“陈寿故里碑”引发的两个问题

考析四川广安出土的“陈寿故里碑”所引发的《三国志》作者陈寿和宋状元何涣的籍贯问题，认为清代刻立的“陈寿故里碑”没有多大的学术价值，不足以动摇陈寿为南充人和何涣为都江堰人的传统说法。     

On the Nature and Role of English in Asia

The present paper is divided into eight sections:introduction,the global diffusion of English,perceptions of the new varieties,the issue of intelligibility,features that cause unintelligibility,need for a broader pragmatics,and pedagogical impli- cations,and conclusion,followed by the references.Not surprisingly,the global spread of English has generated varying perspec- tives on the nature and functions of its acculturated varieties.Broadly speaking,the debate has divided scholars into two camps holding diametrically opposing views on the multiple versions of English.On the one hand,some scholars view variations as symp- toms of linguistic degeneration and deterioration;on the other hand,some scholars legitimize them as inevitable manifestations ne- cessitated by the demands of the new cultural contexts.The normative view of the former camp stems,at least partly,from the problems the new forms of English pose in terms of international intelligibility.It is in this context that the paper examines the traditional,one-sided,native speaker-centred idea of intelligibility and the recent two-sided view of intelligibility that places the onus on both the native speaker and the non-native speaker.The argument of the latter camp is based on the premise that the new varieties require a broader pragmatic framework,because universal pragmatics is inadequate to describe them satisfactorily. Thus,the camp advocates a need for a language specific pragmatics,and a comparative pragmatics,in addition to the traditional universal pragmatics.Logically,the debate on phonological,lexical,grammatical,and discourse structure variations,and their le- gitimacy has prompted English language teaching specialists to have a fresh look at the goals and objectives of teaching English in the countries of the outer and expanding circles,and accordingly prioritize the teaching of national and regional varieties over that of the so-called native varieties.Thus,the paradigms of independence and centrality of the new varieties are replacing the paradigms of their dependence and marginality.     

浅析目的语文化输入和母语文化输出的矛盾机制

外语教育中目的语文化输入与母语文化输出始终是一对矛盾,如何在这一矛盾中推进外语教学目标的实现,一直是外语界探讨的课题。笔者运用矛盾论原理,在客观分析这一矛盾形成机制的基础上,结合当前外语教育实际,提出了一些相应策略,以期引起外语教育界的关注。     

管窥南朝与北朝对“郡望”的不同态度

虽然＂郡望＂一词对南北朝社会影响深远,但南朝与北朝对汉族大姓望族的认可态度不同,南朝与北朝冒籍现象的程度不同,南朝与北朝的人们对祖籍的态度不同。之所以会出现不同的态度,是因为南朝与北朝政权依靠的力量、迁都的影响以及文化方面存在差异,而且南朝对于墓志碑铭、谱系的管理制度相对北朝也更为健全和完善。     

论多元族群共生的中国儿童文学

中国各民族共同创建了悠久、灿烂的中国儿童文学。中国各民族原生活态儿童文学曾经代表着中国儿童文学的存在,自远古起就活跃于歌者、说者的通神语境和巫师的祝告祷告行为之中,以口口相传的方式在各民族儿童中代代传承。梳理多元族群共生的中国原生活态儿童文学,是建立中国本土儿童文学史新观念的一个起点。     

夏天敏小说创作在当代文学语境中的意义

夏天敏作为当今文坛备受关注的一个作家,其以乡土为题材创作的小说,思想内容深刻,在关注贫困山区底层人生活的同时,笔端对深层的文化、民族性格等方面多有触及;在艺术手法的探索与创新上,夏天敏坚持现实主义小说的创作方法,但也敢于对西方现代主义文学思潮中的优秀资源大胆借鉴,很好地融于自己的乡土小说创作中.     

孙犁抗日小说审美情趣探析

孙犁抗日小说具有独特的浪漫唯美风格。除受到魏晋文化和古典主情文学传统的影响外,孙犁还借鉴了以屠格涅夫为代表的西方浪漫文学和以鲁迅、沈从文为代表的中国现代乡土文学的创作经验,因此,他的抗日小说创作完美地承载了历史赋予的革命使命。     

冲淡闲适的世界——汪曾祺散文解析

作为京派散文在当代的延续和传承,汪曾祺的散文具有自身独特而冲淡的气质,他通过对乡的庞大追忆,在逐渐接近本源的过程中,抵达精神的核心。他的散文在语言运用上也别具匠心,细腻传神的摹写给人以视觉和感官上的冲击,而且他在写作中不断追求闲适、淡然的审美趣味,在平淡中包含深邃意蕴。     

母语正迁移理论指导下的日语教学

围绕语音、词汇、语法三大教学内容,用对比分析的方法,针对汉语和日语的相似性,预测和描述母语正迁移规律对日语教学产生的积极影响。     

劳伦斯与沈从文乡土情怀之比较

英国作家D.H.劳伦斯与中国作家沈从文都以自己的家乡为背景创作了大批优秀的"乡土作品"。稍事比较,不难看出劳伦斯与沈从文有着截然不同的乡土情怀:劳伦斯以犀利的笔调贬斥家乡习气之庸俗;沈从文以溢美之言赞颂故里民风之淳朴。然而,这种迥然不同的乡土情怀背后,却深藏着两位作家对生命本真回归作为的向往。