试述体操规则的演变与技术创新的关系

体操竞赛规则的演变与技术创新的辩证关系,决定了在动作技术的创新方面既要遵循规则,又要大胆地超越规则,从而促进体操竞技者们不断地去追求,探索,创造更多的难、新动作.     

论编辑劳动的规范性与创造性

编辑劳动的规范性和创造性,是一对矛盾统一体。编辑劳动既受各种法规法则的制约,是以法规范的劳动;同时,又存在着巨大的创造空间,是一项充满创造性的劳动。如何处理好两者的关系,是—个值得重视的问题。     

唐代体育诗歌特点研究

唐代体育诗歌内容丰富多彩，形式多样，风格各异。诗人们采用现实主义和浪漫主义相结合的创作方法，为我们描绘了波澜壮阔的体育场面，生动传神的体育人物形象，表现了丰富多彩的唐代体育生活画面，体现了大唐民族高涨的体育热情，高超的体育技巧和激昂奋进的体育精神。     

我国优势项目优秀教练员成材过程的探讨

综合运用多种研究方法,从整体性、综合性角度出发,围绕训练和管理两个方面入手,从我国81名优势项目优秀教练员成材过程中探讨我国优秀教练员成材过程的时间阶段性特征,揭示影响其成材过程的主、客观因素,为教练员的选拔,培养提供理论和实践依据.     

甘肃省高等教育质量保障组织创新的理性思考

伴随着我国高等教育大众化的进程,甘肃省怎样才能在大力发展高等教育数量的同时,又能保证高等教育的质量,这是甘肃高等教育亟待解决的难题之一。甘肃省高等教育在规模扩大的同时面临着严峻的质量困境。在甘肃高等教育规模不断扩张的背景下,对高等教育质量保障组织创新进行研究就显得尤为必要。     

基于科技馆场景的科学家主题电视节目的探索创新——以中国科技馆《党史里的科学家》为例

为承担弘扬科学家精神的使命,中国科技馆推出系列节目《党史里的科学家》,结合科技馆资源优势及现实需求,从节目形式、内容叙事与传播路径等全维度实现创新突破。这次探索为当代科学家题材电视节目创作、科普创作提供了新思路,更为媒介融合时代建构实体场馆与媒介的全新关系,通过科普影视作品将科普场馆、媒介、科技工作者与大众有机联系起来,提供了可借鉴、可推广的创作经验。     

A survey of Web-based business models for e-government in the Netherlands

Governments worldwide are increasingly using Web-based business models to enhance their service delivery. Yet the concept of the business model is unexplored within the context of e-government. Drawing upon the literature on e-commerce, we develop a taxonomy for analyzing Web-based business models for e-government. Based on a systematic survey of 59 e-government Web sites in the Netherlands, our findings indicate that most of the Web sites use the content provider or direct-to-customer business models, while only a few are using novel business models. Overall, the concept of business model is appealing and useful in the public sector. Specifically it compliments research on Web site quality by analyzing and describing Web sites using atomic e-government business models and suggesting improvements by using combinations of business models.     

基于维客的知识自创造与群体创新研究

基于Web2.0环境下的维客现象，结合维客技术来描述知识的创作过程，并利用布鲁克斯方程来分析信息与知识的区别，对知识的创造与知识创新进行系统分析。针对维客也有被滥用的可能，提出一些消除网络负面影响的对策。     

学习型社会的创建与图书馆的发展

创建学习型社会是人类社会发展的必然趋势，图书馆的发展是推进学习型社会形成的重要基础和手段。我们必须努力建设与学习型社会相适应的图书馆。     

‘Before I realised they were all women… I expected it to be more about materials’: Art,Gender and Tacit Subjectivity

This article discusses a critical discourse analysis research activity undertaken with a group of undergraduate primary trainees with an art specialism. The research activity involved the use of two contrasting texts discussing the work of Karla Black, Becky Beasley and Claire Barclay. The article explores how the positioning of the two texts affected the student teachers’ ability to engage effectively with ‘women's art’ on a personal and critical level, revealing some highly subjective views and raising questions around intertextuality; particularly how an individual's understanding of contexts, meanings and histories can inform collective interpretation and highlight existing subjectivity. The article subsequently identifies that although students were keen to talk about careful selection of texts, the benefits of using multiple sources and the risks of intertextual and ‘subliminal’ contamination, they were unable to reflect critically upon their own gendered reading of the texts. It concludes that this may well be a signifier of the problem – that the student teachers did not really see a problem at all.