(Re)Configuring masculinities in an ethno-centric Australian community school: complexity and contradictions

This article draws on a case study of 15 boys aged between 13 and 14 years who attend an urban ethno-centric community school located in Melbourne, Australia. The study investigated how the boys' constructions of masculinity were mediated by a strong connectedness to their Greek cultural traditions and ideals. Data generated from focus group discussions provided insights into the complex ways in which the boys individually and collectively constructed their understandings of what it means to be a man. For most boys, maleness constituted cultural traditions and behaviours that must be learnt: a code of conduct which a boy acquires from his elders that is talked into existence and transmitted through a hegemonic discourse. Yet the findings also revealed the agency boys can exercise and the fluidity of their configurations: contradictions and inconsistencies being an inherent part of the recursive process of their gendered identity formation.     

THE PERFECT GENTLEMAN

Erin Mackie explores how Mr Spectator became one persona through which James Boswell represents himself in his London Journal (1762–63), providing an antitype of the ‘rake’ persona which Boswell derives in part from Macheath in The Beggar's Opera. In this antithesis most attention falls on Macheath, but Mackie notes that in Tatler 27 Richard Steele creates a sentimental portrait of the rake as ‘the most agreeable of all Bad Characters’. Thus Boswell finds in the Tatler's rake an image of himself which stands in relation to the disapproving Mr Spectator. With this in mind, Mackie notes that the Spectator papers which describe the Mohock riots of March–April 1712 also characterize such displays as innocuous theatrical expressions of youthful ebullience. Boswell, then, finds acceptable dress for his criminal masculinity by casting himself into a ‘mock-heroic impersonation’ whilst using the narrative position provided by Mr Spectator to give himself ‘spectatorial immunity’.     

The (mis)use of SATs to examine gender and achievement at Key Stage 2

ABSTRACT

This article discusses some of the issues raised in the early stages of an Economic and Social Research Council (ESRC) study. ¹ 1 Gender and Learning: A Study of Underachievement in Junior Schools, Economic and Social Research Council R000237346. Project directors: Harry Daniels, Valerie Hey, Diana Leonard and Marjorie Smith. The first phase of the project involved an analysis of end of Key Stage 2 (children aged 10–11) Standard Assessment Test (SAT) data within a Midlands and a London local education authority (LEA(M) and LEA(L) respectively). The LEAs were identified according to the quality and accessibility of the data and their socio‐economic and socio‐cultural diversity. The analysis was used as an instrument for selecting schools in each LEA that displayed specific but con‐ sistent patterns of high, low and average achievement which were cross cut by large differences between boys' and girls' achievement in all three SAT subjects (English, maths and science). On one level, this article discusses the difficulties we encountered in identifying schools with consistent patterns of gendered achievement as well as signposting the ‘political’ significance of these difficulties for present and future edu‐ cation policies. On another level, it is a vehicle for the development of the theoretical lenses of learner identity and post‐Vygotskian analysis that have shaped our under‐ standing of gendered achievement which we use to ‘speak’ to and influence the development of the test procedures highlighted in this article.

     

The wounded man: Foxcatcher and the incoherence of white masculine victimhood

American cinema has recently favored representations of white men as victims of socioeconomic and political change. Recent scholarship on white masculinity suggests that representations of male victimhood enable white men to disavow that hegemonic white masculinity still fundamentally structures society. This essay argues that Hollywood’s wounded man similarly provides white masculinity with stable footing. I illustrate how the unintelligibility of screen masculinity evades criticism and, further, how melancholic male dramas nurture a traumatic attachment to victimhood. Examining the film Foxcatcher (2014), I show how unmasked portraits of white male victimhood function as counterparts to the hard-bodied action hero. The filmmaker’s effort to parse the distinction between material and superficial wounds reifies the experience of noble suffering as a superlative expression of aggrieved white manhood. Foxcatcher’s fragmented portrayal of white masculinity illustrates the elasticity of victimhood even where “crisis” suggests that white masculinity is open to revision.     

Irish medical student culture and the performance of masculinity,c.1880–1930

In recent years, there have been valuable studies of medical education that have highlighted the importance of shared educational activities and the changing image of the student. Less attention has been paid to how masculine ideals were passed on to students and how educational and extra-curricular spheres became sites for the maintenance of hegemonic masculinity. Taking Irish medical schools as a case study and drawing on the student press, doctors’ memoirs and novels, this article will illustrate how rites of passage in medical education and social activities such as pranks and rugby became imbued with masculine tropes. In this way, the transformation of student to practitioner was often symbolised as the transformation of boy to man. The cultivation of the image of the medical student as a predominantly male individual became an important force in segregating men and women students and helped to preserve Irish medicine as a largely masculine sphere.     

香港黑帮电影中的男性形象探析

黑帮片是香港电影的重要体裁, 而香港黑帮片中对男性形象的表现具有独特性。通过对西方主流文化研究中的性别理论和身份理论的探究, 分析香港黑帮电影中男性性别表征手段上的矛盾性, 并论述了其男性形象表征的重要嬗变以及形成的社会文化原因。