论怀药文化的继承与发展

文章论述了怀药文化的渊源、内涵和组成部分,分析了当今怀药文化存在的问题,提出了发展怀药文化的道路是优选继承和合理创新。发扬怀药文化,要去掉神秘性,增加科学性;去掉盲目性,增加规范性;去掉定性的、文学性的描述,增加定量的科学的证据;去掉祈求风调雨顺,增加对内在规律、各制约因素间的联系和条件的把握。要解放思想、勇于创新,在大力发展怀药经济的同时,创造出新时代灿烂辉煌的怀药文化,在怀药文化发展的历史长河中留下我们这个时代的印迹。     

面向信息处理的蒙古文同形异音词读音识别研究

针对500万词级《现代蒙古语文数据库》中出现的同形异音词，我们选取其中出现频率较高的140个词，根据它们在100万词级《现代蒙古语文数据库》中与其他词语的搭配情况，给出了读音识别条件。对122个文件进行计算机处理的结果，自动识别的正确率达到99．01％。     

学报创办60期誌言

本文认真回顾思考创办院刊学报19年60期来的经验,总结在农村基层办教育学术期刊的特殊规律和做法,并分析此类杂志在新时期所面临的挑战及对策。     

语用调查问卷与英语教学

通过一份调查问卷，分析得出同学们在语用方面的得与失，推而广之，指出语言失败的几个主要原因及文化之间的差异所在，建设性地提出情景法这一生动的教学方式，更好地促进教学。     

加强中学生思想道德素质教育应注意的原则

思想政治课教学是提高学生思想道德素质的主要阵地。教学中要体现人文精神，把握好目标、主体、情理、创新、网络等原则。     

二溴羧基偶氮胂催化光度法测定水中痕量锰

研究了在NH_3．H_2O-NH_4Cl 介质中锰催化 H_2O_2氧化二溴羧基偶氮胂褪色的最佳条件。λ_(max)=565nm，表观摩尔吸光系数为2．6×10~4 L·moL~(-1)·cm~(-1)，线性范围为0～2．1 μg/25 mL。用于水样中痕量锰的测定，结果满意。     

关于社科学报规范化建设的几点思考

社科学报编辑编排的规范化是全面提高刊物质量，促进社科献在网络化、数字化环境下快速交流与传播的必要要求。关于“作工作单位和作简介、关键词与主题词的关系、注释与参考献的标注“三个问题的规范是目前学报规范化建设中困难而争议较多的问题，当引起学报界同仁的关注。     

《国际商事合同通则》(中译本)词汇翻译错误辨析

从对英语单词、短语的理解入手,就《国际统一私法协会国际商事合同通则》(中英文对照本)中文译文中出现的对英语单词、短语意思的误解而导致的误译情形进行了简要分析和评述。     

《世说新语》词语札记

本文就<世说新语>中"忧""勃""至""故作"句读和"兵"发表了自己的看法.沈剑知等认为惑溺3刘注"忧爱"之"忧"当作"抚",笔者不同意,笔者认为"忧"有"爱"义.关于文学53条"勃",方一新认为义为"言辞精彩纷呈",本文举例证成其观点.有学者认为简傲4条"故作"应属下连续,笔者认为当从余嘉锡等属上,并认为此系"文中自注"或刘注阑入正文所致.有学者认为德行47条"思至"为动补结构,笔者认为不对,"至"作为修饰性词语,一般置于形容词之后,而非名词之后.关于方正58条"兵",笔者认为系詈语,并从历史角度加以分析.     

New insights into brazilwood lake pigments manufacture through the use of historically accurate reconstructions

A multi-analytical approach for the study of brazilwood and its lake pigments was carried out based on historically accurate reconstructions. Recipes for brazilwood lakes from the fifteenth century technical text Livro de como se fazem as cores and the Winsor & Newton nineteenth century colourman's archive were reproduced and compared. Both primary sources allowed for the successful preparation of brazilwood lake pigments with colours that vary from light pink to dark red. The main steps and ingredients for the manufacture of these pigments were common in both sources, particularly the addition of Al³⁺ in the form of alum, and calcium carbonate (chalk). Reconstructions revealed that the latter acts as a pH buffer and filler, controlling the pH at which the lake pigment precipitates. The main difference between the two sources is that the nineteenth century recipes give the quantities for all ingredients, the precise temperatures and time, and achieved higher relative pigment yields (75% versus 45%). Full chemical characterisation of the reconstructions provided detailed information on the individual steps in the pigment manufacture and revealed that the presence of calcium sulphate dihydrate (gypsum) in the final pigment was a result of its formation in situ. Infrared, reflectance, and fluorescence spectroscopy proved to be essential and complementary techniques: while infrared was used to characterise additives and binders, reflectance and fluorescence data were fundamental for identifying the chromophore. The pigments and paints produced can now be used as standards for the identification and investigation of brazilwood lake pigments found in artworks.