从"认同"到"背叛"——1930年代以来短篇小说体式的多样化探索

短篇小说体式在1930年代有了多样化的探索与发展。这具体表现在改造传统"纵剖面"的结构形式,采用"讲述"的叙事方式,增强小说的故事性;运用通感、意识流、电影技法等丰富"展示"的叙事方式;多种叙事视角的灵活使用。     

大学英语泛读中的英语短篇小说教学

近年来,大学英语教材中吸纳了许多优秀的英语短篇小说。充分利用这些短篇小说,能够有效地培养学生的综合应用能力,提高他们的文学文化素养。本文从英语短篇小说的类型和特点出发,试图探索一种行之有效的适合大学英语泛读课程的英语短篇小说教学模式。     

文本吸纳和美学转换——论武侠小说的电脑游戏改编

近年来,武侠小说被广泛地改编成电脑游戏。在改编过程中,武侠小说为电脑游戏提供了有利的现成故事、文化背景与文化想象,而电脑游戏从叙事结构、故事原型、叙事话语、抒情话语等方面转化了小说,使小说美学得到了延续。     

成都“大生活”作家的地方文化特征

新世纪以来,以车辐、乔瑜、罗清和、王跃、文迪、老樵、骆平、桑格格等为代表的小说作家,以描写成都人的＂大生活＂（乔瑜语）来展示成都故事,形成了一个带有鲜明地方文化特色的作家群体。他们对成都本土文化有本能的崇尚意识和自觉的理性透视精神,传达出特别鲜明的婉约阴柔、飘逸旷达的＂蜀水文化＂特征。成都人的生存本相都能从他们的笔端勾勒出明晰的具备了地域文化风情的生存图景,可以说是一幅成都市民生活的＂清明上河图＂。     

Exploring young children's (mathematical) thinking: preservice teachers reflect on the use of the one-to-one interview

One-to-one interviewing is one of the most powerful ways of exploring young children's thinking. While there are a few studies which report the use of this pedagogic strategy by preservice teachers, more are needed. This paper describes an early childhood mathematics education assignment which preservice teachers in a teacher-education college in Ireland undertake with four- and five-year-old children. It presents an analysis of data from a selected sample of 58 preservice teachers' reflections on their dialogues with individual children. It describes how the preservice teachers engaged with the process of interviewing the children; how they reflected on their interactions with the children; their reflections on the children's engagement; and their reflections on young children's mathematics generally. Some dilemmas faced by the participants in the course of the interviewing are highlighted. Findings demonstrate the integrated nature of the knowledge that early childhood teachers need to teach early childhood mathematics effectively. The learning arising from this assignment relates to early childhood mathematics thinking, to the psycho-social nature of learning in early childhood and to pedagogy in early childhood education.     

Assessment of subtraction scene understanding using a story‐generation task

The present study used a new assessment technique, the story‐generation task, to examine students’ understanding of subtraction scenes. The students from four grade levels (110 first‐, 107 third‐, 110 fourth‐ and 119 sixth‐graders) generated stories under the constraints provided by a picture (representing Change, Combine or Compare scene) and a number sentence. The results showed that the Change scene was the most intuitive, and the students tended to reinterpret Combine and Compare scenes as a form of Change scene, even when they understood that the identity of the objects in the Combine and the Compare scenes was different. The number of students generating correct stories for the Combine scene increased through the elementary school grades while for the Compare scene the number of students generating correct stories remained fairly constant from Grade 3 to Grade 6. This study also examined students’ exposure to subtraction scenes in mathematics textbooks and discussed educational implications for supporting students’ understanding of subtraction scenes.     

虚构的魅力与叙事的层次——论《碧奴》的叙事学特点

苏童的小说《碧奴》以孟姜女哭长城的神话作为小说基本框架,利用两种不同的叙事层次将故事再造成具有现实意义的文本,创造了另一种讲述童话的可能。本文从叙事学中的虚构模式及叙事层次理论角度对其进行文本分析,展示这两方面的融合如何将简单的寻夫故事解构成为更富有深度的社会批判作品,从而分析小说的叙事手法和艺术价值。     

耐莉的叙事和耐莉的故事

耐莉是<呼啸山庄>中举足轻重的人物,既是故事叙述者,又是故事参与者.耐莉的叙事是整部小说的核心,它所隐含的耐莉的故事是一个被资本主义文明异化的小人物的故事.     

《后羿射日》神话源流之考辨

后羿之名,古籍记述甚为驳杂,自汉以来,人即惑之。究其缘由,盖因古部族战争、迁徙、融合,羿之其名、其事始有衍变矣。     

唐志怪小说“狐精”故事中的变形母题研究

狐的变形源于古人对狐生物特征的想象,后来又受到“物老成精”观念的影响,使狐的变形更加自由。在唐志怪小说中,佛、道敷衍大量的狐幻化祟人的故事互相诋毁,使狐的变形母题愈加丰富。同时,狐的变形母题和“人犯禁忌”母题结合,表现出禁忌主题。