体音美专业大学生中介语僵化的实证研究

针对体育、音乐和美术专业大学生中介语僵化的研究相对较少。试以体音美大学生的作文为依据,通过中国学习者英语语料库的对比分析,对该群体的僵化进行研究。研究表明：该群体的僵化程度极为严重,且具有自身的特点。     

本科院校文科实验室建设现状及对策探析

随着信息时代的到来和高等教育改革的不断深入,文科实验室建设成为高等院校建设的又一重大课题。本文针对文科实验室建设中出现的问题,从文科实验室项目的系统规划、政策倾斜、强化管理、资金筹集和队伍建设等方面提出了相应的措施以期达到文科实验室建设的规范化、科学化、现代化。     

美国艺术教育的几个热点问题

从美国艺术教育研究的三个项目,管窥美国艺术教育三个不同领域的研究:哈佛大学“零点项目”中的一项成果“艺术教育并不必然提高学生的综合学习能力与成绩”,强调重视艺术教育本身不可替代的价值;“艺术教育与辍学率”,揭示出艺术教育能够“延缓孩子辍学时间和延长在校学习时间”的事实,间接证明了艺术教育对在校学习的积极影响;“教学艺术家”的研究,从艺术家从教的各个环节入手,系统地探索、总结这一师资角色的发展和社会作用.     

新疆民间工艺美术数字化保护探析

新疆是一个多民族聚居区,在历史上产生了光辉灿烂的民间工艺美术,留下了丰富而珍贵的文化遗产。这些工艺美术是新疆各族人民在这里生活、繁衍、生息的历史见证。保护和管理好工艺美术,具有重要的历史意义和现实意义。中国西部开发给新疆工艺美术的保护带来了正反两方面的影响,如何在发展经济的同时保护民族优秀传统文化是一个重要课题。论文立主开展新疆民间工艺美术的数字化保护,并提出了详细的意见。     

提升幼儿美术兴趣的对策研究

《3~6岁儿童学习与发展指南》中对艺术领域的划分和目标制定,凸显了艺术感受在幼儿艺术教育中的重要地位。对幼儿探索性感受、对比性感受、渐进性感受和个性化感受等的激发与培育,是提升幼儿美术兴趣的有效路径。     

The impact of various creative initiatives on wellbeing: a study of children in English primary schools

The following paper builds uon a survey of primary students’ wellbeing in an attempt to assess the impact of various creative initiatives on this aspect of their lives. Three case studies were conducted in schools with some of the highest aggregate wellbeing scores, all three schools having also been engaged in various extended Creative Partnership programmes. Teachers, Creative Practitioners and students were interviewed and observed during both normal lessons and Creative Partnership activities. It is posited that the implementation of creative activities under the framework adopted by Creative Partnership enhances both hedonic and eudaimonic aspects of wellbeing and accords with theories of motivation which stress the value of promoting student competencies and autonomy and creating classroom climates which promote connectedness.     

Improved Appreciation of Mathematics Through an IBL Liberal Arts Mathematics Course

Abstract

The author has taught an inquiry-based liberal arts mathematics class using the text “The Heart of Mathematics: An Invitation to Effective Thinking” by Edward B. Burger and Michael Starbird a total of 20 times since Spring 2001. The students in this class have almost all been in non-technical majors and many started the semester with negative or ambivalent attitudes toward mathematics based on their prior experiences. The author has gathered responses from students in this class that illustrate significant changes in their attitudes towards mathematics during the course. In particular, the responses gathered at the end of the semester are often eloquent about understanding the great ideas of mathematics that students confronted in this course and about seeing many more and varied connections between mathematics and the “real world” than they had previously realized existed.     

国际职业格斗赛事的类型分化与序列演化

职业格斗赛事是以职业选手为参赛主体,以高水平格斗赛事为商品,以此获得经济效益的专门性体育经济活动。在职业格斗赛事领域,格斗赛事经由类型分化,以及同质性格斗类运动项目的聚类融合,呈现出职业拳击赛事、职业站立格斗赛事和职业综合格斗赛事3大类型赛事并行发展的态势。在职业拳击赛事方面,赛事组织经分化呈现出以WBA、WBC、IBF和WBO这4大职业拳击组织举办的赛事序列演化格局。在职业站立格斗赛事方面,“K-1”时代的更迭先后经历了创立与探索发展阶段、由兴盛而衰落阶段与重建阶段;在后“K-1”时代,“K-1”主导的站立格斗赛事发展格局被打破,呈现出多元竞争与发展的格局。在职业综合格斗赛事方面,以美国“UFC”为主导的职业综合格斗赛事经过了从早期“无限制”赛事向“综合格斗”赛事的转型,从“边缘化”走向中兴。在一定时期内,美国“UFC”将主导国际职业综合格斗赛事的发展,在“UFC”的主导下,职业综合格斗赛事将进一步扩张,并呈现全球化发展之势。     

格物致知:博物馆艺术教育的活动规划方式研究

博物馆是承载社会记忆的时空胶囊,是文化交流的最佳窗口。博物馆艺术教育不仅可以保护文化遗产的整体性,还可以培养观众的美感素养及文化品位。通过博物馆艺术教育,观众可以汲取知识,激发好奇心,增进审美能力。通过归纳博物馆艺术教育的功能及其类别,分析博物馆艺术教育的教学理念,提出三种博物馆艺术教育的活动规划方式。     

Teachers Curating Virtual Exhibitions for Learning Visual Arts: A Study of Impact and Effectiveness

Although visual arts teachers have free access to high quality online artwork images offering them immense teaching resources, making meaningful use of them remains a pedagogical challenge. During the COVID-19 pandemic, the transition from face-to-face to online teaching caused an immediate need for teachers to enhance their digital competencies and technological capability for planning and delivering a blended art curriculum. Herein, I propose a ‘teacher-curator pedagogy’ via a study in six primary and secondary schools in Hong Kong to assess its effectiveness. The study took place in the academic year of 2021-22 with 331 student participants. The proposed pedagogy puts visual arts teachers in the role of ‘digital curators’ who create virtual exhibitions for teaching art appreciation and artmaking. This paper addresses the theoretical framework, implementation strategies, and the results of the study highlighting its effectiveness, impact and limitations on teaching when using teacher-curated virtual exhibitions in both physical and virtual learning contexts. It was found that the technological capacity and confidence of the teacher participants was enhanced through the use of online resources and virtual exhibition tools. Making use of the 3D presentation of exhibits in themes and context through digital content curation, the teachers engaged students with deep interaction through the blending of online and face-to-face teaching. However, the proposed pedagogy was limited by the high demand of training and preparation work, hardware and software support, and difficulties in assessing and monitoring learning beyond class.