盛唐警钟--谈反对开边的三个唐诗名句

玄宗朝歌舞升平，可在繁荣的表相下，潜伏着社会危机。特别是统治者的穷兵黩武的思想，造成了人民的灾难。可百官缄口，而诗人独呜，李白、李颀和杜甫是其中的代表者。他们的诗句击中时弊，令后人深思。     

红人的绝望挣扎:沃沃卡和1890年鬼舞

鬼舞是1890年风靡于整个美国西部的一场神秘的宗教运动,由印第安派尤特族先知沃沃卡发起,其预言宣称只要印第安人跳起鬼舞,美国的白人将会全部消失。鬼舞得到爆炸性地传播,但也迅速遭到了美国当局的残酷镇压,引发了著名的"伤膝之战"。文章主要从经济文化和军事方面论述鬼舞盛行的历史根源和背景,以及沃沃卡和鬼舞的由来,从中窥探19世纪末期的印第安人的生活状况及其心理特征。     

《国语》战争观初探

把战争看作“狂疾”,是《国语》对战争最深刻、最闪光的认识,是先秦战争观念中最可宝贵的遗产。《国语》认为,为政者在面对战争时,除了稳定的国内外环境外,还应该具备智谋、仁义和勇敢精神。战前充分准备,选择恰当的时机,并坚持严明的军纪,也是取得理想结果的重要条件。遵守礼法制度固然值得肯定,但一种适应时代需要、以己方利益最大化为目标的崭新战争观念正逐渐成为那个时代的主流。总之,《国语》中的战争观念体现出了礼法互融、兵刑交叉的特点,对当时以及后世掌军国大政者不无裨益。     

汉武帝何曾“罪己”？

汉武帝没有通过征和四年所下《轮台诏》表示对自己一生征伐的悔过。《轮台诏》是武帝针对西域有关具体问题尤其是轮台屯垦一事做出回答的诏书,没有表现出对过去穷兵黩武的悔悟,也没有反思自己一生过失。     

宋蒙涪州战事述论

涪州作为南宋最后沦亡之州郡,其战事之长、抗蒙之坚决,足以冠绝全宋.蒙古占领涪州后,始真正实现全国统一.了解宋蒙涪州战事,对研究南宋末期川东地区抗蒙战争意义重大.本文拟就涪州战事中宋蒙双方兵力对比、蒙古诸帝侵宋时期涪州战事、涪州抗蒙战事持久原因三方面进行探讨,以图揭示宋蒙涪州战事真相.     

Publishing in Chains: Scholarly Serials,Supply Chains,and Certification

Paul Duguid discusses the role of brands in supply chains, specifically in publishing and academia. He explains how brands are important in controlling any supply chain, as well as why and when brands appear and become important. He concludes with a discussion of how the Internet has changed the branding of supply chains, including the publishing supply chain, and why supply chains continue to endure. Duguid's presentation was followed by a short question and answer period.     

史前时期武术的萌芽探究

采用文献法、历史与逻辑分析法对史前时期的武术萌芽进行了深入探究。认为：原始人进化完成、手足分工,是武术萌芽产生的契机;由本能到自觉再到自保意识的演进是武术萌芽产生的内在诉求;原始战争频发成为推动武术萌芽的轴心力量;武与舞＂联姻＂的运动形式,实现了萌芽期武术的发展历程。     

美国战争与战争文学中对“战争”的影射

美国战争文学年轻而富有朝气。它再现了美国历史上的战争画面,反映了美国社会的发展变迁并以独特的形式影射出不同战争的时代特点、人们对战争不同的态度、观念和情感,这对美国乃至世界文学都是一个巨大的贡献。     

Australia’s 1988 Bicentennial: national history and multiculturalism in the primary school curriculum

As in many countries, such as Germany, Turkey, the United States and Japan the history/culture wars of the past two decades have increased public interest in what is taught in schools. This has resulted in rigorous debates in the general community, encouraged and sustained through regular media coverage. Partly as a response to this, History has been designated as a separate subject in the first wave of planning and implementation of the Australian National Curriculum. Two of the reasons for this include first, to recognise the importance of teaching historical skills as a distinct subject; and second there is an ongoing bipartisan political interest in privileging history disciplinary knowledge and content to ensure that national history narratives are taught to students. To contribute meaningfully towards the development and implementation of a National Curriculum, it is important to understand past curriculum constructions, so that the disciplinary knowledge and content of history remains independent, and not subsumed within current (or future) political trends. Based on examples of national history from the Queensland Social Studies syllabus and government endorsed sourcebooks in the lead-up to the 1988 Bicentennial of British colonisation of the Australian continent, this article examines the influence and role of multiculturalism in History teaching in primary schools. Particular attention is paid to Indigenous representations and British heritages, as an example of two groups that have often been represented as binaries to each other throughout Australian history. An analysis of the curriculum materials illuminates the differences between multiculturalism and history—highlighting how the two are merged at the expense of accurate historical knowledge and concepts, particularly in the area of national history. This study will demonstrate that as a result of the infiltration of multiculturalism into history content within the Social Studies curriculum, historical knowledge becomes silenced in the school curriculum – resulting in vague and sometimes historically inaccurate information being presented to students; and the privileging of certain types of multiculturalism.     

从“诗史”角度看吕本中的战乱诗

吕本中是两宋之交的著名诗人,在江西诗派乃至整个宋代诗坛都起到了承上启下的作用,开启了南宋诗歌中兴的源头。其战乱诗将记实叙事与感时伤世的爱国情感紧密结合,艺术风格自具特色,表现手法别具一格。题材上以“靖康之乱”为背景进行真实记述,具有以诗传史、以诗补史、诗史互证的意义,深得杜诗“诗吏”精髓。因此,给予吕本中的战乱诗“诗史”称号应不为过。