深度报道源流探析

深度报道从理念的萌芽到今天的兴盛，已经走过了八十年的历程，在我国新闻界从实务运用到理论的研究仍然方兴未艾。本拟从客观报道及其缺陷、深度报道的产生与源流、我国深度报道的历史状况等三个方面，全面梳理深度报道的源流以及我国深度报道的发展历程，以助于深度报道的进一步研究。     

新闻传播学本科教育扩张热中的冷思考

在政府放松管制,高等学校又成了愁产不愁销的经济人的情况下,我国新闻传播学本科高等教育快速扩张,是必然的,又是不可能持续的,必然从数量扩张转向质量提升,高等学校应顺应趋势,尽早调整办学方向。     

论新闻的“有机真实”

有机真实,不是简单的新闻真实类型,而是在新兴媒介环境中观察分析新闻生产、新闻真实的一种新观念、新视野,它意味着真实观念的变革,更意味着在新的媒介环境中,新闻真实实现的主体方式、媒介方式、符号方式、文本方式及其背后思维方式正在发生变革。有机真实的实质,是说新闻真实是在不同报道主体相互作用、相互影响过程中呈现的真实,有机真实是在不同媒介方式、符号方式、文本方式有机互动中呈现的真实。就当下来说,尽管有机真实的实现有赖于一个社会、一个国家信息的公开程度,有赖于职业新闻生产的透明度和公开度,也有赖于社会公众及其他各种社会组织、群体参与新闻生产传播的热情与水平,但最要紧的是,专业新闻媒体要充分发挥自身的专业能力,职业新闻工作者应该承担自身的应尽职责,在新兴媒介环境中重建自身的权威性、公信力。     

Using Big Data to Examine the Relationship Between Facebook Engagement and Local Newscast Ratings

ABSTRACT

Local TV news stations regularly post to social media, on Facebook in particular, in an effort to engage audiences, but little is known about the effect of this practice on newscast ratings. We examine the relationship between engagement on Facebook and newscast ratings using data from Shareablee and Nielsen respectively in regression analyses. We find that Facebook engagement does not cannibalize TV ratings, rather there is a clear positive relationship between the two. However, further analyses suggest that this relationship may be driven by interest in news events or other market-wide factors that result in both Facebook engagement and viewership increasing or decreasing simultaneously.     

民国新闻学人孙如陵的新闻理论探讨

孙如陵,民国时期知名新闻学人。在国民党中央政治学校新闻学系就读期间,担任《新闻学季刊》编辑。毕业后历任《中央日报》记者、《中央日报》专门性副刊《报学》双周刊编辑、《报学杂志》编辑。孙如陵的新闻为学之路,是民国时期的一种典型,求学伊始即开始新闻实践与新闻学术研究。这种“半工半读”经历不仅给他带来新闻实践的切身体验,还有新闻学理的深刻体悟。本文就民国时期孙如陵的新闻学观、新闻观、新闻教育观、报业发展观进行分析,揭示其独到的理论洞见。     

Copyright and Commerce: The DMCA, Trusted Systems, and the Stabilization of Distribution

The Digital Millennium Copyright Act (DMCA) has been criticized for granting too much power to copyright holders, offering them new technological controls that may harm the public interest. But by considering this exclusively as a copyright issue, we overlook how the DMCA anticipates a technological and commercial infrastructure for regulating not only copying but every facet of the purchase and use of cultural goods. In upholding the law in Universal v. Reimerdes, the courts not only stabilized these market-friendly arrangements in cultural distribution; they extended these arrangements into realms as diverse as encryption research and journalism, with consequences for the very production of knowledge.     

论新闻专业主义教育的现实意义

从社会政治、传媒经济、媒介生态以及新闻学教育的现状等四个维度来看,新闻专业主义教育对于新闻媒体和社会发展都具有很强的现实意义。作为新闻业后备人才的培养基地,今天中国的新闻学教育存在的一大问题便在于新闻专业主义理念的缺失,因此强化新闻专业主义理念、提升新闻专业主义教育在新闻学教育中的地位应当成为中国高校新闻学教育改革的基本方向。     

1919-1924年安徽新闻报刊发展状况——以日本驻芜湖领事馆的新闻报刊调查报告为考察中心

1923-1924年间日本驻芜湖领事馆向日本外务省隐秘地提供了两份关于安徽新闻报刊事业的调查报告。这些调查材料显示,从清末至1924年,安徽新闻报刊事业经历了萌芽、低迷、急速发展期,一时间仅省会安庆便有二十余家报社。之后多数报刊则因经营不振、缺少经费支持继而废刊以致倒闭,有些报刊则不得不求助于省府资助。省府资助的选择性对报刊的存续、安徽新闻报刊事业的发展曾产生了一定的影响。至1924年底,经历了短暂辉煌发展后的安徽新闻报刊界,只存有5家报社。     

Television news in Bangladesh: intersection of market-oriented journalism and perceived credibility

The television medium has occupied a dominant place in Bangladesh. With the unprecedented expansion of the television industry, questions are being raised about a palpable rise in market-oriented journalism (MOJ) in the country. This article examines the theoretical and empirical relationship between MOJ and credibility of TV news. Three surrogate factors of MOJ including independence, social role, and objectivity, along with TV news credibility are analyzed for insights. The findings suggest that there is a complex relationship between the two constructs. To improve the perception of credibility of TV news, our findings suggest an important role of public journalism as an alternative to MOJ.     

Post-Industrial Cultural Criticism

Integrating perspectives from research into cultural and post-industrial journalism, this article presents a pilot study of websites with reviews of arts and culture conducted by amateurs. Such websites constitute a popular space for cultural criticism, and one that challenges traditional hierarchies within journalism. The article maps which Danish websites conduct arts and culture reviews, asks what features these websites have that facilitate public discourse, and measures the actual discussion on the websites. While academic diagnoses of the state of the online public sphere have generally been discouraging, this article argues that this is partly due to a strong focus on politics rather than on culture and illustrates how the cultural public sphere of online reviews constitutes a heterogeneous space for a public discussion about arts and culture. Furthermore, it shows that some amateur reviewers have highly specialized knowledge of culture and, on that basis, argues that the emergence of this type of critic might represent a qualitative strengthening of cultural criticism.