王小波杂文中的“我”

王小波杂文多用第一人称"我"来叙述,"我"字及"我"惯用句式的频繁出现。本文对王小波杂文中的"我"进行了尝试性的探索,通过形式与内容、文体与思想相结合的整合性的研究,揭示王小波杂文的独特内涵、话语特征和审美意义。     

试论南朝檄移文

南朝檄文、移文数量不多,二者性质相似又有区别。就功能而言,檄文主要用于军事方面,移文还可用于朝臣围绕国事而展开的讨论,重在阐明自身旨意,以达晓喻对方之目的,就适用对象看,檄文常针对违逆之人而作,移文则用于政见初异而终同之人。南朝檄移文以俪体行文,具有较高的美学价值。     

孙犁抗日小说审美情趣探析

孙犁抗日小说具有独特的浪漫唯美风格。除受到魏晋文化和古典主情文学传统的影响外,孙犁还借鉴了以屠格涅夫为代表的西方浪漫文学和以鲁迅、沈从文为代表的中国现代乡土文学的创作经验,因此,他的抗日小说创作完美地承载了历史赋予的革命使命。     

周汝昌与红学随笔

周汝昌先生的红学著作很多,而探讨的内容又比较集中或单一,因而不免常有拖沓重复、粗制滥造之嫌。更重要的是,周先生的红学著述总体上显示出治学“随笔化”的倾向,可用“红学随笔”或“随笔红学”加以概括。这种文体既不要求确凿的史实证明,也不讲究严密的逻辑论证;文章虽容易写得生动活泼,天花乱坠,但给读者留下的却往往只是虚无缥缈的幻觉而已。     

公共空间的散文写作--关于90年代中国散文的对话(下)

向现代散文致敬 汪文顶:散文从不被注意到被普遍阅读,这是令人兴奋的现象.若从80、90年代散文发展的角度观察,90年代散文是80年代散文解放运动的延续与深化,又可以当作现代散文的复兴与发展.80、90年代散文瓦解了建国后散文领域里形成的某种陈规与模式.新时期散文对散文历史的最大反拨是把原有的陈规打破,起了思想解放作用.我认为散文解放运动到目前为止仍在延续.     

‘Who is zooming who’? A study of young PE-students in their figurations

The article presents an analysis of 93 essays written in an upper secondary school context. The essays were collected in relation to a larger research project, which went on for 5 years in a Danish upper secondary school (2010–2015). The material represents both genders and the students are 15–17 years old. We deploy a theoretical framework taken from Norbert Elias’ notion on established-outsider relations [Elias, N., &; Scotson, J. L. (1994 [1965]). The established and the outsiders. London: SAGE] as well as his use of personal pronouns [Elias, N. (1978). What is sociology? London: Hutchinson, Elias, N. (2001). The society of individuals. New York: The Continuum International Publishing Group] in illustrating how people negotiate, position and navigate within figurational contexts [Elias, N. (1994 [1939]). The civilizing proces. Oxford: Blackwell.]. We do this in an effort to interpret how young people negotiate ‘we-I-relations’ when it comes to their sporting identity. Elias’ processual framework provides a tool for a much needed analysis of how young people continually orientate and develop their sense of selves. The web of human interdependencies and processes of change are key words when it comes to understanding the social practices and doings of the students’ constructions of self-steering. What social scientists may see as laziness and drop-outs of sports [Seippel, Ø. (2016). Prek, vekker og kjedelig? Trening og mening blant ungdom: 1985–2013. In Ø. Seippel, M. K. Sisjord, &; Å Strandbu (Eds.), Ungdom og Idrett. Oslo: Cappelen Damm Akademisk] can in the essays of students be analysed as a struggle for group connectedness and social inclusion in the classroom. The results of our research show that identity is a multiple concept and an ongoing process of emotional work [Elias, N. (1987). On human beings and their emotions: A process-sociological essay. Theory Culture Society, 4, 339–361], but also a power balance of playing and presenting what is imagined as the right performance as not being shamed as outcasts.     

文章五境界

准确明白是为文的基本境界，生动形象、简洁凝练、质朴自然是较高境界，创新出彩则是更高境界。文章境界不高主要表现为内容空疏，陈言老调多，空话套话多；盲目求长，烦冗拖沓；创新不足，甘于平庸。文章境界的提升，取决于多种因素，诸如文字功底、写作技巧、生活阅历、学养程度、情感状态、性格气质、志向追求等。古往今来的好文章，无一不是博采众长而又独辟蹊径，实事求是而又巧于表达，厚积薄发而又千锤百炼，真情实理而又善美兼具。     

中国小品文审美范式的嬗变

中国的小品文发微于魏晋,盛于明清,在数百年中形成了以真、趣、活、畅、小为特征的审美范式.这一范式在五四时期被重构,为了谋求小品文的发展,周作人提出了美文说,之后又有鲁迅的Essay说、胡梦华的Familiar essay说、梁遇春的小品文说、周作人的性灵小品文说、林语堂的幽默小品文说等,他们的努力聚焦于一点,那就是使现代小品文与世界文学对接,兼具传统与现代意识.     

英国浪漫主义诗歌的情感价值

在欧洲声势浩大的浪漫主义运动中,属英国浪漫主义诗歌最具代表性和影响力。早在十九世纪,情感主义已成为了欧洲浪漫主义思潮和创作理念的主要表现方式,这种表现方式有力地推动了英国了浪漫主义诗歌的发展。基于此,本文主要对英国浪漫主义诗歌的情感价值进行了探讨。     

乾隆六游济宁太白楼、南池与御制诗文史料考论

乾隆帝沿京杭大运河南下,六次御驾亲临济宁州,登太白楼,赏游南池,御制诗文,缅怀李杜：御制太白楼诗歌6首,御制南池诗歌15首,并作《御书杜诗》文一篇,立南池杜甫《与任城许主簿游南池》诗碑,题济宁南池少陵祠＂荩臣诗史＂匾额一个。乾隆以帝王之特有视角,吟诗品评李杜劣优。以详实全面的史料文献为依据考证源流力图还原乾隆畅游济宁太白楼南池的本真历史和作为一代帝王乾隆情系南池杜甫的思古幽情。