韩国学术伦理建设评介

做学问的人应当遵循道德规范。近年来韩国接二连三地发生各类违反学术伦理的研究行为,韩国政府和学术界由此开始致力于学术伦理的建设,通过规范学术伦理准则、重建学术伦理促进机制等举措取得了一定成效,了解这些措施对于中国学术伦理的建设也有所裨益。     

我国发展体育人口存在的问题与人力资本健康投资

运用文献资料,归类比较,逻辑分析法,分析了人力资本健康状况与经济发展的关系,剖析了我国发展体育人口中存在的问题与人力资本投资状况,提出了我国人力资本健康投资的基本途径。     

"三自主"体育教学的实践与思考

研究“三自主”体育教学的改革实践后认为：应该正确认识“三自主”教学理念和理性地执行“三自主”教学形式。普通高等学校“三自主”教学一方面突出了学生在教学中的主体地位,体现了“以人为本,促进人的全面发展”的思想,是新时期普通高校体育教学的重要形式。另一方面由于实施“三自主”教学要求学校具备良好的教学的软硬条件,有些普通高校在体育教学条件不佳的情况下,“三自主”教学可以改良;要积极引导学生正确认识“三自主”的教学思想,理性选择自己喜欢的课程。从课程设置、教学内容的安排到教学实施,都不要盲目迁就学生;运用多样化的教学模式是保证和提高教学效果的重要因素;在学校教务处的统一协调下作为学校行为进行网上“三自主”选课。     

Mela: festival scenes in South Asian cinema

This article examines a recurrent film motif across a number of South Asian films, mostly called Mela. It also offers some observations on melas, actual and allegorical, as represented in films but often seeming to exceed their containment in context so as to say more about the conviviality of life, where this is at issue, where life is at a juncture in need of resolution within the cycle of becoming. The issues of violence, loss, national identity, politics of interpretation and repetition in ideology are canvassed. While the essay is focused upon Mela films themselves, and South Asian film more broadly, it has of course been important to note work by scholars such as M. Madhava Prasad, Ashish Rajadhyaksha, Anjali Gera Roy, Tejaswini Niranjana, Gayatri Chakravorty Spivak and the help of my students, some of whom are named below.     

熊十力诠释《诗经》学的向度探析

《诗经》是“六经”之一,熊十力对《诗经》进行新的诠释,走的是一条“经学泛哲学化”的理路,把“四科”之中的“义理之科”作为“六经”之宗,没有“义理之科”的贞定,“经济之科”“考据之科”“文学之科”乃茫荡无根据。他明确指出《诗经》一定有《诗传》,并强调“诗可以兴,可以观,可以群,可以怨”是《诗传》的总纲领。同时认为,《诗经》里面的诗歌,大多出自“农家”学派之手。《诗经》中有大量表现“怨”的诗,当作孟子的论断“《诗》亡然后《春秋》作”的原因。熊十力对《诗经》中《二南》诗高度重视,之所以读《关雎》得出“思无邪”的评价,缘见得人生本来清净、真实,不须作更多的猜想。同时他指出了中国宗教之所以不兴的原因,即“即事多所欣”。在日常生活里,自有一种欣悦、和适、勤勉、温柔、敦厚、庄敬、日强等等的意趣,用不着起什么恐怖,也不须幻想什么天国,并要求我们通过解读《二南》,识得人生的意义与价值,大步走上人生的坦途,向前努力,而不至于面墙了,表达了熊十力对人生理想的美好追求。     

Korean-Wave celebrities between global capital and regional nationalisms

This article examines conflicts over the transnationalization of South Korean celebrities in the wake of the Korean Wave (Hallyu) in the twenty-first century. I consider a number of celebrity controversies to argue that the demands placed upon Hallyu celebrities by domestic observers, foreign audiences, and global capital are fundamentally irreconcilable. South Korean nationalist appropriation of Hallyu, as well as the local celebrity culture, demand that Hallyu stars firstly be exemplary Korean patriots, whereas international audiences expect sympathy for their own causes. Local nationalist agendas have proven particularly troublesome because of postcolonial sensibilities and ongoing territorial disagreements between South Korea and its neighbors. Finally, as circulating commodities and commercial assets, Hallyu stars are also pledged to global capital. Their value is highest when they appeal to as broad an audience as possible and alienate no one with their politics. An apolitical neutrality on regionally controversial issues, however, is an untenable position when antagonistic geopolitical interests are concerned and nationalist passions flare. I situate this argument within critical scholarship on cultural globalization flows within Asia, while engaging celebrity studies to frame Hallyu stars as transnational commodities.     

