育人工作在工科院校艺术团建设中的实践探索

本文介绍了普通高校大学生艺术团建设的现状和存在的问题,从育人工作以及工科院校大学生艺术团建设的特点出发,对育人工作在工科院校大学生艺术团建设中的具体体现进行了分析。并通过笔者自身的实践探索,提出育人工作与工科院校艺术团建设相互渗透的优势,以育人促进工科院校大学生艺术团的健康发展,使其在高校素质教育中充分发挥应有的作用。     

明清时期西方文化艺术对中国美术的冲击和影响

明末清初,西方文化艺术如潮水般涌来,给中国传统美术带来了强烈的冲击。对西方新奇美术种类和绘画的写实手法,中国美术界的反应在前后期表现出明显的差异。如何面对外来文化的冲击和影响,两个时期都存在着值得思考的问题。西方美术的涌入,不仅丰富了中国美术的种类和样式,拓宽了中国画家的眼界和技法,而且影响了中国画的发展进程。但从不同文明相互交流的角度看,这未尝不是一件有意义的事情。     

论形意五行拳与中医养生的关系研究

通过采用文献资料法,逻辑分析法与定性分析法的科研方法,对我国形意五行拳与中医养生学关系进行研究与阐述,进一步发掘形意五行拳的健身价值。形意五行拳以五行学说为拳理基础,并与中医的脏腑学说相统一,具有坚实的中医养生理论基础,为形意五行拳今后在健身方面的发展提供了广阔的平台。     

论邺都历史上尚武风习与民族武术文化的融合

以邺都文化为视角 ,论述了自曹操建都邺城以来各朝代在中国武术史上占有重要地位的武事与多民族武术文化的融合及撞击 ,试图廓清当前武术研究中对邺都历史上产生的有影响的武术活动发生地望、时代和人物习武经历所存在的一些问题 ,使之重现邺都武术文化多姿多彩的那段辉煌历史。     

唐朝武举制度的创立

本文分析了武则天创立武举的历史原因、武举考试的内容和方法、创立武举的意叉。     

放逐与回归:传统民族艺术的精神重建——兼论传统民族舞蹈的保护与传承

传统民族艺术地域性、生活性、民族性的本质特征,在现代化与全球化背景下发生诸多变异。区域性的社会结构不断重组,文化边界逐渐消融,文化载体构成要素日趋多元,异文化之间的差异越来越多地被更加多样化的方式表述出来,民族文化信仰开始动摇。在这个动态的变迁过程中,负载着民族物质和精神层面的传统民族艺术在现代与传统的冲突中持守民族精神,重建文化信仰,是传统民族艺术保护与传承的一种可能性选择。     

明清时期大陆移民对台湾武术形成与发展影响研究

从历史的视角,寻究明清时代大陆移民台湾对台湾武术形成与发展的影响。研究表明:大陆武术对台湾较有规模的传播始自明代,一直到清未。是三四百年前大陆移民渡海带入台湾,根植于台湾。大陆的军事移民和民间移民对台湾武术的传播做出了积极的贡献,大陆军事武艺和民间武艺对台湾武术的形成与发展产生深刻而又深远的影响。明朝中叶和明郑时期的军事武艺,对台湾武术的形成奠定了基础,为清代台湾武术的形成和集成发展创造了条件;清朝前期,台湾社会动荡不安,社会各界习武成风,大陆武术各拳种流派在台湾广泛传播中,融合发展;清朝中叶,台湾社会从移民社会向定居社会转变,建立了以血缘族亲为群体的宗族制度,出现了返乡寻根续宗潮流,台湾武术随着族人返乡寻祖与祖籍地的武术得于交流,大陆武术也从单向传入向两岸相互交流方向发展,台湾武术逐渐形成了具有本地特色的南派武术体系;日据时期的台湾武术,在困境中传承缓慢发展。台湾武术是中华传统武术不可分割的一部分,是两岸中华传统文化共同体的重要标识。     

中华武学理论对现代养生的启示

武学的体系最终成熟,如太极拳的出现使中国的技击术不再仅仅停留在格杀制敌的层面,而是跃升到以武入道的生命升华层次。这样就使武学具有了由术进于道的三种认感知方式的完整进化序列。使现实、实在的格斗和人类对生命自由的理想境界相联接,使中国哲学现实化、清晰化、直观化。使中国武技成为中国哲学的行践,生命科学的探索之路。它展示给世界人民一个新的广阔的领域;一种新的探索生命和宇宙的感知方式,对现代养生观产生了深远的影响。     

Can public arts education replace arts subsidization?

The debate about whether the arts should be supported or not is far from new, and most governments support the arts in one way or the other. The literature considers several arguments in favor of such interventions. Public education may seem to be an action which could, in the long run, lead to possible reductions of subsidies. Surveys show that those who have been exposed to the arts when young participate more when adult. However, the “non-market” transmission from parents to children generates an external effect, which has to be taken into account to reach first-best situations. We construct an overlapping generations model in which young consumers are exposed to both public education toward the arts and to non-altruistic transmission of such a taste from their parents. We show that the first-best can be reached only if there is both public cultural education and subsidization of arts consumption. Therefore, education cannot be considered as a substitute for subsidies to arts consumption. However, as is often the case in European countries, government intervention is usually below the first-best level. Using a model calibrated on French data, we show that it is then preferable to subsidize education, while consumption, especially of the older generations, should be taxed rather than subsidized.

Moving beyond the anthropos and reclaiming the geo in intercultural communication: The transculturation of the martial art practice of Aikido

This ethnographic study examines the practice of Aikido, a martial art style originating from Japan, by a community of non-Japanese practitioners in the southwestern region of the United States. This paper recounts the second nature-making of the art's skillful responsiveness as a thing to be explained from the ground, rather than leaving its cultural dynamics and their appropriative relations unchallenged as a relatively homogenous process of globalization and increased contact. In the case of Shining Energy (a pseudonym), the “taking” of another's cultural elements and “making” it a fully habituated and naturalized way of moving and being (second nature) are predicated on geo-making, the production of ontologizing resources (first nature) that enable culturally sanctioned modes of somatic engagements with the world. The process of appropriating Aikido entails an inversion between the figure and ground that foregrounds the geo-making of the ground/field for activity itself.