近十年来武术套路研究的论文统计分析

通过对中国期刊全文数据库检索统计分析,以文献计量学的基本定律作为数据分析的基本方法,对1995-2004年武术套路的研究论文进行统计,分别对期刊年代、期刊分布、主题特征、核心作者及著者地域分布进行对比分析和综合分析. 旨为武术套路的可持续发展研究提供参考.     

“占领华尔街”运动：原因、特征与启示

“占领华尔街”运动的发起有其深刻的思想渊源、制度因素和社会背景。这一运动呈现出纲领的不确定性、组织的松散性、活动的非暴力性和参与主体的弱势性等特征。对于当前的中国而言,“占领华尔街”运动具有重要的警示意义,它启迪我们着力解决群众就业问题、努力实现社会公平正义、加强对金融机构的监管、更加坚定走中国特色社会主义道路的信心。     

官绅民形象的传统描述及影响——以山东省郓城县乡村社会（1900--1949）为中心的考察

官绅民形象传统描述的意图在于通过道义教化维持统治秩序。此种描述对共产主义革命前的近代乡村社会各阶层施加了重要影响。抗战时期革命的发动方式、实行措施与官绅民形象传统描述具有密切关联。在其后的土地革命过程中,官绅民形象的传统描述亦彰显出其独特的影响。     

晏殊词论三条材料之辨

刘放在《中山诗话》中认为,晏殊词与冯延巳词一样具有可歌性,而不是晏殊词继承冯延巳词风格;晁无咎《评本朝乐章》中晏元献一句出现晏几道的词句,当确为评论晏殊而非晏几道,只是其后的词句将晏几道词误记为晏殊词;李清照《词论》中批评晏殊词有“以诗为词”和“不协音律”两项,前一项已确证,而后一项可能事实并非如此。     

Environmental Melodrama

Rhetorical scholarship criticizes melodrama for its tendency to simplify and reify public controversies and valorizes the comic frame as an ethically superior mode of rhetoric. These judgments are rooted in the discipline's reliance on Burkean categories, a reductionist conception of melodrama, and an implicit assumption that social unification should be the telos of rhetoric. In response, this essay advances a concept of melodrama as an integrated set of rhetorical appeals. It uses examples of environmental rhetoric to illustrate how the inventional resources of melodrama can transform public controversies and oppose dominant discourses that rationalize or obscure threats to the quality and existence of life on Earth. Based on these arguments, the essay endorses a sophistic critical perspective that foregrounds timeliness as the primary ground for rhetorical judgment and refuses to treat any rhetorical frame as inherently superior to another.     

竞技武术套路运动技术体系的分类

本文依据竞技体育评分项目的基本技术体系分类的一般理论,即运动元素和演练元素结合理论,对竞技武术套路运动技术体系进行系统分析,为教练员适应新规则,进一步科学训练、套路编排、训练计划制定等奠定了理论基础。     

Re-Animating Joseph Beuys' “Social Sculpture”: Artistic Interventions and the Occupy Movement

Since making its presence felt in September 2011, the Occupy movement has drawn upon aesthetic-affective techniques and cooperative structures developed in socially engaged art practices from the mid-twentieth century onwards—such as Joseph Beuys' notion of “social sculpture”—as resources for producing new social compositions. These practices extend the concept of art into a social plastic form that reshapes and re-forms our subjectivities, the way we communicate, our social structures and by extension, the world we inhabit. At the same time, before the mass evictions of Occupy took place across North America, the movement placed a heavy emphasis on visibility and space. Its short-term strategies and successes were largely owed to the seizing of a particularly opportune moment in a highly visible space that provided a symbolic frame for “Occupy Wall Street as event.” This paper explores the possibility that the eviction of Occupy from its encampments was not the disaster bemoaned by many of its participants—or the failure celebrated by its detractors—but a renewed opportunity for social composition.     

Contradiction and Overdetermination in Occupy Wall Street

Contradiction and overdetermination in the work of Louis Althusser provide conceptual resources for the theorization of capitalism as a structural totality, and instances of class struggle, such as Occupy Wall Street, as part of an immanent movement of movements that is embedded within and against the differential logic of the mode of production. A reconsideration of Althusser is warranted on the grounds that his early work resonates theoretically with cutting-edge theoretical formulations of Autonomist Marxism, it remains useful to any materialist conceptualization of class struggle and history, and it provides means of assessing the conditions under which instances of class struggle transform into revolutionary situations.     

Resistant Matters: Tents,Tear Gas and the “Other Media” of Occupy

From tents to tear gas, objects and architectures of resistance speak to us across the transnational Occupy Movement. More than background scenery or mere props for action, these objects have their own stories to tell about how they mediate and communicate political struggle. Informed by the revitalisation of materialism and object-oriented analyses, this paper draws together affect theory, “post-ANT” scholarship and social movement studies to explore particular nonhuman elements of resistance as “other media.” Beyond those practices already seen to be part of the communications ecology of protest (alternative media, demonstrations, speeches, performative actions), I argue that other technological infrastructures and interfaces make and mediate political communication at sites of resistance in ways that are significant but often overlooked in existing scholarship.     

社交媒体格局下传统媒体如何担当“船桥上的瞭望者”——析美媒“占领华尔街”运动报道

2011年秋季美国爆发的"占领华尔街"运动,由社交媒体组织发起并积极跟踪报道,相比之下,美国传统主流媒体表现颇为被动,在运动初起时并不重视。总的来看,传统媒体对这一事件的报道呈现由弱变强的趋势,这是美国传统媒体运作模式的特点与缺陷使然。从"阿拉伯之春"到"美国之秋",网络媒体(社交媒体、视频网站)上位,以快捷的传播成为人们的首选信息源,并成为社会集体行动的组织者。面对这一现实,传统媒体需要加强议题设置、强调理性化表达、深挖报道深度,方能在现代传播中继续担当"船桥上的瞭望者"。