Health-care Provider Compassionate Love and Women's Infertility Stressors

The purpose of the present study was to examine relationships between doctor compassionate love and treatment, relational, and psychological stressors, as well as to identify effective health-care provider compassionate messages. Participants were 233 women who had been treated for infertility in the past 12 months. Doctor compassionate love was directly associated with positive affect during treatment, perceived treatment stress, and self-esteem. Additionally, perceived treatment stress mediated the relationship between doctor compassionate love and social and marital stress, as well as self-esteem and depression. Participants identified five categories of memorable compassionate messages sent by health-care providers, including offering hope, privileging the patient ahead of the self, practicing patient-centeredness, empathizing, and nonverbally communicating. Messages that constituted privileging the patient ahead of the self and nonverbally communicating were significantly more compassionate than those of offering hope. The study provides implications for the clinical treatment of infertile women and a practical tool for doing so compassionately.     

轻信招致的自我牺牲--评莎士比亚的悲剧《奥瑟罗》

文章从具有人文主义思想的威尼斯大将奥瑟罗要求人与人之间真诚相待,把荣誉看得高于一切的思想品质在以极端的利己主义者伊阿古为代表的黑暗的封建势力面前彻底失败的事实,论述了人文主义思想的历史进步性和局限性以及人文主义理想的幻灭。     

插入的退让:从遗情/书到遗性/书——论木子美《遗情书》中的性爱关切

如果将木子美放到力比多实践的谱系学上来,她上承卫慧,下启竹影青瞳等现象,是不容忽视的一环.若以插入关键词为核心,其实仍可读出木子美叛逆背后的内在虚弱和吊诡,她其实不是斗士,不是女性主义者,而更多是践行男权主义的"性女".更进一步说,其插入姿态更反衬出一种内在的避让/退缩.     

对卞之琳《无题》五首诗的解读

卞之琳的爱情诗数量不多。他在爱情诗中表现的主题常是爱而不得,舍而不忍,但又不得不舍的情感历程。《无题》(五首)构成了一段感情经历的完整序列,且都是两节八行,诗人在咫尺篇幅中容纳了丰富的情感,具有一种颇有深度的魅力。     

不只是悲剧——评电影《剑蝶》

武侠版的梁祝,公映期间票房一路飘红,虽然褒贬之声兼而有之,却丝毫不能阻止其以势不可挡之势席卷了整个中国影坛。分析其原因,笔者发现对爱情的信仰和影片中不乏幽默的搞笑场景是吸引观众的主要因素。并在分析电影《剑蝶》何以赢得广大观众喜爱的同时,指出其不足。     

从东野圭吾小说《白夜行》看人格的扭曲

东野圭吾的小说《白夜行》塑造了一对童年经历不幸的少年,描绘了他们的爱情悲剧以及联手犯罪的过程。经过分析可以得出,主人公人格扭曲的根源是童年阴暗的家庭环境与社会环境;他们的感情并不是单纯的爱,而是包含了复仇与纵容;与同类作品中的主人公进行对比可以得出,心中无爱与用力去爱都是人格扭曲的外在表现。经过分析得出结论：后天的成长环境对人格的形成来说至关重要。     

《墨经·大取》训释失误例正

《墨经·大取》的注释是解读《墨经》全篇的一把＂密钥＂。对《墨经·大取》的注解、全译等,已经取得很大成果,但问题并未全部得以解决。其中句读、字词的增删、语句的错乱及研究者或大胆臆测或因循旧说等等问题,尚不同程度存在。因此,墨学研究的步伐不应该因此畏难不前,而要＂不恶危难＂,让《墨经·大取》的训释实至名归,符合本义。     

大传统与小传统视野下梁祝故事的发展轨迹

民间传说《梁山伯与祝英台》自东晋形成至今经历了三个关键的发展阶段,每一阶段大小传统都发生着碰撞、交流与融合。在大传统与小传统的视野下考察梁祝故事的发展轨迹,更深层次地剖析梁祝故事的渊源、内涵、主题、影响等,为进一步研究民间传说的源流与前景提供社会学视角的全新借鉴。     

从《爱情之福音》看唐君毅先生的爱情观

唐君毅先生《爱情之福音》一书详细阐述了他的爱情观,他认为任何爱情都是归趋于爱真、爱善、爱美与爱神圣,具体讨论了爱情生活中的敬与信、专一、坚贞、信心、苦痛与罪过、创造与条件、再婚与失爱等问题,对于今天人们的爱情生活具有借鉴与启示意义.     

More than a Story: A New Historical Reading of the Play Madame Butterfly

Madame Butterfly, a classic in world literature, is a one-act play authored by David Belasco, the American playwright. Besides being a literary production under the special historical and cultural environment, what has been long ignored is that the play has also exerted influence on history and culture at certain point. From a new historical perspective, the life of the author, the social rules and dictates found within the play, and a reflection of the work's historical situation as evidenced in the text are discussed in detail. Through a thorough examination, it can be concluded that the play itself is a piece of history per se. By reading and exploring the play, readers do not only learn about history; they also shape and create it.