我国艺术体操运动员成套动作技术价值水平及提高途径研究

运用文献资料、技术图像分析及数理统计等方法对我国艺术体操运动员成套动作技术价值水平进行了分析,并在成套动作中难度动作的数量、价值、类型、表现形式等方面与世界优秀艺术体操运动员进行了对比.结果表明,我国运动员成套动作中的难度动作数量相对较少;成套动作中平衡类、转体类动作所占的比例很少、难度类型不丰富;难度动作表现形式还有待丰富和提高.同时,提出了提高我国艺术体操运动员成套动作技术价值水平的主要途径和建议.     

基于数据融合中Dempster-Shafer证据理论的入侵检测技术

本文先简要的介绍了入侵检测系统的组成和几个应用层次,接着讨论了数据融合技术中的Dempster-Shafer证据理论,并尝试给出了其在入侵检测的身份识别的一个算法和实例.     

职业运动员转会价值计量模型与实现机制

关于职业运动员转会价值计量与实现机制研究，目前需要回答3个基本问题：一是，职业运动员人力资本所有权应当归谁所有；二是，职业运动员转会费计量依据应该包括哪些；三是，职业运动员转会究竟需要什么条件。围绕以上问题，除论证职业运动员人力资本所有权的性质和特点外，重点尝试建立一个评价、测度职业运动员转会价值的理论模型，同时，对职业运动员转会价值实现机制提出建议。     

关于劳动价值源的再思考

针对价值源泉多元论的观点,通过重温马克思劳动价值论的有关论述和按生产要素分配根据的实证,以及非劳动因素对价值创造影响作用的分析认为从价值凝结的角度看,劳动是价值财富的唯一源泉;从使用价值创造的角度看,劳动和生产资料是物质财富的共同源泉.非劳动因素并不能直接创造价值,仅是潜在价值源,劳动才是现实价值源.     

A first introduction to archival science

This first introduction, written for educational purposes, is meant to be a concise basic text in which the core concepts of archival science are coherently defined and explained, in a non-polemical way and departing from a de-institutionalised point of view. It is not intended to support or reject any single theory, but to provide an overview. It should be read as a synthesis of a variety of shared ideas and views, not as a manifesto of a new approach to archival science. If there is anything new to it, it might be located in the coherent and integrated presentation. In this primer of archival science annotation has been avoided. The first of several versions of this First Introduction was written in August 1995. It was meant to meet the need of the Netherlands Archiefschool for a basic text on archival science which could support its different programs for archival education and training. After ample discussion with the archival science teachers of the Archiefschool, it was introduced in the 1995/1996 courses. From then on, it has been used in almost all courses and classes on archival science on the undergraduate, graduate and postgraduate levels and in several training and retraining programs of the Archiefschool. The design of the first version has been maintained in all subsequent versions, including this last one. Still, the text has frequently been adapted as a result of discussions with students and colleagues, in and outside the school. This first English version can almost be deemed as a collective product. Of the numerous colleagues who were engaged in this discussion and contributed to the text, special mention has to be made of Peter Horsman, Hans Scheurkogel, Hans Hofman, Eric Ketelaar, Herman Coppens and Kent Hayworth, who commented the English version. For the final text and all imperfections that may still cling to it I am, of course, responsible. An earlier version in Dutch has been published as: Theo thomassen, “Een korte introductie in de archivistiek”, in: P.J. Horsman, F.C.J. Ketelaar en T.H.P.M. Thomassen (red.),Naar een nieuw paradigma in de archivistiek ('s-Gravenhage, 1999), pp. 11–20.     

邓小平理论开辟了21世纪马克思主义发展的道路

马克思主义在150多年发展过程中,经历了马克思主义、列宁主义、毛泽东思想、邓小平理论几个发展阶段。邓小平理论是马克思主义发展的新阶段,新就新在它的研究重点和理论内容重心,由暴力革命理论向经济建设理论转移。21世纪马克思主义的发展,必须沿着邓小理论开辟的道路继续前进,进一步完善社会主义经济建设理论。     

对2的定性解释和定量计算

首先对输运过程中穿过参考截面ΔS的气体分子自由程的平均值λ穿为什么不等于λ而是大于λ作出了定性解释,然后通过定量计算求出了λ穿=2λ·     

奥林匹克元典精神的异化与价值取向的转移

现代奥林匹克运动在广延与函盖上是古希腊罗马时期所无法比拟的 ,系统的考察奥林匹克运动的发展与变迁不难发现 ,无论在价值观念上 ,还是在外在形式上都体现出奥林匹克运动价值取向的异化     

析体育理论课程测验的质量指标

根据教育统计学讨论了评价体育专业学生理论课程测验的四个质量指标。这些指标都可以通过统计的方法加以量化，有了这些指标，就可以比较客观地反映教育测验的质量。     

Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us?

Contingent valuation methods (CVM) are now well established as a means of measuring the nonmarket demand for cultural goods and services. When combined with valuations provided through market processes (where relevant), an overall assessment of the economic value of cultural commodities can be obtained. Within a neoclassical framework, such assessments are thought to provide a complete picture of the value of cultural goods. But are there aspects of the value of cultural goods which are not fully captured, or not captured at all, within such a model? This paper argues that CVM provides an incomplete view of the nonmarket value of cultural goods, and that alternative measures need to be developed to provide a fuller account.