Performing Difference: Repetition in Context

Abstract

In this essay, I sketch a performative, constitutive theory of difference that avoids the major trappings of this discussion in current communication scholarship. Building from Gilles Deleuze and Judith Butler, I argue that by focusing on difference in intercultural communication scholarship we can, as a discipline, create more complex understandings of people in cultural contexts. I first examine how difference has been written in communication scholarship. Second, I offer a reading of Deleuze and Butler who, together, provide the grounding for seeing the repetition of difference as political and contingent ontology. I conclude by examining an everyday context, showing how intercultural communication scholarship can benefit from this kind of analysis.     

格特鲁德·斯泰因作品中的“重复”艺术

格特鲁德·斯泰因作为一位风格独特的现代派女作家,喜欢把语言作为文学作品的表现对象、甚至是她的实验对象,尤其喜欢语言的“重复”。“重复”艺术在她作品中表现为三种形式;这些形式不仅具有加深印象、突出差异、消解意义的语言学功能,而且具有揭示人的生活的本真状态、认识客观的规律、展示写作方式的潜在意义。     

从象似性原则看X BE X结构——数量原则和标记原则

象似性与任意性之争由来已久,任意性强调符号与意义之间的关系是任意的、无根据可寻的,但是象似性却指出符号与意义之间有理据可依。文章结合象似性原则分析同义反复句——X BE X结构,指出该结构的语义理解是有理据可依的,如数量象似性和标记象似性。     

二语交际课堂中语言隐性修复的应用(英文)

Since mistakes or errors is an issue of much concern for the teachers and second language acquisition experts implicit feedback and explicit feedback are often used.This study observed a lesson to find which one was used and found the implicit feedback was often available in the form of repetition,then demonstrates its function and assesses its effectiveness in the EFL classroom with the instrument of COLT.     

冗余成分的表现力——以《离骚》为例

冗余成分的使用是对常规句法结构的偏离,有违语言经济的一般法则。然而正是这种偏离,突显了某些语义内容,从而取得了非凡的修辞效果。《离骚》中大量使用了冗余成分,包括使用语气词、同义反复、以及句法成分的复指,修辞效果鲜明突出。     

报刊新词语分析——以2007年5月16日《中国青年报》为据

本文结合实例论述了报刊新词语所运用的4种修辞手法：比喻、借代、仿词、反复,并分析了新词语所遵循的语言规律和特点,对新词语的规范问题提出了看法。