《卖花女》的文学伦理学解读

萧伯纳的戏剧《卖花女》讲述了卖花女伊莉莎意图通过语音矫正和文法学习成为上层社会优雅小姐的故事,生动地展现了伊莉莎在人生重大变化过程中所经历的人际困境和自我身份的迷失。以文学伦理学批评理论为基础,通过主人公伊莉莎做出身份选择的伦理环境,探讨伊莉莎改变自我的动机以及此后所面临的伦理身份困惑,揭示导致其伦理困境的根本原因。萧伯纳通过讲述伊莉莎的故事,集中展现了当时英国社会个体阶级身份与伦理诉求之间难以调和的矛盾,并对该社会中个体寻求自我实现的可能性寄予关注,从而传递出深刻的伦理意蕴。     

Should chess and other mind sports be regarded as sports?

In the philosophy of sport, an opinion that chess (and other institutionalized mind games, the so-called mind sports) is in fact not sports because it lacks physical skills is a standard position. I call the argument that leads to this conclusion a mind sport syllogism. Its analysis enables me to explicate four possible positions concerning the sport-status of chess. Apart from the standard position, which excludes chess from the sport family, I also present analysis of other possible positions, which – for various reasons – do not deny that chess is a sport. A position that postulates including chess into the family of sport by broadening the definition of sport turns out to be particularly interesting from the philosophical viewpoint. Having confronted this position with the standard, i.e. ‘conservative’, position, I come to the conclusion that the conceptual revision consisting in the broadening of the concept of sport is a rational option and is a probable direction of the evolution of the concept of sport.     

Eliza' s Journey of Disillusionment——An Interpretation of Pygmalion in the Perspective of Myth Archetype

G. B. Shaw names his play Pygmalion by a protagonist in Metamorphoses Book Ten, so that he connects the enlivened ivory statue with the dramatically changed flower girl. Great culture significance was attached to this play. At the same time, the originality which is different from the original myth displays the author’s effort to explore female self- creation.     

马拉默德和《店员》

马拉默德是继辛格、贝娄之后出现的又一个著名美国犹太裔小说家。他的创作力图以鲜明的“犹太性”作为对人类普遍心性的理解和体现,在驳杂多变的当代美国文坛上自立风格,独具特色。在众多的犹太裔作家中,马拉默德是犹太性最强的一个,同时他的作品中体现的犹太人道德责任主旨也最为明显。     

横看成岭侧成峰——萧伯纳对莎士比亚戏剧作品的评价

指出莎士比亚戏剧作品历来备受推崇,而萧伯纳的莎评代表的是另一种声音。通过对萧伯纳的莎评作简要的梳理,以实例来说明萧伯纳对莎士比亚戏剧作品所持态度不同于多数莎评家。     

论鲍桑葵的“使情成体”说

鲍桑葵的"使情成体"说是在其"心物统一"的哲学基础上提出的一个重要的美学概念,他认为美就是使情感在有形的事物上得到体现,如果不能体现就不是审美对象。鲍桑葵的"使情成体说",是在用黑格尔的"理念论"为英国经验主义美学"美是情感的表现"提供一种合法性的论证,由此以审美心理过程为表述形态的"情感表现说"就获得"理性主义"中"美是理念的感性显现"之深刻含义。     

Office套件在毕业设计中的应用探讨

探讨了利用微软Office套件在技术层面上来帮助指导教师跟踪、评价学生的毕业设计的一些做法。这些套件在毕业设计的各阶段能提供知识共享、远程协助、成果展示、项目管理等技术支持。     

Endless summer: What kinds of games will Suits’ utopians play?

I argue that we have good reason to reject Bernard Suits’ assertion that game-playing is the ideal of human existence, in the absence of a suitably robust account of utopian games. The chief motivating force behind this rejection rests in the fact that Suits begs the question that there exists some possible set of games-by-design in his utopia, such that the playing of (a sufficient number of) its members would sustain an existentially meaningful existence for his utopians, in the event of a hypo-instrumental culture of material superabundance obtaining. But the set of utopian games is unknown and unknowable. Thus any implications of Suits’ vision for the utilization of our leisure time in the present are vitiated by the collapse of his normative ideal: his ‘metaphysics of leisure’ misses its mark.