高校武术教学浅析

武术运动具有健身强体、防身自卫、健心益智、娱乐观赏、强化民族品德等作用．学生掌握其知识技能是个循序渐进的过程，需要经过四个阶段的学习，在学习过程中，速度力量、柔韧、协调、节奏和刚柔相济等方面的练习对大学生身心健康产生极其重要的影响针对不同的练习，应采用相应的教学方法。     

浅谈远程开放教育文科类课程的导学策略

开放教育提倡学员自主学习,但学生的“学”离不开教师的“导”。本文针对现代远程开放教育条件下的文科类课程导学工作作了一些探讨,阐述了意识导向、教材导读、技能导会,资源导用、学法导新、作业导练、情景导趣等七大具体导学策略。     

高职艺术设计专业教学改革探究

本文从高职艺术设计专业教学的培养目标、教学模式、课程设置、创造性能力的培养、教师队伍以及实践基地建设等方面,讨论了高职艺术设计类教学改革的有关问题,并提出了一些思路和方法。     

The Critically Designed Garden

This article is concerned with design applied to gardens, using examples from the Chelsea Flower Show in London. There is a discussion of those show gardens that represented Syrian refugees’ gardens in Iraq and the Windrush generation immigration to the UK. The garden designs combine the aesthetics of organic materials and spatial architecture with an implicit critique of topical contemporary social issues. The article concludes by commenting on the risks posed by the reduced and impoverished UK arts education policies for producing the next generation of applied design practitioners.     

关于开展高校基层团的活动的思考

针对我校开展活动的现状及弊端探讨开展活动的导向、定位问题以及如何在工科院校提高学生的人文素养和文化品味。本文呼吁思想政治教育应结合有人文特色的活动进行 ,工科院校尤为必要。     

国内外理工科大学办文科之比较

高等教育的社会化、综合化和国际化趋势以及创办世界一流大学发展目标的确定,要求理工科大学对文科的发展战略作出相应的调整。本文在对国内外以工科为主大学的文科发展模式进行比较后,提出了有关理工科大学如何办文科的一些建议。     

在发展民族文化中借鉴西方艺术

当代西方文化的冲击,是外来文化在“精神上”对中国文化领域自古以来最强有力的一击,“殖民文化”的病毒在中国的美术领域无孔不入;提倡发展民族文化,因为世界文化本身就是由诸多民族的文化和文化形态所构成的;中国文化与世界文化的接轨,是平等意义上的与世界文化的竞争、交流与融合。     

《诗品》陆机诗"气少于公干"疏证

《诗品》论陆机诗"气少于公干",这句话包含了钟嵘以气论诗的渊源与发展、陆机"气少"的原因及在诗歌中的具体表现等重要内涵,这一点现在还未引起足够的重视。对陆机诗"气少"的原因进行分析,有利于我们深入了解陆机诗歌艺术特点的形成,并进一步揭示钟嵘《诗品》丰富的诗学内涵。     

浅析教学风格

教学风格是教师在教学过程中体现出来的一种气质、作风和特色。教学风格的形成受到个人、社会、教学目标和教学对象等因素的制约。教师只有通过不断完善自我个性、积累丰富的知识、练就卓越的教学技能、建立良好的师生关系、不断总结教学经验,才能够形成优秀的、独特的教学风格。     

Evaluating Students’ Performance in Responding to Art: The Development and Validation of an Art Criticism Assessment Rubric

This article reports on the development and validation of a rubric for assessing students’ written responses to artworks. Since the implementation of the Hong Kong New Senior Secondary Curriculum in 2009, art educators have seen responding to artworks as increasingly important. In this context, the Art Criticism Assessment Rubric (ACAR) was developed. On the basis of Feldman's and Geahigan's theories of art criticism, eight evaluation criteria were identified. The inter‐rater reliability (IRR) of the ACAR was examined. A preliminary IRR test was conducted and an excellent intra‐class correlation coefficient (ICC) value of .91 was obtained. For the main study, six independent raters, who were divided into three groups of two, were trained and invited to rate 87 art criticism essays written by students from eight secondary schools. Most dimensions of the ACAR achieved good ICC values. The results show that the ACAR is an acceptable rubric for providing a reliable assessment of students’ written responses to artworks. However, two dimensions, Originality and Balanced Views and Application of Aesthetic and Contextual Knowledge, obtained poor ICC values. This may be owing to the lack of consensus on the definition of originality and the raters' unfamiliarity with the concept of aesthetic knowledge. The researchers suggest that dimension‐specific samples rated from high to low scores should be provided in raters’ training.