基于知识转换模型的科学写作探析

科学写作是将学生的科学理解和科学思维过程具体化为外在表征的过程,对学生的科学学习具有重要价值。知识转换模型作为解释学生科学写作心理过程的理论框架,有效揭示了写作促进学生学习的认知过程。与知识陈述模型相比,基于知识转换模型的科学写作更有助于促进学生生成与建构新知识,凸显学生的科学思维和科学理解。基于知识转换模型的科学写作需要教师明确科学写作目的,以合作者身份参与学生写作;引导学生设定科学写作目标,形成任务的心理表征;指导学生在科学写作的体裁与功能之间建立联系,激活问题空间;为学生设计多样化的作品读者,推动知识转换的进程;重视对学生科学写作过程的评价。     

教学艺术研究批判

教育艺术研究目前似乎陷入困境,难以突破,而造成困境的原因应在研究自身。从对教育艺术的意义和教学艺术论定位问题的反思与批判过程中可以看出,教育艺术是指教学的艺术的境界、符合艺术活动标准的教学;教学艺术论不是已有教学论的补充或一门独立的学科,而是一种独特的教学论流派。     

谈美术教研员在教师成长中的作用

以往我们对教师的成长和师资队伍的建设,总是着眼于教师自身的素质及各种业务水平的提高,而对教师成长中的其他因素,比如教师进修制度、进修内容和活动方式,以及地区教研员的作用却很少谈及。随着教育改革的深入,新课程的实施,教师成长的内涵在不断扩大,在当代教育语境下,教研员应起到什么作用?本文对此作一些探讨。     

Along the Write Lines: a case study exploring activities to enable creative writing in a secondary English classroom.

This article arises from a four week study of a class of 14‐15 year old students. The study explored students’ perception of themselves as writers and the effects of a variety of teaching and learning strategies on their creative writing responses. The aim of the project was to enhance the students’ creative writing, whilst ascertaining whether there were particular activities or types of writing that would lead to students perceiving more satisfactory outcomes in their writing. It answers the research question: What do I observe, and what do my students say, about the experience of different classroom based creative writing tasks?     

隐性分层下我校艺体类学生大学英语教学

隐性分层教学是针对学生个体差异,从学生实际情况出发,因材施教,使学生的不同学习需求得到满足,并获得成功体验的一种先进教学方法。高职高专艺体类学生大学英语水平的提高很大程度上取决于教师提供的条件和帮助,条件适当,帮助合理,学好英语就不成问题。     

中国漆艺的发展脉络及其价值

中国漆艺历史悠久，源远流长，是世界漆艺的源头，对世界漆艺产生了深远的影响。她有着“气韵生动的线”、“精彩绝艳的色”，是“宇宙生命的象征”和“上古东方的现代派绘画”；有着极强的防水、防蛀、防腐和装饰的实用价值。她品类繁多、用途广泛，具有极高的收藏价值。     

Six into One: The Contradictory Art School Curriculum and how it Came About

This article reports historical research which sought to understand the present‐day post‐secondary art curriculum through analysing its history in terms of changes in conceptions of art. It found that there have been six distinctive curricula: Apprentice, Academic, Formalist, Expressive, Conceptual and Professional. As a new curriculum has been introduced, it has co‐existed with much contained in a previous one. Most of the curriculum changes have taken place in the past 65 years. During this time, there has been a massive expansion in the education of artists and at the same time art schools accommodated first modernism and then post‐Duchampian aesthetics. A conclusion is that this has made for a very crowded curriculum. Moreover, despite there being an ever increasing choice of things a student might learn, it appears that there is nothing which all students have to learn. It can be problematic that one part of the curriculum is in contradiction to another part, and moreover this lack of a core raises fundamental, ontological questions about what art as a discipline is.     

‘Before I realised they were all women… I expected it to be more about materials’: Art,Gender and Tacit Subjectivity

This article discusses a critical discourse analysis research activity undertaken with a group of undergraduate primary trainees with an art specialism. The research activity involved the use of two contrasting texts discussing the work of Karla Black, Becky Beasley and Claire Barclay. The article explores how the positioning of the two texts affected the student teachers’ ability to engage effectively with ‘women's art’ on a personal and critical level, revealing some highly subjective views and raising questions around intertextuality; particularly how an individual's understanding of contexts, meanings and histories can inform collective interpretation and highlight existing subjectivity. The article subsequently identifies that although students were keen to talk about careful selection of texts, the benefits of using multiple sources and the risks of intertextual and ‘subliminal’ contamination, they were unable to reflect critically upon their own gendered reading of the texts. It concludes that this may well be a signifier of the problem – that the student teachers did not really see a problem at all.     

浅析艺术设计专业生产性工作室实习的模式

艺术设计专业生产性工作室实习模式是指在学校建立面向市场的企业型艺术设计工作室,让学生按计划到工作室进行生产性实习,提高学生的实际设计能力和水平,这是适应社会需要的一种面向市场的校内实习模式。该模式能较好地解决目前艺术设计专业学生不能适应市场以及实际操作能力差的问题,并且还能使艺术设计专业培养的学生毕业后直接参与实际设计,从而形成学生较高的实际设计能力和应用水平。     

一种基于Java注解和反射机制的Excel文件读写操作方法

使用一种基于Java注解和反射机制的改进型Excel文件读写操作方法,实现了Excel文件底层读写过程与Java应用软件业务规则操作的分离,有效解决了java传统技术中采用JexcelAPI接口直接操作Excel文件读写的耦合问题。