21世纪我国体育报纸的发展趋势

笔者通过对建国以来 ,尤其是对 1994 - 1999年我国新闻出版事业与体育事业体制重大改革以后的 4 4家体育报纸进行归纳分析和实证调查 ,指出我国体育报纸进入新世纪后将出现报纸经营的集团化和网络化 ,新闻报道的娱乐化和分众化 ,报纸出版的扩容化和短周期化 ,报纸版面的视觉化 ,报纸分布的平衡化等 5大发展趋势。     

20th century artists’ oil paints: The case of the Olii by Lucio Fontana

During the 20th century, many innovative binders have been rapidly introduced to the art world and soon became popular as artists’ paints and pictorial media. However, despite the advantages that new synthetic materials presented, oil paints have never been entirely substituted. Indeed, this paper focuses on the results provided by the scientific analysis of a group works from the oeuvre of Lucio Fontana (1899–1968), all of which created between 1960 and 1964 using oil-based media, and aims to illustrate how oils contained in the pictorial media have influenced these works’ respective ageing and degradation processes. Despite the apparent coherence in the behaviour of many of Fontana's creations, some artworks revealed discrepancies in terms of the physical and mechanical behaviour of the pictorial films and in alterations resulting from degradation processes. Samples taken from case studies belonging to the Olii and Fine di Dio series were analysed using optical microscopy, X-Ray Fluorescence (XRF), Fourier-Transform Infrared Spectroscopy in attenuated total reflectance (FTIR-ATR) and Gas Chromatography-Mass Spectrometry (GC-MS) in order to study and identify the materials employed by the artist and the products of their degradation processes. These analyses gave unexpected but useful results (such as the presence of non-drying or slow-drying oils in the paint formulations) which not only provided us with new insight into the nature of the constituent materials, but also facilitated the elaboration of correct conservation measures and suitable restoration interventions.     

21世纪体育教育专业人才培养模式的构建与实施

在文献资料分析、问卷调查、专家咨询和模型实验等综合研究的基础上，参照浙江省学校体育师资的现状与需求，结合我系几十年来的办学经验与教训，就21世纪体育教育人才培养模式的构建与实施标准进行理论研究和实践探索，以促进高师体育教育专业教学质量和人才质量的提高，更好地落实培养目标，为我国高师体育教育专业的人才培养模式提供一定的理论和实践依据。     

“教学”概念史考察——以20世纪以来我国教学论教材为主线

"教学"是教学理论中最为核心的概念,对不同时期教学论教材中的教学概念变迁的研究,有利于我们认识主流教学观念的变化。20世纪初至20世纪60年代,我国对教学概念的主流认识相继受到日本具有赫尔巴特学派倾向的教学理论、美国行为主义心理学、苏联教育学和教学论的影响。80年代后,我国对教学概念的认识形成了中国特色,普遍认为教学是教与学相统一的教育活动。不同时期的教学概念对"教学的教育性"问题的表述,反映了教学概念通常不是对客观存在的教学的描述,而是对应然教学的一种规范。这种规范性的教学概念对教学实践具有重要的引领功能。     

关于20世纪80年代“现代派”文学的重审

作为一个特殊称谓,“现代派”的出现,在20世纪80年代文学界曾引起强烈而持久的反响。“现代派”文学对于80年代文学以及此后的中国当代文学走向和影响是巨大的,但其生成、发展和价值却包含诸多复杂的历史问题。在揭示“现代转型”的逻辑下,如何采用历史分析的方法,对“现代派”的出场,“敞开”的逻辑,“历史”的生成进行价值重估,成为一个值得深入探讨的课题,具有当代意义。     

昆曲世纪的经典重构

昆曲世纪是历史上戏剧艺术的审美范型与传统审美心理高度契合的时期。造成美学偏离的元曲在这一时期经历了经典地位的重构。在王国维反拨后,现行文学史的元曲论述成为了一种对重构与反拨的折中。     

直击昆曲世纪的宿命

《读曲偶评》、《藤花亭曲话》和《北泾草堂曲论》是昆曲衰落期三种代表性的古典剧论。通过寻绎和解读其具体判断中所显现的批评心智,人们完全能够从中领会到昆曲世纪定于一尊而物极必反的历史命运。     

妍丽蔷薇 高挺青松——论邵燕祥的诗

邵燕祥早年以政治抒情诗人称著,而其恒久不竭的创造力,驱之与时俱进,老而更成。他从瞩目当前的社会政治现实,跃进到关切以人为本的人类前途命运。他全部诗作的总主题是奉献一颗新知识分子的良心,作一个有尊严的真正的人。这在标显其诗美创造高度的《最后独白》和《北纬30°线》表现得最为突出。他在诗关内涵与诗美表现之间,既富于张力又比较均衡,刚直犀利而温文尔雅。在百年中国新诗苑圃中．邵燕祥既是妍丽蔷薇．更是高挺青松。     

Marketing pedagogy: Nonprofit marketing and the diffusion of monitorial teaching in the nineteenth century

The article investigates the spread of one of the first pedagogical concepts available worldwide during the first half of the nineteenth century: the monitorial system. Its wide diffusion depended, to a considerable extent, on the work of voluntary organisations. The article investigates the work of the two most important of these, the British and Foreign School Society and the National Society. It focuses on the strategies these two charities employed in acquiring donations in a voluntary sector that was densely populated and highly competitive. Drawing on modern marketing concepts as analytical tools, the article argues that the monitorial system’s wide diffusion was to a considerable extent the result of early forms of marketing. By introducing marketing concepts in the history of education, the article seeks to broaden the debate on the diffusion of educational concepts and, moreover, to contribute to the relatively new field of (nonprofit) marketing history.     

商业空间的诗学化——旅馆主义写作的技术冒险

旅馆主义是诗人曾曙光在2009年创立并发起的一场新诗运动,提倡一种懒散的、方外的、充满春意的、喜洋洋的文学表达模式。旅馆主义写作第一次明确地践行了商业空间的诗学化,这一新鲜的＂表达模式＂是对当下社会情绪和时代心态的诗学把握。文章从旅馆作为商业空间的永恒性与作为生活空间的临时性之间的错层、契约自由的诗意化、态度诗学与消费主义的技术纠结三个方面对旅馆主义写作进行了细致的剖析。