红色档案融入“四史”教育的路径研究

红色档案是我国优秀传统文化与革命文化的主要展现载体,其与"四史"学习教育有共同的内核,将红色档案融入"四史"教育中,将进一步展现出"四史"的精神风貌。本文立足于党史学习教育,从红色档案出发,分析其与"四史"教育的同属性、同一性和同向性,并基于此分析新时期红色档案融入"四史"教育面临的机遇和挑战,从而深入探究将红色档案融入"四史"教育的多维路径。     

学者评价期刊与引文评价期刊异同之思考——以史学学术期刊评价为例

学者评价期刊与引文评价期刊,各有其优点和局限性,二者有不同和相同之处。将近期史学学者评价史学期刊的结果与CSSCI引文评价的结果对比,二者除具有一定的正相关性外,还具有不同的评价方法和结果,引文评价结果可供学者评价参考。     

图书馆开展历史文化特色讲座服务探讨——以扬州市图书馆为例

本文以扬州市图书馆为例,对历史文化名城图书馆,开展历史文化特色讲座的意义、内涵及运行机制进行了探讨。     

论中国图书馆学历史传统的传承

中国图书馆学有优良的学术传统和丰富的历史资源，它们是我们建设中国特色图书馆学的重要精神财富。文章分析了如何发掘和利用中国古代的图书馆学术资源，提出要弘扬中国图书馆学经世济民的价值取向、调查研究的方法取向、应用研究为主的研究取向和系统、整体的思维取向等优良学术传统。并在此基础上融合西方图书馆学的成果。使当代中国的图书馆学研究既符合世界潮流，又具有中国的“魂”和“体”。     

口述历史在地方文献工作中的意义及实践

文章首先简要介绍现代口述历史的含义及其发展历程，阐述了口述历史对于地方文献工作的意义，并结合自己的工作实践探索开展口述历史工作的方法和需要注意的问题。     

读馆藏《退想斋日记》

文章通过对《退想斋日记》内容的介绍,旨在指出其在研究山西政治、民俗和晋商方面的史料价值,进一步指出日记对近代社会史研究的重要价值。     

Museums at the crossroad: Contributing to dialogue, curiosity and wonder in natural history museums

The first natural history collections opened to the public were inspired by a sense of curiosity and wonder about the products of nature. They were ‘cabinets of curiosities’ that offered a first-hand interaction between owner and visitors. Nowadays, these two facets of the museum experience—dialogue and wonder—have been lost, in part, due to the information overload coming via the media and the impersonal nature of the museum visit. This paper offers some reflections on the evolution of the museum visit, suggests some ways to rediscover this ‘sense of wonder’ and provides ideas on how to promote two-way communication with museum visitors. Two examples of exhibitions are offered as illustrations of the points discussed.     

The terrible gift: Museums and the possibility of hope without consolation

Public history is turned toward the future no less than the past. Little discussion exists as to how practices of public history might foster new ways to live with the presence of history. Museum exhibitions are one site where such discussions may take place. Particularly generative in this regard are exhibitions that present artifacts and documentation that reference state-sponsored violence. One such exhibition in development is discussed. While this exhibition presents evidence of past events, it also assembles traces of the past and bequeaths them as a testament, “a terrible gift” that places difficult demands on those to whom it has been given. In discussing the practices of inheritance initiated by such a gift implications are drawn for how museums might initiate a reconsideration of the force of history in social life.     

日本《图书馆员伦理纲领》的核心理念与实施现状

详述20世纪60年代-80年代初日本《图书馆员伦理纲领》的制订经过、历史背景;从专门职业制度与伦理纲领之间 的关系、获知自由与伦理纲领之间的关系、现代专门职业理论与伦理纲领之间的关系等3个方面,论述日本《图书馆员伦理纲 领》的核心理念、性质、局限和实施现状。     

《海国图志》的作者及版本研究

魏源(1794一1857年)是近代初期的思想家、史学家、经学家.其编著的<海国图志>是极负盛名的介绍世界历史、地理的巨著,对近代中国社会的近代化产生过很大的影响.