Internationalisation and indigenisation in Papua New Guinea’s universities: promoting authentic agency

ABSTRACT

In uncertain times for higher education learning communities, the risks of societal and epistemic dependence on a single globally dominant set of academic knowledge practices are evident. Nonetheless, many higher education institutions in developing nations struggle to achieve international presence unless they uncritically adopt these dominant practices, even where they recognise the need to use and promote local knowledge systems. We explore these dynamics in postcolonial Papua New Guinea, through an assessment of the intentions for internationalisation of the six PNG universities and barriers to agency. Our approach recognises the dialectical relationship between ‘internationalisation’ and ‘indigenisation’. We suggest that a pervasive but narrow view of indigenisation, emphasising the localisation of university staff, has hampered other forms of both indigenisation and internationalisation, producing more stasis than synthesis within PNG’s universities. Effective international agency by PNG universities, and their partners, requires more critical and continuous discourse between the international and the indigenous.     

杂糅--对《耻》的后殖民解读

后殖民文学是对欧洲在亚洲,非洲,中东,太平洋及其他地方殖民的知识话语的回应。后殖民文学探讨一个国家或民族脱离殖民后带来的问题和后果,尤其是被征服的殖民地民族的政治和文化独立。该论文运用后殖民理论——杂糅来解读作品《耻》。除了讨论杂糅,作者也将介绍西方学术界的后殖民研究。     

‘Our common world’ belongs to ‘Us’: constructions of otherness in education for sustainable development

The aim of this article is to analyse how good intentions in Education for Sustainable Development (ESD) discursively construct and maintain differences between ‘Us’ and ‘Them’. The empirical material consists of textbooks about sustainable development used in Swedish schools. An analysis of how ‘Us’ and ‘Them’ are constructed and maintained is done with help from critical race theory, whiteness studies and Popkewitz’ notion of double gestures, exclusion through intentions of inclusion. The analysis departs from five dichotomies: tradition/civilisation, dirtiness/purity, chaos/order, ignorance/morality and helped/helping. We consider these dichotomies as cogwheels operating in an ‘Otherness machinery’. Through this machinery, ‘We’ are constructed as knowing, altruistic, conscious and good. The Other is simultaneously constructed as ‘uncivilised’ or as a ‘bad’ Other in need of higher moral standards. With help from these two Others, ‘Swedish exceptionalism’ is formed. The ESD project could then be understood as a colonial and excluding project, and we ask how it is possible to avoid that ‘our common world’ only belong to ‘Us’?