论体育学院学科与术科教学的不同点

体育学院学科与术科的教学不同点，主要表现为：学科教学是理性化的知识性教学，术科教学是操作式的技术性教学；学科教学的抽象性与直观教学，术科教学的直观性与“抽象”教学；学科教学内容的构建性与“启发”教学，术科教学内容的组合性与“迁移”教学；学科教学是一种特殊的认识活动，术科教学是一种直接的实践活动；学科教学是“教师为中心”的课堂教学，术科教学是“学生为中心”的课堂教学；学科教学程式的多元性，术科教学程式的单一性     

动态视觉图像对小学生兴趣影响及学习效果分析

动态视觉图像教学以独特的影视动画效果、丰富的图文声形信息显示功能,确实提高了小学生的求知兴趣、自主学习兴趣、阅读兴趣、课外活动兴趣。它对小学生学习效果的促进作用是有的,但是效果不是很理想,需要对此进行研究并发现和分析存在的问题。文章以问卷调查为主,同时结合对比试验、随堂听课、访谈等方法,以偃师第一实验小学和第二实验小学...     

基于改进神经网络的图像生物特征识别方法

在图像的固定生物特征识别过程中,传统的识别方法针对像素质量不高的问题,很难建立完整的寻优计算过程,识别效果不好。提出基于改进神经网络算法的图像特征识别方法。通过量子计算对神经网络进行优化,优化神经网络在特征识别中的阀值确定过程,完成图像识别。实验结果表明,利用改进的算法进行图像特征识别,能够极大的提高生物特征识别的准确性,扩展了应用的范围。     

Insider–outsider perspective: revisiting the conceptual framework of research methodology in language teacher education

The present paper discusses three types of research perspective on the insider–outsider continuum: outsider research, (insider's) outsider research, and insider research. It examines the essential features of the insider–outsider distinction with reference to categories such as researcher, students, classroom context, contribution, control of condition, quality criteria, disclosure of information, and example of research. The paper concludes that the insider–outsider perspective can serve as a means of building a strong theoretical base in language teaching research that will help language teacher practitioner–researchers to situate their work within a wide variety of research types.     

Photo-elicitation: reflexivity on method,analysis, and graphic portraits

In this methodological discussion, the authors detail and reflect on the processes of using photo-elicitation interviewing as a way to align with positive qualitative methodologies, to gain access to participant beliefs and values, and to highlight participant voices through their choices of words and visuals. A review of the literature and an overview of the educational research experiences leading to the discussion are included. Next, the discoveries regarding what is methodologically new and/or valuable concerning this visual method is presented. In the final section, the authors reflexively contemplate aspects of visual methodological processes in an effort to address methodological crossroads of potential and tension including: (1) the potential of decontextualized photos, (2) photos as metaphors of meaning, (3) photos as representations of inherent meaning, (4) participant empowerment, and (5) graphic representation or graphic portraits.     

Yer Doin’ it Wrong: How NOT to Interact with Vendors,Publishers, or Librarians

Three librarians who have extensive experience working in libraries or for publishers, vendors, or consortia presented an informal discussion on librarian–vendor relationships. The audience was encouraged to participate. Problems were articulated; speakers and audience members contributed suggestions for better approaches or behaviors when handling difficult situations.     

生命空间再现:云南甲马的视觉文化与图像意识

云南甲马是云南民俗艺术中最具地方特色的类型之一,云南甲马作为民众民俗文化的精神体现,集中反映了云南地区民众的传统文化、宗教信仰原貌,呈现了人们对理想生活的精神信仰与祈福的心理诉求。从生命美学的视角出发,运用视觉文化中语义的内涵与外延构成原理,探究云南甲马视觉文化内涵中祈愿避灾的生命意识及其图画表意与文字传情相结合图像意识的生成,进而分析这种民俗艺术构建起的生命空间。     

核心图形及其系统生成方式探析

核心图形和徽标是大型企业或重要活动的视觉识别系统中的两大核心要素。主要探讨核心图形的系统化设计以及生成方式,指出核心图形的系统化生成主要有“对完整图形的解构、单元形的强调和重复、灵活地模块组合”这三种方式,通过这项研究,有利于在纷繁复杂的视觉环境中建构清晰的信息体系。     

论奇观电影

随着现代科技的迅猛发展,一种新的电影样式——奇观电影出现了。奇观电影的出现主要来自两个转变,即传统印刷媒介向现代电子媒介的转变和传统叙事电影向现代奇观电影观念的转变。总体说来,当代奇观电影主要有三种类型：身体奇观,速度奇观,场景奇观。奇观电影一方面给消费时代的受众群体以极大的视觉满足,但另一方面却削弱了传统电影以人类的终极关怀为中心的思想深度。