麦克白夫人的女性主义批评解读

世界文坛巨将威廉姆·莎士比亚的剧作历数世纪之久而魅力犹存,可以经得起不同文学批评流派多种角度的解读。作为四大悲剧之一的《麦克白》亦不例外。以女性主义批评为理论基础,以剧作中可获知的细节为论据,证明麦克白夫人并非邪恶而只是一个深受父权意识影响的普通女人,她的命运带有浓重的悲剧性质,她的悲剧经历对于女性具有普遍的启示意义。     

“定位政治”——一种女权主义认识论

艾德里安娜·里奇的《关于定位政治的笔记》一文所阐述的"定位政治"是打开女性自由可能性的一扇窗户。"定位政治"是女权主义认识论——立场论的反映,它意味着作为女性个体的主体性得以张扬。重视女性群体内部不同的定位无疑是一种对以单一性别为支点进行批判的性别论的超越,尽管这种超越是有限的,但是"定位政治"的提出的确真实地反映了女性缺乏足够群体自我认同以及盲目自我认同的现状。     

Let’s Talk About Men: Some Suggestions on How We Can Include Men in Conversations About Gender Roles in Librarianship

Nine years ago, I did not imagine listing gender issues as one of my core research interests. Now I cannot imagine my research revolving around anything else. The way I study gender though, has taken a rather startling turn away from women to focus (sometimes uncomfortably) on men. What follows is an argument about why studying men and masculinities can make us better librarians. I argue that studying men broadly is important, and librarians should explore methods and strategies for studying a specific type of men: well-educated, white men with established careers in libraries. While my narrative is highly personal, it is based on 9 years of research and reflection about how librarians discuss gender and professional identity.     

Muslim girls' experiences in physical education in Norway: What role does religiosity play?

Recent years have seen an increase in scholarly attention to minority pupils and their experience of physical education (PE). UK research identifies specific challenges related to Muslim pupils' participation in PE. In Norway, little research has been undertaken on Muslim pupils' experiences in PE, something this paper hopes to redress in part. In particular, it addresses the role and significance of religiosity to their experience of PE. The work is positioned within third-wave feminism; as such it aims to be sensitive to issues of cultural and religious diversity. The study is based on life-history interviews with 21 Muslim girls aged between 16 and 25. All the girls had attended PE lessons at school, mostly in mixed-gender classes, but with some gender-segregated PE as well. In terms of religious affiliation, the girls describe themselves as Muslim, though their degree of religiosity varies. Five wear the hijab. The general picture drawn by the data shows that the Muslim girls enjoy their PE lessons and the majority preferred gender-mixed PE. Religiosity seems to have little influence on Muslim girls' experience of PE, with the exception of swimming lessons and showering facilities. We can understand the objections of some of the girls to gender-mixed PE by looking at the dominance of the male gender, and, as such, their experiences are similar to those of non-Muslim girls. However, objections to gender-mixed swimming classes are best explained by the girls' gendered religious identities and embodied faith. In term of intersectionality, the study shows that different categories dominate in different PE contexts. As such, what Muslim girls make of PE is not always dictated by religiosity.     

从“性”到“情”：女权主义，孰真孰假？——比较电视剧《欲望都市》和《好想好想谈恋爱》

电视作为一种文化的载体,在传播文化的同时,本身又体现了其所属社会的文化特征。本文通过比较美国电视剧《欲望都市》和该剧在中国的翻版《好想好想谈恋爱》中的女性主角在对待性以及男人和婚姻的态度上的异同,从而得出两剧在宣言女权主义这一问题上的根本差异,进而分析了造成这种差异的社会文化层面上的原因。     

唐群英与清末民初女性意识的媒介表达

唐群英既是近代杰出的女权运动领袖,又是著名的女报人.在近代民族主义思潮的影响下,她领导女子参政运动,积极追求男女平权,通过报刊积极宣传女子救国思想.然而女权主义的媒介话语并不为当时的社会所认同,其直接表现就是以<申报>为代表的大众媒介对女权领袖建构的是负面形象,唐群英的男女平权之梦不得不在一片质疑声中无果而终.     

从Mrs Dalloway两个译本的比较中探究译者的女性意识

女性主义翻译理论研究在我国起步较晚,20世纪末期翻译研究者才开始关注女性主义翻译。该文将从女性主义翻译理论角度出发,通过对Mrs Dalloway的两个中文译本的对比,探究译者在翻译女性主义文本过程中的女性意识显现。     

论阿诗玛悲剧的成因——女性主义视角下的彝族叙事长诗《阿诗玛》

女性主义的价值立场使其获得了重新认识世界、重新定位各种传统价值观念的一个新的尺度。女性主义文学批评的一个重要成就表现在对传统经典文本的重新解读上,并在解读中重塑自我。对《阿诗玛》的重新解读为我们重新认识《阿诗玛》这个彝族文化中最为经典的文本提供了一个其他任何批评理论都无法代替的新视角。这部叙事长诗通过阿诗玛的命运,探索了彝族女性对自由的渴望,揭露了男权主义长期以来对妇女的压制,由此折射出彝族妇女艰难曲折地反抗命运、勇敢地走出父权制笼罩的阴影,走向主体性自我的艰难过程。     

Beyond the Backlash: Sex and the City and Three Feminist Struggles

Much scholarly debate surrounds the extent to which female situation comedies make feminist contributions, particularly in a postfeminist context. While Sex and the City (SATC) can be read as a postfeminist text, this essay aims to recover the show's feminist meanings. To that end, this essay situates SATC within three key feminist struggles—between the individual and the collective, feminism and femininity, and agency and victimization. As Carrie, Charlotte, Miranda, and Samantha face each of these struggles, they often embody complex feminist identities. Exploring these complexities will highlight SATC's participatory elements as they relate to the ongoing feminist project.     

看菲茨杰拉德小说中“好女人”的缺失

菲茨杰拉德的小说向我们展示了一个喧嚣的“二十年代”——“爵士时代”,其小说中的时髦女性人物大多是负面形象。本文就时髦女郎负面形象的表现及其成因做了简单的探讨．从中可以看出作者潜在的男权主义倾向。