The Persuasive Influence of Nollywood Film in Cultural Transmission: Negotiating Nigerian Culture in a South African Environment

The popularity and viewership of Nollywood films have expanded across African and Western cities especially those with considerable Diaspora population. This study seeks to investigate whether watching Nollywood films is likely to lead to cross-cultural transmission of Nigeria’s cultural heritage to audience members in South Africa. Data for the study were collected using observation and surveys with Likert-type scales involving participants from a South African college. Results show that watching Nollywood films was significant in increasing participants’ knowledge and appreciation of Nigerian culture. Observed patterns indicate that a small portion of participants could mimic or reproduce some common Nigerian expressions and exclamations while a negligible percentage of participants could actually speak a smattering of Igbo, one of Nigeria’s three major languages.     

Relationship Understanding Between Emotional Stability,Self-Disclosure and Social Adjustment

This paper discusses a survey, carried out by the authors, of 211 employees’ employed in public and private manufacturing organizations in North India to determine if emotional stability acts as a mediator between self-disclosure and social adjustment. Capitalization theory has been used as theoretical framework to examine the proposed relationships. Results indicate that high self-disclosure has positive association with social adjustment. Results also suggest that emotional stability partially mediates self-disclosure and social adjustment relationship. Implications for future research include further examination through additional mediators and other dimensions of self-disclosure from capitalization theory in understudied non-U.S. cultures like India.     

“Happy Seoul for foreigners”: scenes from multicultural life in South Korea

Abstract

Since the mid-2000s, multiculturalism has become a prominent buzzword in South Korea as the nation, which was founded on the myth of a single bloodline, tries to come to terms with its growing foreign population. This article looks at the figure of the industrial migrant worker who, despite being ignored by the mainstream media, has appeared in a handful of independently produced Korean films, including three—Bandhobi (2009 Bandhobi [???]. 2009. Directed by Shin Dong-il. Seoul: IndieStory Inc. [Google Scholar]), Hello, Stranger (2007 Hello Stranger [?? ?? ???]. 2007. Directed by Kim Dong-hyun. Seoul: IndieStory Inc. Host and Guest [???]. 2005. Directed by Shin Dong-il. Seoul: LJ Film. [Google Scholar]), Where Is Ronny? (2008 Where Is Ronny? [??? ???]. 2008. Directed by Sim Sang-kook. Seoul: JinJin Pictures. [Google Scholar])—that will be discussed here in detail. These films, as I will show, not only provide an alternative perspective on immigrant life in Seoul and other parts of the country, which is more often than not represented through the privileged world of the Western “expat,” but also reveal the underlying tensions and contradictions in Korea's approach to multiculturalism as it tries to regulate diversity through the fiat of legislative policy while ignoring the moral and political choices confronting its citizens as they decide whether or not to befriend the other.     

Rajnikant in Japan: Indian “superstardom” and low value markets

This paper draws attention to some questions thrown up by the increased circulation of mass-produced cultural commodities sourced from Asia in the relatively new markets of the region. Juxtaposing the short-lived success of the Indian star Rajnikant in Japan in the late 1990s and the unsuccessful attempt to promote Korean films in the Indian theatrical circuits a decade later, the paper argues that in spite of their considerable differences both instances foreground the difficulties cultural industries of Asia have in generating revenues in the region's markets. The paper goes on to elaborate on a model of stardom, exemplified by Rajnikant, which has evolved as a direct response to the challenges posed by low value markets.