读者权利的法哲学思考

从法哲学的角度看，读者权利建立在国家经济、法律规范、道德准则、社会心理四个重要基础之上；对读者权利的形态(包括静态形态和动态形态)、读者权利的保障、读者权利的限制及读者权利的社会心理保证等权利现象的分析，从多维的角度揭示了读者权利实质性内涵，反映了读者权利各基础之间以及各基础与读者权利之间的对立统一关系。     

个性化推荐系统中的用户模型问题

个性化推荐系统已成为图书馆提供个性化服务的重要手段，而用户模型则是个性化推荐系统的基础和核心。然而基于关键词的用户模型已经不能够适应用户的个性化信息需求，本文提出了基于ontology的用户模型的设想。     

基于Web服务的MyLibrary@HUST系统*

在分析了当前一些成熟的MyLibrary系统的基础之上,以XML/Webservice/WSDL技术为基本实现框架，提出了一种全新的三层结构的MyLibrary系统,并详细介绍了三个功能层的核心任务和相应的软件实现。此系统在开放性、个性化、安全性等方面都较现有的系统有一定的改进。     

数字图书馆用户信息库的建设

用户信息资源是数字图书馆整体信息资源的有机组成部分,只有建设完善的用户信息库,才可以保证数字图书馆进行高效的信息服务。在用户信息库中应包含关键词、主题及用户的个人情况、用户的特定信息需求和信息行为描述等内容。建库的方法有直接法和间接法两种。表3。参考文献3。     

个性化信息服务探析

个性化需求的满足是当今社会发展的必然趋势。本文阐述了这一社会现象 ,介绍了在信息服务领域个性化的进展情况 ,并特别指出图书馆开展个性化信息服务的具体措施     

基于用户的数字资源整合模式研究

以用户为中心，充分利用信息技术促进数字资源整合是数字图书馆建设到一定阶段出现的新任务。这里涉及观念问题、技术问题、服务模式构架等具体问题。数字资源整合是通过技术合力，将复杂转变为简单，将数据线性一元转变为网络多元，同时，查全率与查准率共生增长。用户满意度实质性提高。实现数字图书馆建设的最优目标。     

基于P2P的适应性信息检索系统的设计

针对现有搜索引擎的不足，提出了一个基于P2P的适应性信息检索系统设计方案，详细介绍了系统的各主要模块的功能和技术方法，进而分析了该模型的优势。     

基于军事训练网的个性化信息服务研究

个性化信息服务是指能够满足用户个人信息需求的一种信息服务。文章在分析基层通信连队用户群体的信息需求特点基础上，提出在军事训练网上构建面向基层连队的个性化信息系统，并结合实际介绍了该系统的设计和实现方法。     

基于用户画像的高校图书馆精准服务构建

图书馆精准服务是"互联网+"时代的图书馆发展的必然趋势,要实现"精准"必须关注的基础就是用户。文章在对用户画像理念及国内外研究梳理的基础上,从现有大数据利用状况、主观上精准服务转型的需要和客观上该技术执行可行性三方面分析用户画像技术实现高校图书馆精准服务的可行性。最后在搭建图书馆精准服务架构系统的基础上,提出围绕用户画像实现高校图书馆精准服务的技术过程。     

The potential role of citizen conservation in re-shaping approaches to murals in an urban context

Public visual spaces, populated by a blend of community murals, unauthorised street art, and historic painted mercantile signs, are often the mark of an urban environment that is both progressive and eclectic. Changes in the aesthetic and cultural value of these urban mural forms have led to an increase in the appreciation and, in some instances, promotion of their artistic merit and cultural significance as examples of public art. However, examining the significance of these works, with a view to implementing a conservation approach is problematic. This is due to a number of practical and theoretical considerations that are primarily a result of the ephemeral existence of urban murals outside conventional exhibition spaces, and issues associated with their often fragmented ownership and uncertain authorship. Consequently, larger thinking on the interpretation, conservation assessment, and advocacy for the conservation of urban murals are required. Key to defining and implementing such strategies is contextualising the public visual spaces that these murals occupy and, as part of this, the local and wider communities’ perception of these murals as culturally significant objects as well as fostering awareness and understanding of appropriate measures aimed at their conservation. This paper examines the role of citizen science, or crowd-sourcing, of local community members in establishing a conservation dialogue and generating conservation- relevant data on urban murals. It looks specifically at a project involving a collection of in situ historic painted mercantile signs — also known as ghost signs — in the City of Port Phillip, Melbourne, Australia. The project fostered the establishment of an informed and open dialogue between conservation specialists and participants from the local community on the significance of local ghost signs whilst transferring knowledge on conservation processes and assessment methods. Working directly with community members, a programme was designed in which conservation and community knowledge of these urban art forms, could be collected and exchanged across digital platforms. This enabled researchers to examine how citizen science can be utilised as a research tool as well as a means to advocate for the conservation of collections of urban murals. It created the opportunity to consider the role of non-specialists and shared authorities in the collection and collation of conservation- relevant data and how information generated from what we call citizen conservation projects, can inform the way in which conservators evaluate and prioritize the conservation of urban cultural heritage. The data gathered and interpreted proved to be the most effective means of ‘conserving’ these often ephemeral forms of cultural material.