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31.
王庆华 《南宁职业技术学院学报》2001,6(1):54-58
凯瑟琳·安·波特一生,经历了十九世纪末期和二十世纪大部分的风风雨雨。其创作反映了这段历史时期的的政治、哲学和社会的变迁,从中,我们看到的是一个冲突甚于协调的世纪和作家。 相似文献
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David A. Scott 《文物保护研究》2016,61(4):185-202
The pigments used by the ancient Egyptians constitute the most diverse pigment palette of the ancient world. This review discusses the pigments and binders which were used, arranged principally in terms of the colours themselves, namely, the white, green, grey, black, brown, blue, red, orange, and yellow pigments. The chemical identity of these pigments is discussed with some details regarding the artefacts or time periods from which the pigment concerned has been identified. Combinations of pigments were used for creating some colours, especially: greens, pinks, blues, yellows, and a variety of pale hues by mixing primary colours with a white addition, such as calcite. The identification of ancient Egyptian pigments is often aggravated by chemical interactions between pigment and binder media, or between the pigment and environmental pollutants, or both. The nature of the binders and varnishes used in ancient Egypt is briefly discussed. The identification of green pigments from ancient Egypt is often difficult, and some of the recent research concerning the topic is reviewed. In addition to including relevant details from older literature, this review provides a synopsis of recent studies which have appeared since the last major review carried out by Lee and Quirke in 2000. 相似文献
34.
Lorraine A. Busby 《期刊图书馆员》2016,71(3-4):158-161
During the 17th and 18th centuries, the Dutch East India Company exerted monopolistic control over spices and coffee, with huge financial returns for those who invested in the company. Also during this time, a combination of business factors emerged to allow the early distribution of published works to gain hold and become a viable commercial enterprise. The early years of Dutch publishing are not well known but when examined they parallel the historical context in which geopolitical empires were the norm. The story of the start of a modern day publishing house is examined through the dual histories of two Dutch business ventures that thrived and failed during a turbulent time of colonial exploitation. 相似文献
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36.
谢永芳 《黄冈师范学院学报》2007,27(2):29-34
通过勾稽史料,检阅多种总集、别集、选本、方志、馆藏目录及目录学著作,可以考得五代以迄民国时期广东词人至少三百八十四家。 相似文献
37.
张迎军 《陕西教育学院学报》2005,21(1):58-62
在迟子建小说的想象艺术中,有关童年与历史记忆的书写是其中重要的组成。作家通过对视角择取、意象营造等记忆呈现方式的技术化处理,展现出的不仅是那个独特时代环境下带有鲜明地域和化印记的人类最为生动鲜活的生存场景,同时更多展露出的则是作家对于现实社会的凝重思索和对人性温情的热切渴望。 相似文献
38.
Hikabwa D. Chipande 《国际体育史杂志》2016,33(15):1847-1865
AbstractThis paper explores multiple and complex relationships between football (soccer), politics, and the economy in postcolonial Zambia. Based on archival and oral sources collected in Zambia, the paper argues that President Frederick Chiluba’s government failed to support football development when it came into power in 1991 because it was elected on a platform of liberalizing the collapsing national economy. Chiluba privatized state-owned companies that were sponsoring the game resulting in the plummeting of the local standards and migration of talented footballers abroad in search of better livelihoods. Furthermore, the paper argues that while the exodus of talented footballers led to the deterioration of the standards of the local league, their transnational experience boosted the performance of the Zambia national football team. This led to the emergence of one of the best national teams the country has ever had. Unfortunately, this particular team perished in the Gabon air disaster in 1993 following the government’s disinvestment in the game. However, a few months after the disaster, the country managed to rebuild a national football team, which emerged as runners up to Nigeria in the 1994 African Cup of Nations final as a result of a large pool of local and foreign-based football players. 相似文献
39.
Douglas Booth 《国际体育史杂志》2016,33(15):1866-1883
AbstractThis paper involves a search for interracial entanglements in South African sport and considers how these experiences may be narrated. The paper comprises three sections. The first provides an overview of traditional narratives of apartheid and apartheid sport that focus on race as a perpetual marker of social division. The second section shifts attention to the gaps, blind spots, mistakes, paradoxes, ironies, anomalies, ambiguities and invisibilities in the structures of apartheid that allowed for racial encounters and entanglements. The paper concludes with a discussion about the methodological and political implications of incorporating racial entanglements into narratives of apartheid sport. 相似文献
40.
中国原创图画书开始走向世界,但中国图画书的历史可能比西方更早。图画书本质上是一种出版现象,在中西方不同文化背景中有不同的呈现方式。中西方图画书同源于儿童读物的插图,随着出版科技的进步和读图时代的到来,从“出版热”逐渐形成“文学热”,从“文字的儿童读物”演化为“图画书的儿童文学”,在新世纪交流融合中发展为儿童文学的典型样式——绘本。中国原创图画书的复兴有其深刻的历史文化背景和深厚的民族文学传统,建设中国特色的图画书评价标准和理论体系应该提上议事日程。 相似文献