当代中国社会幸福观研究

当代中国社会幸福问题引起了各界人士前所未来的关注。国内外学术界对当代中国人的生活是否是幸福、多大程度上幸福存在着不同的甚至相反观点。这需要我们对当代中国人幸福从研究方法与研究内容上去展开更深的入研究。     

＂Turkish Five＂：Their Contributions to Contemporary Piano Music and Piano Education in Turkey

First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period （after 1923）, ＂Turkish Five＂ emerged. ＂Turkish Five＂ consisted of professional composers who were educated in Europe and learned western musical forms. These musicians, according to their birth years, are Cemal Resit Rey （1904-1985）, Hasan Ferit Alnar （1906-1978）, Ulvi Cemal Erkin （1906-1972）, Ahmet Adnan Saygun （1907-1991） and Necil Kazan Akses （1908-1999）. ＂Turkish Five＂ achieved important accomplishments and did significant contributions to Turkish contemporary music in 30-40 years with their efforts. While doing this, they used over 500-year old musical legacy of the West. At the beginning, these musicians used Turkish folk tunes and their rhythmic and modal system, however, later, they began to use ＂impressionism＂, ＂neo-classicism＂ and finally ＂atonalism＂ in their music. In the current study, the contributions of ＂Turkish Five＂ to contemporary Turkish piano music and their approaches to piano education were examined via literature review. After an extensive research with the literature on the topic, the researcher has interviewed with six piano teachers from different music institutions in Turkey （including two schools of time arts, two conservatories and two music teacher training schools）. During these interviews, the contributions of the ＂Turkish Five＂ were examined based on ＂relativity＂ and ＂local to global＂ principles in education, and the researcher has searched for the ways to use more of their music in piano education through the interviews. Therefore, the main purpose of the study was to discover ways to implement more of the music by ＂Turkish Five＂ in piano education in Turkey and to ffmd solutions fo     

高校教师课堂教学能力的缺失与建构

课堂教学能力是教师能力结构的核心.当前高校教师由于课堂教学能力的缺失而影响了课堂教学的质量.建构课堂教学能力,包括提高课堂教学的设计能力、加强对课堂教学主体的研究与监控能力、提升课堂教学的组织能力、构建适当的课堂教学评价能力,以此改进课堂教学的质量,改善课堂教学的效果.     

艺术类大学生情绪调节策略特点及其与人格、自动思维关系研究

采用问卷法对351名艺术类大学生进行调查,探讨艺术类大学生情绪调节策略特点及其与人格、自动思维的相互关系.结果表明:(1)艺术类大学生在情绪调节策略使用上性别差异不显著;在愤怒和悲伤两种消极情绪调节策略中,注意转移策略最多.前者的情境修正策略最少,后者的人际支持策略最少.表达抑制策略在两种情绪调节中的使用均较少;在快乐情绪调节策略中,支持分享策略使用最多,表达抑制最少.(2)人格特质P、N和L及自动思维与情绪调节策略关系密切;(3)人格特质P,或通过自动思维对情绪调节策略有直接和间接效应.     

幼儿美术教育的价值取向与实施策略

幼儿美术教育是幼儿园艺术教育领域的重要组成部分,受到幼儿园教育工作者的普遍重视.为保证幼儿美术教育促进幼儿积极情绪情感与学习体验获得之目标的实现,幼儿园教育者应重塑有关幼儿美术教育的价值取向,排除当前教育功利化的消极影响,积极改革幼儿美术教育的内容、途径与评价方式,并营造家园共育的良好环境,通过创设充满审美情趣的幼儿园美术环境与开展丰富的美术作品评鉴和赏析活动,对幼儿进行潜移默化的艺术熏陶,促进其审美意识与能力的发展.     

舒岳祥咏物诗探微

舒岳祥咏物诗数量众多,题材广泛,具体物象纷繁复杂,将其归纳为就物写物、借物抒情、托物言志、咏物喻理四种类型。舒岳祥咏物诗大多寄托遥深,在咏物中寄寓个人遭际及家国之忧。对海宴河清的真诚呼唤和殷殷期盼,对各类奸佞小人的批判谴责,雄心壮志与怀才不遇的深刻矛盾,对理想人格、高尚道德操守的追求与坚持,都是其咏物诗重要的情志内涵。舒岳祥咏物诗在艺术上达到较高境界,这得益于诗人对意象、象征、用典等各种修辞手法的熟练运用。     

生态论教育思想视域下的当代中国艺术歌曲的价值

生态论教育思想是全球性生态危机背景下诞生的一种新的教育理念,生态论思想与现代教育实践的融合对于当代音乐教育工作有着重要的指导意义。当代中国艺术歌曲中有大量饱含生态论价值的优秀作品,这些作品必将是以生态论教育思想为指向的当代音乐教育所亟需的艺术资源,具有较高的生态教育价值。     

从奥斯卡金像奖看不同时期好莱坞电影的发展变化

奥斯卡奖作为好莱坞的风向标,对世界影坛的影响举足轻重。文章通过对奥斯卡奖历程的回顾,分析好莱坞电影在不同发展时期的特点,探讨其传播方式和传播目的的转变。     

当代大学生艺术素质教育探析

艺术素质教育是文化素质教育的重要组成部分,高等教育应注重以人的全面、和谐发展为目标,对大学生进行艺术素质教育,激发大学生学习艺术的主动性和积极性,提高教学质量和水平。     

微格教学:历史演变与当代诉求

教师专业发展是当代教师教育的基本价值追求。当前,教师专业发展的基本范式发生了转换,即由关注教师知识与技能的"技术理性"转向关注教师作为生命个体价值实现与教育智慧生成的"价值理性"。在此背景下,微格教学在经历技能训练取向、认知发展取向与综合化发展取向后,在当代教师专业发展的理念要求下,将致力于教学目标综合化、教学过程合理化、教学形式多样化与教学评价实践化的方向发展。