用系统观点分析"西部大开发"中的悖论

本文用系统观点分析了我国西部大开发战略中存在的多种问题和争议，对中共中央在西部大开发战略实施过程中需遵循的步骤和西部地方政府应采取的对策方面提出了自已的见解。     

高职数学教材开发与创新构想

高职数学教材建设的现状与高职教育培养目标的要求存在着较大的差距,必须进行开发和创新。首先应意识到开发与创新的紧迫性,并树立正确的指导思想,然后从实际调查入手,掌握第一手资料,并上升到理论高度进行研究。     

新感觉派都市小说叙事模式对传统小说的突破和创新

新感觉派是中国现代文学史上第一个现代主义小说流派．该派作家借鉴了欧美现代派和日本新感觉派的艺术表现技巧，以“感觉”为艺术表现核心，采取了独特的内向化的审美视角来发掘都市人的深层心理，拓宽了小说艺术表现领域，全面突破传统小说叙事模式，创造了新的小说叙事模式，丰富了现代小说的表现技巧。     

《蝇王》之象征体系探微

戈尔丁的《蝇王》用象征手法构思全文且营构了一整套象征体系。文章通过象征体系隐喻性地揭示了人的境况，表现了作者对人的关怀和对人类本质的怀疑与思索。作者从题材背景、人物形象及实物意象三个方面的象征意蕴入手，剖析了戈尔丁作品的象征体系。     

Conceptual ecologies for educational research through Deleuze,Guattari and Whitehead

This article will explore the increasing interest in the application of the philosophy of Gilles Deleuze, Félix Guattari and Alfred North Whitehead to educational research, for example, as a conceptual underpinning for inquiry in the new materialisms, and/or educational posthumanism. The exploration of this paper is complicated by the fact that Deleuze and Guattari changed their philosophical position in their dual publications, with, for example, their last book: What is Philosophy? representing a substantial departure from their rhizomatic work in, A Thousand Plateaus: Capitalism and Schizophrenia. This article will explain the changes in position with reference to the mapping of conceptual ecologies that Deleuze and Guattari are describing through their philosophy, and not dualism. Concept creation appears in the analysis of Western philosophy in: What is Philosophy? and as the job of philosophy. In contrast, A Thousand Plateaus presents a whole raft of interrelated concepts that help explain the connections between capitalism and schizophrenia, but do not present ‘concept creation’ as a positive task as such, even though one could impute that they are successfully doing it. This article will explain these changes in positioning of Deleuze and Guattari as a mode of sophisticated conceptual ecology, which takes into account the work that they want their concepts to perform. Transcribed to educational research, ‘concept creation’ is an importantly non-methodological task, which is augmented and expanded with reference to the metaphysics of Whitehead’s process philosophy (a non-method), and how it has been taken up, for example, by Isabelle Stengers in terms of research positioning and science.     

学习型组织理论与高校内部管理体制创新

学习型组织理论的出现为高校管理工作提供了新的理论基础,全文在阐释学习型组织理论相关知识的基础上,论述了学习型组织理论对高校内部管理体制改革的启示.     

实施创新教育的基本途径

创新是一个民族不断进步的灵魂，创新教育是世界各务教育改革和发展的共同趋势。本文运用“引导－－发现式”教学模式和教学方法进行教学，采用多种措施，发展学生的创造思维和创造个性，以培养具有创新能力的新型人才。     

Digital archives in the cloud: Collective memory,institutional histories and the politics of information

The archive is a cultural institution that creates a framework for the social and collective memory and as such is one of the collection of knowledge institutions that not only preserves and classifies “texts” but uses them to re-create collective memory and sometimes to invent cultural histories. Like all knowledge institutions, the archive is also a construction deeply implicated in knowledge politics or what Foucault calls power/knowledge. In the past the archive has functioned as a central metaphor for the construction of human knowledge in all it is different institutional forms and like the encyclopedia and the camera, the archive produces highly coded representations that make implicit validity claims to the truth and justice of the past. Politically speaking, those who control the archive control the past. In the digital world, the archive is used to describe a machine-readable location as a store for “data” and “information.” Digital technologies radically alter our existing institutions, making access to their embedded knowledge widely available and enable learning and research anytime, anywhere. Data analytics algorithmically can manipulate electorates and entire democracies in new ways, while destabilising the free press. This article asks what digitizing an archive means for collective memory, for the history of institutions and for politics in the Cloud.     

论中国元典文化的再生性与持续性

中国元典文化作为人类优秀的文化硕果曾创造了东方文化奇观 ,元典并孕育了汉民族的精神文明 ,元典文化作为历史文化已在中华历史进程中发挥过神奇的作用。这种文化元典极具历史超越性与时代再生性和“守本开新”、超越跨越的精神气质 ,是中国传统文化承传转换、不断发展、弘扬光大的内在基因。     

融合传统的另类风景--论艾米莉·狄金森诗艺的创新

美国女诗人艾米莉·狄金森生前默默无闻,死后却被奉为现代主义先驱.本文从其诗歌形式、语言运用以及诗歌技巧等几个方面,阐述她融合传统进行创新,从而走向现代主义的创作手法.