论宋代晁氏家族诗歌“尚奇求奇”的创作倾向

宋代晁氏家族＂家传文学,几于人人有集＂,对文化的重视使其逐渐形成了＂博＂与＂异＂的整体特质。在诗歌特色方面则表现出＂尚奇求奇＂的创作倾向,主要表现在诗歌创作中好用奇字僻词,好作奇诗,诗中有奇气,多奇思妙想。     

北宋范仲淹继室张氏墓志的史料价值

近年出土的《宋故冯翊郡太君张氏墓志铭》,其史料价值甚高。它不仅证实了范仲淹继室应为张氏,纠正了范纯粹生母为曹氏这一史学谬误;而且进一步证实了范仲淹葬地确在今伊川万安山南原之说,以及对北宋皇室重要人物韩琦等的事迹及职掌,作了新的补充。     

清代山东丧俗及其音乐研究——以清代山东地方志为例

根据方志记载,清代山东丧俗活动中,主要采用了鼓吹、百戏、梨园、杂剧等音乐表现形式,当事人通过这些音乐形式,表达悲伤、哀怨、激奋等情绪。丧俗音乐在实际应用中,具有传递信息、强化气氛、稳定规范、调节生活、传承教化、情感寄托等功能,而这些功能的背后则隐藏着人们的审美情趣、价值取向和人生追求,可以起到稳定社会的作用。     

项目教学法及Proteus仿真在单片机教学中的应用

《单片机原理》是高职电子类专业的核心课程之一,具有很强的工程性和实践性,内容抽象不易入门。在单片机教学中以学生为中心,以实践为主线,实施基于项目教学法,辅以Proteus仿真软件,可有效提高学生电子设计能力。     

试析《明朝那些事儿》的语言特色

网络小说《明朝那些事儿》用现代人的语言视角来写历史事件,通过作者合理想象再现历史真实场景,把现代语言融入历史紧跟流行,方言、俗语、歇后语、专业术语、甚至生造词语融入运用更显活泼夸张,通过黑色幽默调侃更显语言张力,使整部作品充满了时代气息和独特语言魅力。     

元代青楼剧源流考

作为一个特殊的戏剧类型,青楼剧有其独特的渊源、兴起和发展。其兴起不仅与元代社会市井都会的畸形繁荣有着密切关系,且与戏剧艺术的魅力紧密相联。它虽在元末走向式微,但其影响仍存,尤其在明清时期的戏剧里,依然可见其或显或隐的痕迹。     

唐代镜赋论

唐赋创作繁荣,近些年来,对唐赋的研究渐渐升温,但对器用物品入赋的现象较少关注。唐代镜赋创作数量多,质量高,内容丰富、主旨取向、艺术手法都有开拓和进展,具有较高的文学价值和文化意义。唐代镜赋的主旨主要为：赞颂君主之仁德;歌颂君子之美德;抒发赋家＂自我＂之情思。在艺术上的独特之处为：风格的雅正;＂体物＂的回归;视野的阔大;...     

Kinship,Camaraderie and Contestation: Fāṭimid Relations with the Ashrāf in the Fourth/Tenth Century.

The founding of the Fā?imid caliphate across the southern Mediterranean, and then in Egypt, Syria and the ?ijāz at the turn of the fourth/tenth century, necessitated its negotiation with the ashrāf, those who claimed lineal descent from the Prophet Mu?ammad, and who by this time had gained significant influence as a social class based on their charismatic descent. While other dynastic powers fostered relationships with various members of the ashrāf, the Fā?imid–ashrāf dynamics were distinctive in that the Fā?imids legitimised their rule as Ismā?īlī Shī?ī imām-caliphs, based on their claim of descent from the Prophet Mu?ammad, and as the sole successors to his authority and leadership over the Islamic world. Consequently, Fā?imid–ashrāf relations were permeated by fraternal camaraderie as well as by competing contestations based on their shared claim to Prophetic lineage.     

“None of the Kings on Earth is Their Equal in ʿaṣabiyya”: The Mongols in Ibn Khaldūn's Works

The rise of the Mongol empire was a shock to the Arab world and led many Arab authors to describe these conquerors in decidedly negative terms. The great historian Ibn Khaldūn also discusses the Mongols' rise and their conquests. As a nomadic people they challenged and defeated sedentary populations and founded their own dynasties. Consequently, the Mongol conquests perfectly fit Ibn Khaldūn's theories on ?a?abiyya – which is superior in nomadic groups – and the rise and fall of dynasties. For the Maghrebi historian, the rise of the Mongols was a natural step in the course of history. This consequently colours his view of the Mongols and affects the way he portrays them, especially regarding the themes of violence and religion – recurring themes in many contemporary works dealing with the Mongols – and in his depiction of the Turco-Mongolian conqueror Timur, who is presented in a more favourable light by Ibn Khaldūn than he is in many contemporary works.     

清代名人存世书目的收集整理及其意义

本文阐述了中国文化古籍因国家无文化遗产保护法规而大量流失海外,当代中国对文化遗产保护非常重视,制定了文物保护法,划定了历史遗迹保护范围.作者进一步阐述了收集整理清代名人存世书目工作的意义.参考文献5.