略论沈、汤的戏曲创作理论及其影响

在沈、汤论争中,沈碌力倡“音律说”、“本色论”,这对扭转明中期以来的不良创作风气起了一定的作用。同时也表现出明后期戏曲创作对音乐美、形式美追求的时代特色。但沈臻的理论忽视了作品的思想内容,客观上对明后期吴江派的戏曲创作及作品品评产生了不良的影响。汤显祖提出“文以意趣神色为主”,强调了作品的“曲意”、“意趣”,重视作品的思想内容,重视作品的机趣、神似、真色等问题,对明后期临川派作家的创作起了积极的推动作用。     

复平面上超越方程的数值解法及其应用

基于幅角原理和闭合曲线积分,结合MATLAB,提出了复平面上超越方程的两种数值解法,并编制了相应的程序。这两种方法都能将指定区域内的所有解求出,且无需选定初值。数值结果显示了这两种方法的优越性。     

发展中的高职院校基层教学管理的方法探讨

发展中的高职院校在快速发展过程中面临许多问题,最主要的是基层教学管理问题,基层管理不力成为阻碍发展的重要原因,本文构想了几种方法用于促进基层管理的改善。     

英语句法问题二则

教学过程中遇到的两则英语句法问题值得商榷。其一,“It was so windy that it was only with a tremendous effort were we able to pitch a tent”一句中的倒装,采取句型转换的方法,运用全息律、结构边界律、转换守恒律等规律,依据传统语法学说,可推断并说明该句中的倒装不仅绝无必要而且应调整为正序。其二,“He progressed very quickly”一句中“progress”一词的运用,从名转动用、正向迁移等角度,可论证“progress”一词在该句中的运用并非词性与词义不统一。而且对名转动用这一客观语言现象,应从其赖以存在的深层机理,亦即其语义基础、语用推理和句法动因等角度作理论上的多维探析。     

议会主权还是人民主权?——论洛克的主权观

国家主权最基本的内涵在于它是国内的最高政治权力。一般的传统观点认为,基于自然法和社会契约论,洛克最早系统地论证了议会主权说,是议会主权论者。洛克虽然没有明确地提出“人民主权”的概念,但他在另一种意义上表达了人民主权的思想。     

华语程度结构和论元结构的语法互动关系——从程度补语“死”的学习说起

本文主要探讨华语程度补语标记“死”（si3）所形成的程度结构和论元结构的语法互动关系。以“死”所形成的程度结构可以视为常项和变项之间搭配的句法和语意的表现方式：常项（“死”）和变项（动词和形容词）的各种搭配可以塑造出两个特殊的语法现象,即（Ⅰ）句法上的论元增加,和（Ⅱ）语意上的高程度语意属性的产生。从这些语料中我们将对“变项（动词／形容词）＋死”格式在句法、语意和语用限制上提出一些可能的分析。相信本文对华语教授者或学习者在程度结构的认识上是相当具有启发性的。     

论我国宪法修改程序的完善

通过对比和借鉴不同国家宪法修改程序理论成果．针对我国宪法修改的现实需要．提出了完善我国修宪程序的一些设想。     

Factors Related to the Extent of Mortality among Home Economics Students in Certain Colleges of Minnesota,Wisconsin and Iowa during 1943-50

Because of low verbal skills exhibited by deaf subjects and because of earlier research results linking verbal behavior to aesthetic behavior, this preliminary investigation sought to lay some groundwork for an empirical study of the relationship between these two ordering systems. This study states the postulates upon which our working paradigm is based and presents the results of a correlational analysis of syntactic and aesthetic preference scores of ninety-two deaf high school students (both profoundly deaf and legally deaf). The results appear to corroborate earlier findings linking syntactic and aesthetic behavior. The study suggests the direction for an experimental study which is now in operation under a university grant.     

Parties as reflectors of the feminine sensibility: Woolf's Mrs. Dalloway counters James's the wings of the dove

This article examines the ways in which parties conceived by women writers elucidate the feminine sensibility and feminine concerns with communication. Communication occurs through the preparation of a context—the making of the party from the planning stage, through the purchasing and preparation of food, to its opening in an artfully ordered drawing‐room. It occurs through attention to relationships between partygoers spatially; through attention to people over objects; through attention to the individual hostesses’ attempts to shape the meaning of events internally, intrapersonally; and through an exchange of meaning between individuals through a system of symbols constellated around death. A comparison of Clarissa Dalloway's party in Virginia Woolf's novel with Milly Theale's in Henry James's The Wings of the Dove aptly conveys the differences between male/female reflections of the party and illuminates how death figures prominently in feminine imaginings of social gatherings. Death is the metaphor to communicate psychic fears occasioned in women by parties. Finally, the article suggests how women writers have altered the tradition of the party in literature, permitting it to reflect their felt and lived experience.