Trans-Singapore: some notes towards queer Asia as method

From the transsexual sex workers of Bugis Street to the self-fashioning butches of the current creative economy, trans-visibility has always been an iconic feature of Singapore’s public culture. Using three case studies that examine colonial transsexual subculture, postcolonial transgender biomedical modernity and the contemporary inter-Asian performances of tomboy boybands, this paper examines these practices of trans-embodiment to reveal their centrality to Singapore’s modernity. While the recent transgender turn in the West has resulted in trans-visibility and acceptance, this paper will critically show how the experience of trans-visibility in Singapore provides a different model to consider the narrative of progressive modernity. It concludes by gesturing to this new model – one that does not replicate Eurocentric ontology – through further demonstrating these practices as strategies for the critical paradigm of “queer Asia as method.”     

Networking Asia Pacific: queer film festivals and the spatiotemporal politics of inter-referencing

ABSTRACT

Expanding on the critique of Euro-America-centrism in knowledge production, this article examines three spatiotemporal hierarchies through the inter-referencing practices of Asia Pacific Queer Film Festival Alliance. First, through the analysis of the documentary short Lady Eva and its circulation, I look at how the network opens up the issue of Pacific indigeneity in the transpacific context, which has the potential to unsettle the existing epistemic structures that rest upon the binary of West/non-West or white/Indigenous. Second, I investigate how the queer film festival alliance serves as sites for the articulation of queer rights, which sometimes cast a progressivist temporal narrative based on a hierarchical arrangement of geographical places. Third, through the case of ShanghaiPRIDE Film Festival, I examine how anti-institutionalism in film festival organizing offers a critique of gay-male dominated queer film festivals and the capitalist developmental logic that emphasizes profit and financial viability. By doing so, I scrutinize how the spatiotemporal hierarchies embedded in the film festival network complicate the understanding of inter-referencing as citation, collaboration, and competition. At the same time, I use inter-referencing to further the discussion of spatial politics in film festival studies by highlighting the spatiotemporal hierarchies.     

‘You must be thinking what a lesbian man teacher is doing in a nice place like Dipane Letsie School?’: enacting,negotiating and reproducing dominant understandings of gender in a rural school in the Free State,South Africa

In this article I explore two questions – how does, Thatho, a transgendered life orientation teacher enact, resist and reproduce dominant understandings of gender and sexuality in terms of his own identity and practice; and what specific possibilities, challenges and resistances exist for a transgender educator in the rural. Using life-history research, I show that Thatho challenges essentialist assumptions of gender and identity as he enacts multiple masculinities. My article troubles the common typification of men solely as hegemonic, marginalised or subordinate when indeed the actual accounts of their lives are far more fluid than these rigid distinctions. Thatho's enactment of multiple masculinities talks to the ‘durability or survivability of non-hegemonic patterns of masculinity’ outlined by Connell and Messershmidt [2005. “Hegemonic Masculinity Rethinking the Concept.” Gender & Society 19 (6): 829–859. doi:10.1177/0891243205278639], which in many ways characterises a well-crafted response to his own marginalisation and stigmatised sexuality. Yet, Thatho's narrative also suggests a significant flexibility in the gender order in Qwaqwa, which looks different from the sometimes inflexibility of rural society and in some research from the developed world and, perhaps, from some urban contexts in contemporary South Africa.     

‘Getting to [un]know you’: opening up constructions and imaginations of youth

This paper rethinks education’s reliance on knowing who queer and trans youth are. It suggests that both desires to ‘know’ who youth are and the processes by which curriculum, policy, and scholarship come to know what is thought to be known about youth flattens and diminishes youths’ life experiences and what they might be/come. By examining the ideas that are thought to be known about queer and trans youth, the paper explores how these ideas tend to excise the specifics of youths’ lives, particularly along racial lines. Moreover, this paper considers how queer and trans adults’ desires to place queer and trans youth within historical lineages, present-day conundrums, and future imaginings limits youths’ own explorations and determinations of their own gendered and sexual presentations, expressions, and identities. In total, this paper asks: how might we get to unknow queer and trans youth?     

Queer utopias and a (Feminist) Iranian vampire: a critical analysis of resistive monstrosity in A Girl Walks Home Alone at Night*

In 2014, the black and white vampire spaghetti western, A Girl Walks Home Alone at Night (AGWHAAT) follows the narrative of the Girl, a forlorn chador-wearing feminist-vampire-vigilante in the fictional world of Bad City. In this queer utopia, the Girl preys on immoral men so that she can protect the female residents of Bad City from the violence of patriarchy. We explore themes of monstrous feminisms and queer doublings to consider how the film uses the trope of the vampire to manifest queer utopias and reflect Iranian and Iranian-American feminist themes.     

Queering the teacher as a text in the English Language Arts classroom: beyond books,identity work and teacher preparation

Classrooms reflect and contribute to normative sex, gender and sexuality categories in school culture, rules and rituals. Texts, materials, curriculum and the discourse we employ as educators perpetuate the pervasiveness of these categories. This paper explores some of the less visible ways in which sex and gender categories are constructed in US English Language Arts (ELA) classrooms, and how institutionalised heteronormativity positions students within normative categories of sex, gender and sexuality. These limiting conversations are difficult to identify and even more difficult to challenge. But it is precisely this dynamic – the subconscious reinforcing of sex and gender binaries – that upholds the dominance of the institution of heterosexuality. Merely addressing lesbian, gay, bisexual, transgender, queer (LGBTQ) issues in the field of teaching reading, writing and literacy is an incomplete strategy. To disrupt normative narratives in the ELA classroom, educators must first identify the everyday practices occurring in school spaces, specifically recognising the teacher as a text. For sustained challenges to institutionalised norms, ELA teachers must engage in this work outside of LGBTQ-inclusive instructional materials and anti-homophobic education, and this paper offers specific methods for disrupting mainstream narratives in ELA classrooms.     

Frictionless Sharing and Digital Promiscuity

This article analyses the recent Facebook innovation of “frictionless sharing”, a term which describes a smoother and wider distribution of content by individual users and a less overtly acknowledged but more efficient instrumentalization of users' immaterial labour within a structure of corporate monetization. It builds on my recent work on “the sharing subject” of contemporary digital media, in which I argue that current online social networking practices, in their emphasis on “sharing” content with networks of contacts, construct and validate the networked subject according to a version of neoliberal individualism. Moreover, the construction of this subject position implicitly recalls the heteronormativity of AIDS panic, through an unlikely rebranding of promiscuity as a desirable and successful mode of interactivity. If the new rhetoric of “sharing” erases the riskiness of circulation previously encoded in dominant images of virality, notably behaviours associated with HIV, then what is the relationship of the projected potential of “frictionless sharing” to existing normative frames of ethics and morality? In approaching this question, I revisit significant queer interventions into concepts of community and risk that emerged in the post-AIDS context, notably Tim Dean's recent examination of the barebacking subculture to which mediations of an idealized frictionlessness are also central.     

Selected List of GLBT Academic Publications

An annotated list is presented describing twenty-one peer-reviewed journals that cover significant aspects of the gay, lesbian, bisexual, and transgender (GLBT) community, in whole or in part, in a scholarly manner. The titles included are a selective and representative sampling. The entry for each periodical includes the following information: periodical title, publisher/editor and address, basic information, publication data, content, Internet information, book review information, and an abstract.