突破家族制管理--民营企业向现代企业制度的过渡

文章就民营企业中的“家族制”管理弊端进行阐述、分析，提出了民营企业要主动迎接加入WTO的挑战，突破家族制管理向现代企业制度过渡，以求得新的发展。     

兰登书屋数字化发展研究

通过分析兰登书屋日渐成熟的电子书、有声书经营以及跨媒体出版方式,总结它在实现出版全球化过程中的宝贵经验。面对出版全球化、数字化的浪潮,享誉世界的大众图书出版商兰登书屋在运用数字手段拓展、巩固海外市场方面取得了骄人的成绩。它的数字化发展道路对我国出版业具有一定借鉴意义。     

广东梅州地区传统客家民居建筑“风水”观——以围龙屋为例

通过实地考察与实证应用分析研究表明:梅州地区客家人因客居环境不同,其民居建筑类型因地而异,其中,围龙屋是梅州地区最典型的客家民居建筑,也是客家地区最典型的民居之一;围龙屋的选址——布局——建筑对"风水"十分讲究,"风水学说"中的元素在民居建筑中得以广泛运用,表现为崇山择福地、拜水谋财气、避凶聚元气、天地人合一圆天地阴阳和谐;从地理学角度来审视围龙屋建筑"风水"观,具体表现为选址上做到崇山拜水,布局上讲究座北朝南,建筑上注重人与环境和谐统一,遵循了"有利生产,方便生活"的基本原则,营造了尊重自然,回归自然,与生态自然环境融为一体的人与环境和谐统一的人居环境;梅州围龙屋民居建筑"风水"观对现代民居建筑仍然具有借鉴与启示作用。     

Creating Community in Teacher Education Classes with Hogwarts-style “Houses”

Abstract

The author successfully implemented the “House” system in a university social studies methods class and reports on the positive results that ensued. Students reported a sense of unity, camaraderie, identity, and closeness that was missing in many of their other classes. The House assignments and competitions are described, as well as ideas for other ways to use the House system.     

东亚文化交流畛域下的域外文献学术价值探微——以《醯宋楼藏书志》为例

对《丽宋楼藏书志》所录域外文献学术价值的考察,需在东亚文化交流畛域下,穷究陆氏辑录域外文献之因,追溯汉籍在东亚文化融通中的传播轨迹,方可加以洞悉。其学术价值体现于三方面：一是书目提要于原书序跋、名家手跋多所辑录,二为《四库全书总目》之补充,三是补撰《清史稿·艺文志》、《续修四库全书》之阙漏书目。     

三秦版《随园诗话》译文校订补正

三秦出版社2008年版的《随园诗话》,译文不但内容差错很多,文字质量也不高,明显的错别字、漏字、衍字也很多,不仅违背袁枚原意,而且严重误导读者。其错误大致是译者不具备必要的语言文字基础与文史知识,未读懂原文,乱译一气造成的。     

论《教授的住宅》中的圣彼得教授

《教授的住宅》是薇拉·凯瑟作品中最复杂而又最备受争议的小说。评论者对这部小说的主题、结构和写作技巧褒贬不一,但对主人公戈弗雷·圣彼得教授却称赞有加。大家普遍认为圣彼得是个可爱迷人的教授——睿智、敏感、卓尔不群、充满人格魅力。但是细读文本却可发现,圣彼得教授绝非“可爱迷人”的正人君子,而是一个心胸狭隘、自吹自擂的小人,一个冷漠、刻薄、自欺欺人的伪君子。     

爱伦·坡《厄舍古屋的倒塌》中的原型

《厄舍古屋的倒塌》中的原型是那些反复出现的或传统神话及隐喻,一种典型的或重复出现的意象。小说中表现的怪诞情况：马德琳死而复生,厄舍古屋轰然倒塌,让小说获得了隐喻性。倒退和回归现象的象征性的人生历程看成他对小说的解读。     

Navigating the Maze: Sources for press historians

Television history channels and programming have seen considerable growth in recent years, yet empirical research on television history audiences remains limited. This essay argues that media history scholars need better to understand what happens when audiences consume television history, examining the critical debates concerning the genre's specific modalities of rendering the past on screen before exploring what opportunities and problems it affords viewers. The essay draws on original qualitative, empirical research on audiences of historical reality television through a specific, small-scale case study of BBC Wales' Coal House at War (Indus 2008). It argues for the need to retain a dual focus upon such programming's historical content and its televisuality if we are to appreciate the intricacies of viewers' cultural consumption. The essay concludes by demonstrating that audiences' own oral and written responses to television history reveal something of how people, situated in their specific times and places, understand both their past and their present.     

Issue Ownership in Congressional Campaign Television Spots

This study investigated issue ownership patterns in 602 U.S. House and Senate Democratic and Republican political campaign television advertisements from 1980–2000. First, the themes in these ads were about equally split between policy and character (unlike presidential TV spots from the same time period, which are roughly two-thirds policy and one-third character). Candidates from each political party addressed their own party's issues more than issues owned by the other party. However, unlike presidential spots, congressional ads discussed Democratic issues more than Republican issues (59% to 41%). Although candidates from both political parties discussed their own issues more, winners tended to discuss issues from the other party more than losers. There was no difference in issue ownership emphasis between the House and Senate ads in this sample.