白燕升：一切都要尊重孩子的成长规律

白燕升．央视戏曲频道知名主持人。荧屏之上,他儒雅帅气、神采飞扬,凭借自己的好学、真诚和对戏剧的酷爱。经过多年的努力,将一档原本并不算时尚、不够前卫．也不受“大众”关注的戏曲节目主持得有声有色．成了戏迷朋友和广大观众喜爱的精品节目。那么,走下荧屏,白燕升在家庭生活的舞台上又扮演着怎样的角色呢？现采撷一组他与女儿的故事．看看他是怎样“主持”生活这出大戏的。     

从元戏曲看《汉语大词典》的书证偏晚问题

本文主要从元戏曲中选取二十个词语来说明《汉语大词典》的书证偏晚问题,以此对考证词源、考察词义演变和词语释义作出贡献。     

建设类高职院校戏曲文化课教学实践探究

中国戏曲文化课在浙江建设职业技术学院作为一门公共选修课开设实施．对于引导高职学生形成正确的社会观、道德观、价值观和伦理观,实现人文素质教育与专业教育相得益彰和突出高职院校校园文化建设的亮点．丰富校园文化建设的内容,具有重要意义。作者结合教学过程中遇到的困难,探寻一套适合建设类高职院校学生特点的戏曲文化课教学方法,使中国戏曲文化真正起到弘扬传统戏曲文化艺术,提高人文素养的作用。     

马致远戏曲中的悲情意蕴

在元代的统治下,知识分子沦入了介于娼妓和乞丐的社会地位,他们的价值理念和精神体系也随之崩溃瓦解。这个被历史和社会遗弃的特殊人群的孤独、凄凉、悲伤、愁苦在马致远的戏曲中有了充分的表现。其悲情意蕴不仅是他个人的,也是整个元代知识分子的,同具典型性和普遍性。     

另一种珍爱

曾读过一篇小说《绿墨水》,讲一位慈父为使女儿有勇气面对生活而借她同班男生的名义给她写匿名求爱信的故事。感动之余我忽然想到,人真是太脆弱了,似乎总是需要通过别人的语言和感情才能肯定自己热爱自己。如果有一天这世界上没有—个人去关心你爱护你倾听你鼓励你——人生中必定会有这样的时刻,那时你怎么办呢?     

＂Turkish Five＂：Their Contributions to Contemporary Piano Music and Piano Education in Turkey

First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period （after 1923）, ＂Turkish Five＂ emerged. ＂Turkish Five＂ consisted of professional composers who were educated in Europe and learned western musical forms. These musicians, according to their birth years, are Cemal Resit Rey （1904-1985）, Hasan Ferit Alnar （1906-1978）, Ulvi Cemal Erkin （1906-1972）, Ahmet Adnan Saygun （1907-1991） and Necil Kazan Akses （1908-1999）. ＂Turkish Five＂ achieved important accomplishments and did significant contributions to Turkish contemporary music in 30-40 years with their efforts. While doing this, they used over 500-year old musical legacy of the West. At the beginning, these musicians used Turkish folk tunes and their rhythmic and modal system, however, later, they began to use ＂impressionism＂, ＂neo-classicism＂ and finally ＂atonalism＂ in their music. In the current study, the contributions of ＂Turkish Five＂ to contemporary Turkish piano music and their approaches to piano education were examined via literature review. After an extensive research with the literature on the topic, the researcher has interviewed with six piano teachers from different music institutions in Turkey （including two schools of time arts, two conservatories and two music teacher training schools）. During these interviews, the contributions of the ＂Turkish Five＂ were examined based on ＂relativity＂ and ＂local to global＂ principles in education, and the researcher has searched for the ways to use more of their music in piano education through the interviews. Therefore, the main purpose of the study was to discover ways to implement more of the music by ＂Turkish Five＂ in piano education in Turkey and to ffmd solutions fo     

让灵魂回归天真烂漫的伊始——欣赏《放牛班的春天》有感

一个落魄了的音乐家马修,一座名叫"池塘底教养院"的学校,一群因被看扁了而叛逆、无所不为的孩子,一个虚伪自私冷漠的院长,一位喜爱音乐的数学老师,一个热爱运动的体育老师,一个老好人门卫,一个有着失望透顶的孩子的漂亮母亲,一个趴在铁门前期待星期六父亲回来接他的孤儿……种种个性鲜明、身份各异的人物构成了一部电影——《放牛班的春天》。这部电影里充斥着成人世界的虚伪卑劣、狂妄独断以及不动脑筋的无能和专横,如那个院长不给孩     

桂子山上的“文艺复兴”之路

我是一名理科女生,从高二分科那天起,这就成了不争的事实。喜欢理科,因为它磨练了我的意志,锻炼了我承受挫折的能力,多少次为数学冥思苦想,多少次为物理泪洒考场,多少次面对同桌男生接近满分的理综试卷望洋兴叹……纵然理科让我身心皆损,然而那种自虐的个性让我坚信:如果连数理化都挺过来了,姐未来还怕啥?     

音乐课中的戏曲艺术教育

音乐教育是素质教育的重要组成部分。在中小学音乐教育中发挥戏曲艺术教育优势,陶冶学生情操,振奋民族精神,是音乐素质教育的重要内容。中国是世界文明古国之一,中国的民族文化异彩纷呈,历史悠久,不     

为什么称知心朋友为“知音”？

这里有一个流传至今、感人肺腑的故事。据《列子·汤问》记载：“伯牙善鼓琴,钟子期善听。”春秋时期楚国著名音乐家俞伯牙在晋国做官,有一年,他因公务顺江而下来到龟山脚下的汉阳江口,因天色已晚,只好将船停在岸边。吃完晚饭后俞伯牙习惯性地从琴囊中拿出七弦琴,调好琴弦弹了起来。这时,周围万籁俱静,他弹奏的琴声传得很远。伯牙正如痴如醉地弹着,忽然听到岸边的树丛中有响动,马上派手下人去查明情况,原来是一位打柴的樵夫在偷听。伯牙好奇地问：“这么晚了,你为什么不回家,却躲在这里偷听我弹琴？”樵夫诚恳地说：“我打完柴回家路过此处,听到七弦琴声,不知不觉便顺着琴声来到这里。”