Rural Knowledge and Information Systems for Non-Agricultural Rural Needs

Abstract

As developing countries gradually rely less upon agriculture for rural income, rural economies require new solutions to access knowledge and information systems for rural development. Non-agricultural rural knowledge and information systems can play a significant role in developing and disseminating successful strategies to escape rural poverty. This paper discusses the challenges of developing rural knowledge and information systems, practical and vital in facilitating rural development in the 21st century.     

高中生“哑巴英语”现象的成因及对策研究

英语是世界上使用最为广泛的语言,是一种交流沟通的重要工具。但是“哑巴英语”现象在我国较为普遍,其中在高中英语学习者中尤为突出。此现象大大阻碍了高中英语学习者的学习热情和自身英语水平的提高。为了帮助高中英语学习者摆脱英语学习的困境,本文从以下方面详尽地分析“哑巴英语”现象的形成原因：环境因素、教师因素、学生因素,并在此基础上,从环境、教师、学生三方面提出了具体的应对策略,以期消减“哑巴英语”这一英语教学中的顽疾。     

论“泛媒介时代”我国新闻摄影的价值取向

文章论述了新闻摄影的主流价值观。在“泛媒介时代”作为历史进步、时代变迁记录者的中国新闻摄影,在定格和记录影像的第一时间要永远坚守社会主义核心价值观,要勇于鞭挞丑恶,维护社会公平、正义,弘扬道德、理想。     

从诗文酬唱看苏轼与黄庭坚的非凡友谊

苏轼是我国北宋中期文坛上的领袖,黄庭坚为苏门学士并开一代诗派。师徒之间诗文酬唱频繁,友谊非凡。从他们大量的酬唱诗文来看,二人之间的友谊体现在他们生活志趣以及人格理想上的相知相通,诗歌艺术上的交流切磋、争奇斗巧和宦海沉浮,人生遭遇中的勖勉与慰藉等方面。     

从教育传播学的视角分析远程高等教育质量保障

在我国高等教育大众化的发展过程中,远程高等教育得到了快速发展,在硬件设施和办学规模的扩张上尤其引人注目。但是,远程高等教育质量却一直令人担忧。为了更好地促进现代远程教育的发展,构建完善可行的远程高等教育质量保障体系势在必行。文章试图以拉斯维尔的"5W"传播模式为基础,分别研究了远程教育过程的5大传播要素和学习支持服务体系,并从教育传播学的视角提出了完善远程教育质量保障体系的几点建议。     

浅谈日语语用教学及语用能力的培养

目前日语教学仍然受传统教学模式的影响,注重学生的语法能力,相对忽视学生的语用能力。面对生活中学生出现的＂语用失败＂,结合我国日语语用教学的现状,课堂上开展潜移默化的语用教学是很有必要的。语用知识是应该教授,也是可以教授的。通过教学内容、教学手段、评价方式的改革、显性教学和隐形教学方法的结合才能真正提高学生的语用能力。还应注意进一步完善日语教材,更加注重文化教学和语言联系,教师不断自我学习,才能实现师生语用能力的共同提高。     

湖北省省属地方高校新闻传播教育困境分析——以湖北文理学院新闻系为例

地方高校由于地理位置和办学层次的差异,教育资源相对缺乏。当前地方高校新闻传播教育面临着最根本的问题：师资结构上的缺陷和设备的不足与浪费。前者表现为：教师数量相对不足,职称、学历相对偏低,专业不对口,缺乏实践经验等;后者表现为实验设备的老化落后和虚置浪费。地方高校要解决这两方面问题,首先应该充分认识新闻传播学科的现实性和交叉性特征,更新教育观念;其次应该联合地方媒体和其他名校,走合作培养传媒人才之路。     

战国时代战争方式与社会救助探析

战国时代战争频仍,战争规模不断扩大,水攻、火攻等战争方式不断发展,由此造成的士兵伤亡数量十分惊人,这一严重后果促使各诸侯国不断完善对军烈属的社会救助。日益完善的社会救助政策有力地保障了战争的不断进行,并为后世的社会救助提供了借鉴。     

Police-Civilian Interaction,Compliance, Accommodation,and Trust in an Intergroup Context: International Data

Abstract

Prior cross-cultural research has produced models of police-civilian interaction that highlight the effect of officers’ communication accommodation and reported trust in police on attitudinal outcomes. The present study, conducted in Korea, Japan, Guam, and Canada and involving 684 university students, continued this program of research by testing a theoretical model exploring the influence of perceived police officer communication accommodation and reported trust in police on attitudes about compliance with police requests. Findings indicated that across study locations perceived police officer communication accommodation predicted trust in police which, in turn, predicted attitudes about compliance with police requests.     

Thawing the North: Mostly Martha as a German-Italian Eatopia

Abstract

The establishment of the European Union, reunification of Germany, and Germany's extension of dual citizenship to immigrant minorities provided challenges to the country's understanding of itself as a nation. In negotiating these changes, debates on citizenship frequently centered on definitions of German culture. Using the concept of Leitkultur (guiding culture), conservatives argued that Germany should reject multiculturalism and stem immigration. This essay analyzes discourses on cultural policy in Germany through a contextual and textual analysis of the film Mostly Martha. In its alignment with aesthetic conventions of the art house food film, Mostly Martha participates in the debate on cultural citizenship and embodies changes in the German film industry that have moved German cinema toward increased commercialism. The film's main character, Martha, is transformed through an intercultural relationship and a trip to Italy. We argue that the film's citation of this well-known tradition of traveling south to redeem oneself and its treatment of ethnic “Otherness” engages in the Leitkultur debate and participates in the transition from national German to transnational cinema. Through the utopian treatment of Italian food, the film fetishizes cultural difference and reaffirms fixed constructs of nation and gender, thereby avoiding an explicitly politicized engagement with intercultural citizenship and identity.