论贾宝玉“情不情”向“情情”的转化

庚辰本《红楼梦》第十九回脂批中评论贾宝玉"情不情",黛玉"情情"。其实"情情"也可用在宝玉的身上。宝玉的成长可看作"情不情"向"情情"的转化过程。这一转化过程以三个女性(金钏、晴雯、黛玉)的死亡为例,宝玉由泛情转向钟情再转向移情,这种不彻底性显示了宝玉人物形象的局限。     

论弗洛姆对自爱与自私的区别

长期以来,许多思想家认为自爱与自私是一回事,自爱是不道德的.艾里希·弗洛姆对此观点持不同的态度,他认为自爱与自私根本不是一回事.自爱是美德,而自私是罪恶.自爱的人有能力爱他人,而自私的人没有能力爱他人.弗洛姆对自爱与自私所作的区分,饱含着对人类生存状态的深切关怀,这对于促进个体人格的健全与人际关系的和谐具有重要的启示意义.     

利用百色革命故事加强老区大学生思想政治教育

百色革命故事作为重要的红色资源,在发挥思想政治教育中具有独特功能。作为老区高校,应深入了解革命故事的内涵,意识到百色革命故事在大学生思想政治教育中的作用,以及该如何将革命先烈故事融入大学生日常思想政治教育中。     

对新角色的困惑——从子君与安娜谈起

爱情与生命是人类常谈常新的话题,人生的困惑之一就是不能平衡天长地久的爱情与短暂无常的生命,安娜为守住爱情而卧轨,子君为失去爱情而轻生。她们的悲剧命运不仅是某个时代的典型,更是千百年来若干个民族不由自主遵循着的一种规律的体现,在不同的时代演绎着相同的人生。故试图分析造成二者悲剧的根源,论女性对新建角色的适时的认知和调整的必要性与重要性。     

“There’s nothing I hate more than a racist:” (Re)centering whiteness in American Horror Story: Coven

This article examines race and racism in the popular cable horror-drama American Horror Story: Coven. Centered around a feud between a white witch coven and a black, voodoo group of witches, Coven overtly deals with the issue of racism, but presents racism as a phenomenon contained in the past; something that does not happen anymore. Using critical post-race theory and scholarship on colorblind racism, whiteness, as well as black feminist theory, I show that although the narrative of Coven explicitly decries racism, it simultaneously invests in colorblind racist narratives and dialogue. Whiteness is central in Coven, operating through discourse that ignores racial difference and contemporary forms of oppression and erasure. Coven uses graphic depictions of violence against black bodies, makes explicit connections between black sexuality and animals, and uses exotic and aggressive stereotypes of black women to tell its story. Thus, Coven’s narrative both condemns racism and relies on it. This article shows that the contemporaneous presentations of explicit anti-racist dialogue and racist imagery work to (re)place whiteness at the center of Coven, a TV show that purports to forward a message of equality and justice for those who are different.     

浅论奥克塔唯奥·帕斯作品与庄子哲学

奥克塔唯奥.帕斯作品深受庄子人生哲学的影响,同时又有他自己独特的人生观。他们之间的联系从三个方面展开:一是帕斯对道的体悟,二是对物化的接受,三是帕斯的生命观对庄子生命观的扬弃。帕斯深信在无不为的道的面前,爱是强大有力量的,可以做到对永恒宇宙生命的有为。     

原生态的丧失:汉乐府与《诗经》婚恋诗的比较研究

就\"婚恋诗\"来说,汉乐府与《诗经》呈现出较大的不同:汉乐府逐渐丧失了《诗经》中的原生态,人的本真情感部分地被外在的道德教化替代,人性的自然美部分地被宗法伦理所取代。乐府诗中的\"婚恋诗\"平添了一种在伦理笼罩之下的忧郁与悲剧色彩。无论是意象由自然事物和淳朴情感过渡到人间伦理与社会生活,还是由歌颂原生态的欢娱到拷问\"束缚\"与\"顾虑\"中的人性的悲剧,都显出一种原生态的流失。创作层面更是逐渐回避现实,多诉诸想像,借助寓言和其他浪漫主义手法,或者是更具隐喻性的语言来艰难地言说,这也是对原生态的背叛,就原因来看,主要是汉代中央集权,思想开始走向专一,独尊儒术的影响,经学兴起,楚文化的传播,以及汉代文人自我意识的初步觉醒。     

当代医科类大学生恋爱观调查——以福建医科大学和福建中医药大学为例

采用问卷调查法对福建医科大学和福建中医药大学的800个随机样本从恋爱现象现状、恋爱动机、恋爱方式、择偶观、贞操观和对待恋爱挫折等方面进行了调查研究。结果表明,医科类大学生恋爱观的主流意识是积极健康的,但同时又夹杂着传统与现代、保守与开放、意识与行为的矛盾。     

Robert Burns’ Love and Hatred

Robert Burns is the very pioneer of the English Romantic poetry.As the starter of the poetry of 18th century in British,Burns wrote a large number of famous poems.In Burns’ love poetry,he wrote the lovers’ feelings deliberately;In the political poems,Burns depicted the gentlemen’ s hypocrisy with much humor and satire.The author will take the themes of the poetry of Robert Burns as the standing point to study them systematically.