中国初期象征派的“契合论”

“初期象征派”是中国现代新诗史上第一个初具流派思潮性质的诗歌潮流。其诗学思想明显渊源于西方的前期象征主义,以“契合”这一重要诗学范畴为例,通过明显的移植和改造,初期象征派阐明了“契合”的中介性和神秘性特征：契合是人与自然、社会的交响;契合是现象世界与本体世界的统一。     

梁宗岱诗学理想的比较意识

梁宗岱对于中国现代汉诗最大的贡献在于他长期以来坚持不懈地汉诗创作与理论探索，以及他对西方现代主义诗学的大力介绍。在他的诗学思想中，对纯诗理论的引进和阐发、诗人比较和对于新诗格律化问题的研究，都带有积极的比较意识。     

田纳西·威廉姆斯及其创作

田纳西·威廉姆斯是美国当代著名的现实主义剧作家。作为生长在美国南方的作家 ,他的作品集中反映了生活在那里的普通小人物的窘境 ,并且突出表现了现实与人物内心世界的矛盾与冲突。威廉姆斯为二战后的美国剧坛注入了活力 ,其创作风格独特———将现实主义与象征主义戏剧特点融为一体 ,这一点通过其代表作《玻璃动物园》、《欲望号街车》及《热铁皮屋顶上的猫》得以充分体现     

“白银时代”文学概观

近几年来,在我国出现了一段译介、出版＂白银时代＂文学的热潮,但对于怎样界定＂白银时代＂这一概念,一直以来有比较大的意见分歧。本文初步探讨了＂白银时代＂的内涵及外延,对其主要流派作了分析,总结归纳出＂白银时代＂文学的几个特征。以期对俄罗斯＂白银时代＂的文学有一个比较全面、深刻的认识。     

《儿子与情人》中“矿井”的象征意义

《儿子与情人》是英国著名作家劳伦斯所创作的一部自传体小说,小说中巧妙且浓烈地运用了象征手法,其中花草树木、太阳月亮、矿井黑暗等都是意象,这些意象的运用,为小说的氛围的渲染和人物心理的刻画起到了烘云衬月的作用。本文通过对矿井这一意象的象征意义进行分析,以期能更深入地理解整篇小说的主旨。     

寓哲理于通俗，融深思于平淡--试评罗伯特·弗罗斯特的诗歌艺术

罗伯特·弗罗斯特是美国颇具争议的著名诗人 ,他的诗具有象征性 ,普遍蕴含着深刻的哲理。他的诗具有“以小见大”、“以旧创新”的独特性     

万物通灵性,真情驻人间--试析《呼啸山庄》中暴风雨和树的象征内涵及意义

艾米莉.勃朗特在其代表作《呼啸山庄》中借助大自然来抒发自己强烈的感情,展示与维多利亚时代以金钱和地位为基础的婚姻制度所完全不同的爱情真谛:猛烈、坚定不移的心灵契合的爱情。本文试从暴风雨和树这两方面的象征对这部作品进行分析,探讨它们丰富的象征内涵,尤其是对人物丰富的内心世界的烘托和对爱情主题的深化意义。     

Procedural embodiment and magic in linear equations

How do students think about algebra? Here we consider a theoretical framework which builds from natural human functioning in terms of embodiment – perceiving the world, acting on it and reflecting on the effect of the actions – to shift to the use of symbolism to solve linear equations. In the main, the students involved in this study do not encapsulate algebraic expressions from process to object, they do not solve ‘evaluation equations’ such as \( 3x + 2 = 8 \) by ‘undoing’ the operations on the left, they do not find such equations easier to solve than \( 3x - 1 = 3 + x \) , and they do not use general principles of ‘do the same thing to both sides.’ Instead they build their own ways of working based on the embodied actions they perform on the symbols, mentally picking them up and moving them around, with the added ‘magic’ of rules such as ‘change sides, change signs.’ We consider the need for a theoretical framework that includes both embodiment and process-object encapsulation of symbolism and the need for communication of theoretical insights to address the practical problems of teachers and students.     

A View Of Frye＇s Young Goodman Brown From Theories Of Symbolism

Herman Nothrop Frye was a famous Canadian literary critic and theorist. According to him, symbol was :"Any unit of any literary structure that can be isolated for critical attention." He partitioned literary symbolism into five levels or phases. Each phase independently possessed its own mythos, ethos, and dianoia. These phases were: Symbol as motif; Symbol as sign; Symbol as image; Symbol as archetype and symbol as monad. This paper tries to apply his theories of symbolism to the comment of Young Goodman Brown, one of the best short stories written by the American romantic writer Nathaniel Hawthorne.