新条码技术在现代图书馆中的应用与发展

传统条码技术在图书馆中得到广泛的应用。随着以二维条码、三维条码为代表的新条码技术的发展以及上下游产业链的完善,它必将成为新的信息载体,在图书馆的应用中大显身手。     

The Impact of Museum Purchase on the Auction Prices of Paintings

This study examines how art museumspurchasing policy influences the auction prices ofpaintings. Using a cross section of non-speculativetransactions during the period 1820–1970, we findconsiderable empirical support for the hypothesisthat public museums outside the U.S. pay above averageprices in auction markets providing higher thanaverage yields to private sellers. The typical U.S.private museums appear to be more restricted byfinancial constraints and the development of thegeneral economic conditions than their publiccounterparts.     

企业竞争情报发展中的政府扶持行为探析

本文通过多国政府行为与竞争情报发展的实证分析，证实了政府的支持对竞争情报发展的重要性，并提出了政府支持企业竞争情报应采取的战略举措：制定有利于竞争情报业发展的政策法律；充分发挥政府在竞争情报业发展中的引导作用；开发和利用信息资源，构建企业竞争情报信息服务与支持体系；提供政策、税收、资金投入、信贷等方面的支持；加强基础设施的建设，完善竞争情报发展的外部环境。     

学术期刊载文的测度研究

文章针对人们对学术期刊载文量的绝对数量指标和主观评价标准的单一化误解误用现象，在普赖斯指数的概念基础上开发了关于学术期刊载文量的五种相对性测度，并讨论了这五种相对性测度对载文量隐藏信息的显示作用。     

基于B/S模式的科技文献管理系统的策略和初步实现*

通过对国内外文献管理工具的现状与发展趋势进行分析, 并结合当前文献信息的网络化特征, 进行了文献管理系统基于B/S (浏览器/服务器) 模式下的策略研究, 并讨论了相关的实现技术。本文设计了一个基于B/S 模式的文献管理系统框架, 通过对用户的权限控制, 以及对不同类型的科技文献信息的管理、批量导入和导出, 使用户可以通过Internet 对文献信息进行有效的检索、维护、使用和共享, 并进行了初步的系统(Ref Manager) 开发和实现。     

教学资源可视化方法

教学资源信息可视化是教学改革与创新的重要内容。本文讨论了教学课件设计中的知识点分割、多媒体素材的制作、资源库元素（多媒体对象）的XML/RDF描述、索引机制和可视化方法。     

RSS/ATOM:提高图书馆服务水平的新技术

如何利用新技术来提高图书馆的服务水平一直是图书馆人思索的问题。RSS／ATOM是博客流行的技术基础，它的统一信息发布标准可以用来改善图书馆的服务手段，提高图书馆的服务水平，为图书馆带来了新的发展机会。本文首先分析了RSS／ATOM的基本原理，然后探讨了该技术在图书馆服务方面的应用，如信息发布、知识交流、营造交流空间等。     

The Ephemeral,the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings

This article presents the intervention process carried out on a work of art created by artist Yolanda Gutiérrez Acosta, using a series of ephemeral materials such as butterfly wings and agave thorns. The work, an installation from 2002, is entitled ‘Efímeras’ (‘Ephemera’) and consists of 12 flowers mounted on acetate sheets and attached to the same with vinyl acetate copolymers and acrylic acid esters (Mowilith®). These flowers are installed on the floor in a bed of dried flowers. The conservation of contemporary art can lead to some previously unimaginable problems for restorers. Current works of art are somewhat material in nature, but they also have a conceptual dimension that is essential for their artistic interpretation. The artist’s participation in the decision-making process prior to the restoration was quite useful. The passage of time, its effect on the work, and the need to understand the possibility of the demise and destruction of the work were implicit as of the onset of its creation, such that, according to the artist, we are forced to reflect upon the possibilities of its future state.     

Disciplined freedom,branded authenticity,and dependable independence: how tensions enact flexibility in lifestyle blogging careers

Analyzing 219 blog posts from 52 self-employed women lifestyle bloggers in North America, this study shows how these digital professionals navigate tensions and communicatively constitute work flexibility. In their narratives, women bloggers employed tension management approaches such as reframing, continual connections, and reflective practice in response to tensions in enacting temporal–spatial, identity, and financial flexibility. Specifically, women followed oxymoronic constructions – disciplined freedom, branded authenticity, and dependable independence – to embrace and transform competing poles of fluidity?structure, authenticity?marketability, and independence?interconnection. Expanding work–life research to the self-employed digital labor context, this study responds to recent calls to uncover more-than tension management strategies in empirical settings and contributes to a tension-centered, contextual, and processual analysis of workplace flexibility construction.     

Collecting women’s archives at the ANU Archives

The Australian National University Archives holds both the archives of the University and a large collection of business and labour archives in the Noel Butlin Archives Centre. Both are governed by collecting policies, and neither of these policies mention gender. The relative absence of women’s voices in both collections raises the question about whether archival policies should seek to redress past silences.