Classifying the Context Clues in Children's Text

This study aimed to determine which types of context clues exist in children's texts and whether it is possible for experts to identify reliably those clues. Three experienced coders used Ames’ clue set as a foundation for a system to classify context clues in children's text. Findings showed that the adjustments to Ames’ system resulted in 15 clues that can be used to capture the majority of clues found in children narrative and expository text. This study adds to the limited empirically validated systems available for classifying different context clues. A usable classification of context clues has application to reading research that considers or controls for text factors as well as teaching reading strategies in K–12 classrooms.     

重塑自我——庚款留美生之自我建构

庚款留美始于1909年,庚款留学生在国家民族重重苦难与西方坚船利炮重击下走出国门,在求学中自觉完成自我建构。他们通过关注国内外发展动态,不断提升国人形象;通过创建学术社团,参与美国社会活动,完成自我的社会角色建构。留美生将所学所获用来改造中国落后的一面,推进中国科学技术与人文艺术的发展,为推动中国教育现代化做出积极的努力。     

巢湖民歌[绣荷包]与清代《小慧集》传谱的亲缘研究

[绣荷包]是清代以来遍及全国的时调小曲,各地产生了诸多变体形式。通过对腔段、腔调、节奏型和歌词等音乐本体的对比并结合相关史料研究,可推断传唱于巢湖地区的[绣荷包]是道光元年（1821年）贮香主人辑《小慧集》卷12第38箫香主人小调谱第2首工尺谱所记“湖广调”[绣荷包]最为相似的变体,是迄今所见最能还原其原貌的活态传承的民歌。     

家庭公益教育的障碍及其破解机制研究

开展公益教育是时代环境变化、社会转型的客观要求。家庭公益教育是公益教育的有机组成部分,是突破当前“应试型”教育模式,构建“家庭-学校-社区”三联动下系统、多元的公益教育模式的关键环节。我国家庭公益教育的开展存在诸多障碍。调查发现,这些障碍主要为家长认知障碍、家庭公益行动障碍及制度性障碍。针对这些障碍,在借鉴美国家庭公益教育经验的基础上,提出了破解之策。     

Renaming teaching practice through teacher reflection using critical incidents on a virtual training course

This study approaches teacher learning from a dialogical viewpoint where lecturers’ voices used in a training course context reflect how lecturers generated new professional discourse. The design of the training course considered the analysis of several critical incidents (CIs) in online teaching. An analytical framework based on lecturers’ discourse and ways of thinking about teaching was used to identify types of renaming teaching practice. The empirical element of the study analysed the written utterances about teaching provided by 12 online instructors in order to determine what kinds of new discourse emerged during the analysis of 15 CIs in online teaching. Results showed that local discourse is the lecturers’ most commonly used discourse, prototypical incidents generated more professional discourse than personal and real CIs, and professional discourse can be created by means of at least nine different ways of articulating discourse. On the basis of these results, some pedagogical implications for lecturer learning are discussed.     

Competence of Irish and Polish teachers in the opinions of young Polish immigrants in Ireland

Since 2004, Ireland has experienced the arrival of immigrants from various countries from all over the world including Poland. The Polish came to Ireland with their families including children of school age obliged to attend compulsory education. These children have attended schools dissimilar from the ones they are accustomed to in their home country in terms of teacher–student relationships. The question then arises as to what an Irish teacher is like in the opinions of young Polish immigrants? Is the image different from the one of a Polish teacher, or does the peculiarity of this job make teachers in various countries alike? This research conducted among a group of Polish grammar school students in Ireland helps to answer these questions. This article is a comparative study of teachers’ competence, and their personality, as well as their substantive, methodological and educational competence. The information was obtained by group interview technique with Polish youth aged 13–15 studying in Irish secondary schools at junior cycle level.     

对贵州贫困山区基础教育现状的调查及基于财政学的思考——以黔西县新仁苗族乡为例

基础教育的薄弱是造成贵州山区贫困的主要原因,而解决这一问题最好的办法不仅是让社会各界广泛关注其基础教育的落后并积极开展救援工作,更为重要的是中央和贵州省人民政府应该加大财政的投资力度,尽最大努力来改善贫困山区基础教育的现状。     

女性·符号·情欲——论《金瓶梅》中的女性形象

《金瓶梅》通过直面女性的情欲使女性的生命存在获得了一种主体地位,使女性从那种不公正的扭曲中摆脱出来,这种对妇女性权利的公平正视,是人性得到尊重的一个基础。但另一方面,它也走进了一个极端,女性形象成了＂情淫＂的化身、＂情欲＂的符号。文章主要从＂欲海沉沦者＂和＂欲海超脱者＂两大类五小类来分析《金瓶梅》中的淫娃荡妇形象。     

论大学生媒介素养教育与高校校园文化建设

信息时代,媒介传播的大众文化深刻影响着大学生群体。结合媒介素养教育的内涵,高校校园文化作为培养大学生素质教育的重要阵地。理应引入媒介素养教育。     

谈工笔画中线的形态与审美

工笔人物画用线条来造型称为“白描”,即用尖细而极小的毛笔单纯用线勾勒形体。线是工笔画的特点之一,工笔人物画中的线条运用和表现,是中国绘画的一个基本的特点。线是传统工笔画的最基本形式,是主要的造型手段。线,通过熔炼而提升,这在工笔画的线描稿中体现得最为明确。画面线条的组织与安排,不仅是一种推敲经营的能力和修养,而且也是一项具体的技术,有其自身的规则和要求,它奠定了最终的艺术之关。